A Tale of Two Cities 1935

In 18th century France, a devoted lawyer finds himself torn between his duty to uphold justice and his love for a beautiful young woman. Against the backdrop of the Reign of Terror, their star-crossed romance culminates in a poignant sacrifice that will forever change the course of their lives.

In 18th century France, a devoted lawyer finds himself torn between his duty to uphold justice and his love for a beautiful young woman. Against the backdrop of the Reign of Terror, their star-crossed romance culminates in a poignant sacrifice that will forever change the course of their lives.

Does A Tale of Two Cities have end credit scenes?

No!

A Tale of Two Cities does not have end credit scenes.

Ratings


Metacritic

87

Metascore

tbd

User Score

TMDB

68

%

User Score

Movie Quiz


A Tale of Two Cities Quiz: Test your knowledge on the twists and characters of the 1935 film adaptation of 'A Tale of Two Cities'.

Who leads the book club meeting that sets the story in motion?

Plot Summary

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In a tranquil suburban environment, Juliet Burke (Elizabeth Allan) is preoccupied with preparations for a book club meeting, completely oblivious to the chaos looming on the horizon. As the discussion heats up around Stephen King’s Carrie, the group is abruptly interrupted by unsettling tremors that create a sense of impending doom. The book club members rush out of Juliet’s contemporary residence, only to encounter a surreal sight: Ben Linus (Basil Rathbone), formerly known as “Henry Gale,” materializing alongside Ethan Rom (Fritz Leiber). They gaze up in awe at the catastrophic spectacle of Oceanic Flight 815 disintegrating high above. In a chillingly calm manner, Ben orders Goodwin (Reginald Owen) and Ethan to infiltrate the survivors’ camp, instructing them to extract vital intelligence within a tight three-day timeframe.

Simultaneously, Jack’s (Ronald Colman) personal life is spiraling into chaos as he grapples with the pain of his divorce from Sarah (Edna May Oliver). His relentless search for answers regarding her new relationships propels him into a world of spying and deceit. Jack’s suspicions lead him to his father, Christian Shephard (Henry B. Walthall), who is attending an Alcoholics Anonymous meeting. Confronted with Jack’s accusations of infidelity, a heated argument ensues, ultimately resulting in Jack’s arrest. However, Sarah steps in to clarify that she sought Christian’s support to help Jack overcome his challenges, not to engage in an affair. As revelations unfold, Sarah leaves with an intriguing companion, forcing Jack to face the stark truths about his own flaws.

Meanwhile, Kate Austen (Evangeline Lilly) begins to regain consciousness, finding herself on the cold floor of a locker room. Under Tom’s (Walter Catlett) deceptive kindness, she wakes from her disorientation, only to confront his unexpected demand for her to wear a dress and join Ben for a formal breakfast on the beach—a stark contrast to her predicament. Ben chillingly informs her that the coming weeks will be a drawn-out nightmare. Meanwhile, James “Sawyer” Ford (Donald Woods) awakens ensnared in a jungle cage, surrounded by an experience vastly different from the opulent breakfast Kate is about to endure. While navigating his imprisonment, Sawyer forms an unlikely friendship with Karl (M. C. Gainey), a teenager who initially disregards him but eventually frees Sawyer from his confines, sharing tales about his camp. Unfortunately, their bond is cut short when Tom intervenes, demanding Karl apologize before dragging the battered youth away, with Kate being unceremoniously relocated to Karl’s now vacant cell.

In a dire scenario elsewhere, Jack finds himself confined within a Hydra Station cell, where Juliet’s (Evangeline Lilly) gentle probing cloaks her true motives. In an effort to escape, Jack lashes out with an improvised weapon, yet Juliet’s steadfast demeanor and warnings about the catastrophic consequences of his actions only serve to intensify his frustration. Ben’s timely arrival confirms Juliet’s dire warnings, forcing Jack to reconcile with the harsh realities of their situation. Following a brief skirmish, Juliet subdues Jack, leaving him unconscious. Upon regaining awareness, he is presented with a file detailing his life—prompting him to probe, “Is Sarah happy?” Juliet’s affirmative reply brings him a fleeting sense of comfort, but her departure, coupled with Ben’s congratulatory remarks, highlights the grim nature of their circumstances.

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