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Does 'Mufasa: The Lion King' live up to the iconic original? We break down the film’s visuals, storytelling, and emotional depth to find out.
December 20, 2024
Photorealistic beasts roam spectacular African vistas. The epic swirl of music signals a royal lion’s rise to prominence—yet again. On paper, Mufasa: The Lion King (2024) had all the hallmarks of a Disney juggernaut, continuing the legacy of 2019’s monumental (and massively profitable) The Lion King remake. Directed by Barry Jenkins (Moonlight), powered by new songs from Lin-Manuel Miranda, and starring an impressive voice cast, this prequel promised a grand return to the Pride Lands. But does it deliver on that promise—or is it merely prowling in the shadow of its iconic predecessor?
Below, we offer a comprehensive, spoiler-light exploration of the film’s visual feats, its storytelling merits, and how well it navigates the tightrope of honoring a classic while trying to stand on its own regal paws.
“Mufasa: The Lion King” is set before the tragic events that shaped Simba’s destiny in the 2019 remake. Though officially billed as a prequel to that film, it also works as an alternate lens on the broader Lion King franchise mythology. As the title suggests, Mufasa focuses on the early life of Simba’s mighty father—how he rose to power, forged key relationships (and enmities), and ultimately became the revered king we all know.
But Mufasa: The Lion King (2024) tries to do more than just color in backstory details. On one hand, it aims to recast Mufasa as a self-made hero from humble beginnings, threading in new conflicts and extra context for the original Lion King saga. On the other, it grapples with the same “photorealistic” constraints as its predecessor, where the digital lions’ expressiveness—and the sense of whimsical wonder—can sometimes feel oddly restrained.
For those eager to compare the film’s reception across multiple platforms:
These resources reflect the film’s critical and commercial response in real time.
While The Lion King (2019) closely followed the 1994 classic’s narrative, Mufasa threads an original tale about how this lion legend rose to prominence. In an attempt to shift away from some of the more overtly monarchic traditions of the franchise, the story reimagines Mufasa’s background. If you recall the original film, Mufasa was seemingly born to rule; here, we see him as an outsider forced to earn his place amid new friends and foes.
No Lion King story would be complete without Scar—or Taka, as he’s initially called. The tension between these two “brothers” is the emotional centerpiece. The film teases us with a semblance of camaraderie before Scar’s eventual bitterness takes root. While intriguing, some critics find that Mufasa over-explains details we never really needed (e.g., where exactly Scar got his scar, or how Pride Rock got its shape). These additions can feel like classic prequelitis, especially when they undermine the elegant simplicity of the original’s familial conflict.
Disney clearly believes comedic relief is as integral to The Lion King as the main storyline. Timon and Pumbaa return with quippy commentary, while Rafiki carries out his spiritual duties, dispensing cryptic wisdom and orchestrating flamboyant ritual scenes. All these comedic interludes can provide tonal variety, though some viewers might find them more intrusive than charming.
“This story is killing me—I need a bathroom break!”
—Pumbaa in one of the film’s self-aware comedic lines.
Photorealistic CGI was a major talking point in the 2019 “live-action” Lion King, lauded by some for realism and criticized by others for flattening the emotional range of animated lions. Mufasa: The Lion King (2024) ups the ante technically—fur is even fluffier, eyes more reflective, landscapes more sweeping and saturated. Yet ironically, the attempts at extreme realism risk diminishing the big, expressive cartoon moments that once defined the Lion King identity.
That’s not to say there aren’t breathtaking sequences—particularly an underwater fight that conjures up a haunting, dreamlike quality rarely seen in mainstream Disney fare. But for every visually dazzling set piece, there’s a sense that photorealism is boxing the story into familiar, sometimes monotonous territory.
When you have voice actors like Aaron Pierre as Mufasa and Kelvin Harrison Jr. as Scar (aka Taka)—plus returning cameos from Donald Glover (Simba) and Beyoncé Knowles-Carter (Nala)—you expect layers of gravitas and star power. Performances do shine at times:
After Moana and Encanto, Lin-Manuel Miranda’s name alone conjures certain expectations. Unfortunately, Mufasa’s new tunes are somewhat mixed. The lyrical wordplay is there, but few tracks have the immediate earworm quality of “Circle of Life” or “Hakuna Matata.” Coupled with the film’s more sober tone, the songs might not stick in the collective pop-cultural consciousness the way the original soundtrack did.
Industry watchers predicted that Mufasa: The Lion King would dethrone holiday competition at the box office. Yet early projections appear modest, with some estimates pointing to a $50–60 million opening weekend, overshadowed by other family-friendly flicks (e.g., Sonic the Hedgehog 3). The 2019 Lion King opened to nearly $200 million in its first weekend, so repeating that thunderous success was always a tall order.
Critically, the film currently hovers around “mixed” or “rotten” territory on aggregator sites—Rotten Tomatoes is one place to gauge the overall vibe. Many point to a “safe retread” storyline and “constrained emotional range” as recurring critiques, reminiscent of 2019’s feedback.
Looking to go deeper than the average review? Over at What’s After the Movie, we’ve compiled not just the basic synopsis but also exclusive movie quizzes, behind-the-scenes tidbits, and links to other popular review sites—all in one place. You can head straight to our dedicated movie page here:
Mufasa: The Lion King (2024)
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Mufasa: The Lion King (2024) deserves credit for attempting something new within the beloved Pride Lands. The visuals are spectacular, and Barry Jenkins’s direction has occasional bursts of authenticity and warmth. But the film wrestles with a story that feels simultaneously over-explained (with too many minute details) and under-satisfying (due to tonal mismatches and photorealistic limitations).
For longtime fans of the franchise, this prequel lands somewhere between a nostalgic revisit and a cautious side quest. It’s grand, mostly safe, and sure to move plushies off the shelves. Whether it forges a lasting emotional bond—like the 1994 original did—is a matter of personal taste.
Still, as the Lion King universe expands, one thing remains certain: the circle of life (and Hollywood’s penchant for sequels, prequels, and remakes) never quite fades—it only evolves. For more insights, quizzes, and a thorough compilation of the film’s online presence, remember to stop by What’s After the Movie and delve into our growing library of content on Mufasa: The Lion King.
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