In the gritty thriller "10 to Midnight", a veteran detective (Charles Bronson) driven by personal vendetta and his young partner (Andrew Stevens) defy protocol to track down a ruthless serial killer preying on innocent women.
Does 10 to Midnight have end credit scenes?
No!
10 to Midnight does not have end credit scenes.
12
Metascore
5.9
User Score
%
TOMATOMETER
0%
User Score
6.3 /10
IMDb Rating
62
%
User Score
Who is the protagonist of the story?
As Warren Stacey, portrayed by Gene Davis, navigates his monotonous job in office equipment repair, his disturbing obsession with women spirals into a horrific spree of violence. Rejection after rejection only intensifies his feelings of inadequacy, ultimately driving him to commit unimaginable acts under the pretense of revenge. One pivotal night, during a screening of Butch Cassidy and the Sundance Kid, Stacey’s grotesque behavior transforms into a twisted attempt at social interaction, as he deliberately harasses the women sitting next to him, hoping to leave a scarred impression. As the film plays, he stealthily slips away, his vile intentions hidden just beneath the surface.
Stacey targets Betty, a colleague who previously spurned his advances. With chilling precision, he ambushes her and her boyfriend in a secluded woodland clearing, leading to a brutal, senseless murder that concludes with him coldly vacating the scene, leaving behind a fabricated story to cover his tracks.
Meanwhile, the diligent Detective Leo Kessler, played by Charles Bronson, alongside his novice partner Paul McAnn, is immersed in the task of piecing together the disturbing evidence surrounding these violent murders. Kessler’s seasoned reputation contrasts sharply with McAnn’s inexperience. As they dig deeper into the case, Kessler’s daughter, Laurie, portrayed by Lisa Eilbacher, a nursing student struggling with her relationship with her father, finds herself inadvertently ensnared in this web of chaos.
Stacey’s attendance at Betty’s funeral acts as a grim signal for his subsequent move. He attempts to uncover a diary belonging to his victim, fearing that it could expose him. In a fit of rage, he murders Karen Smalley, Betty’s roommate and co-worker, right in her kitchen, as he resumes his desperate search for the incriminating evidence, only to find it completely gone.
As Kessler grows increasingly determined to capture Stacey, he resorts to tampering with evidence, crafting a deceptive plan aimed at ensuring a conviction. However, McAnn’s strong moral compass prevents him from partaking in this deceitful game. When Kessler’s manipulation is laid bare in court, his credibility is irrevocably damaged, leading to the dismissal of charges against Stacey. Consequently, the renowned detective faces termination, leaving his reputation in ruins.
Now liberated, Stacey takes pleasure in taunting Kessler via phone. Undeterred, Kessler retaliates by invading Stacey’s apartment, which sparks a vicious exchange that culminates in Stacey losing his job. That night, as Kessler stalks Stacey through the streets of Los Angeles, he witnesses him pick up a prostitute and head to a dilapidated hotel. However, upon arrival, Kessler uncovers a grim truth—Stacey has been stalking Laurie, the very object of his fixation.
Realizing too late that Laurie is in imminent danger, Kessler rushes to her nursing college dorm, desperate to warn her and her roommates about Stacey’s impending arrival. Tragically, he arrives just as Stacey viciously murders Laurie’s three roommates while Laurie desperately hides in fear.
As the clock ticks down, Kessler alerts McAnn to Stacey’s whereabouts. In a twist of fate, Laurie manages to escape, wounding Stacey with a hot curling iron. In a frantic chase, Stacey finds himself pursued through the streets until he is ultimately cornered by McAnn and Kessler, who bravely rescue Laurie from the horror. In his rage and insanity, Stacey rants about deserving early release from prison due to his mental state. However, McAnn’s measured response, “No, we won’t,” precedes the fateful shot that ends Stacey’s nightmarish spree, securing a measure of justice at last.
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