Back
Does Alone in the Dark have end credit scenes?
No!
Alone in the Dark does not have end credit scenes.
![Alone in the Dark](https://atm.fra1.digitaloceanspaces.com/movies/alone-in-the-dark-1982.jpg)
Alone in the Dark
1982
In the shadows of isolation, recently divorced Bri is trapped by her troubled past. When a sinister stalker invades her sanctuary, she's forced to confront the darkness that lurks just beyond her walls, blurring the lines between reality and terror.
Runtime: 92 min
Language:
By:
Ratings:
![Metacritic](/images/common/movies/metacritic-logo.png)
63
Metascore
6.4
User Score
![Metacritic](/images/common/movies/imdb-logo.png)
6.0 /10
IMDb Rating
![Metacritic](/images/common/movies/tmdb-logo.png)
59.0
%
User Score
Check out what happened in Alone in the Dark!
Here's a rephrased version of the text:
As the snowflakes gently fell outside, Preacher (Martin Landau) slipped into Mom's Diner, his eyes scanning the dimly lit room as he claimed his spot at the counter. With a nod, he requested "the usual", and Leo Bain (Donald Pleasence), the chef with a penchant for mystery, emerged from the shadows to engage him in conversation. The air inside the diner suddenly grew heavy with rain, only to vanish as quickly as it had appeared - leaving behind an unsettling feeling that lingered long after Preacher's departure. But what seemed like a mere aberration was later revealed to be a harbinger of the surreal world that lay within his troubled mind, now confined to the walls of an insane asylum.
The following day, Dr. Dan Potter (Dwight Schultz) arrived at the hospital, seeking guidance from the enigmatic Dr. Leo Bain - only to find himself enveloped in a warm hug from a man he had never met before. It was as if time and space were irrelevant, and Bain's affable demeanor was merely a precursor to the chaos that lay ahead. As Dan settled into his new life with wife Nell (Deborah Hedwall) and their 11-year-old daughter Lyla (Elizabeth Ward), the darkness lurking beneath the surface of the hospital began to stir.
That night, Frank Hawkes (Jack Palance), a former World War II POW turned prisoner of war, suddenly sprang from his bed, his eyes fixed on a window that seemed to hold a secret. The ensuing commotion sent alarms blaring and gates slamming shut, serving as a stark reminder that the boundaries between reality and madness were about to become increasingly blurred.
The next day, Dan returned to the hospital, eager to meet with Bain once more. But instead of finding solace in their conversation, he was introduced to a motley crew of patients known as "voyagers" - individuals whose sanity had been shattered by the horrors they had witnessed or perpetrated. There was Hawkes, driven mad by the memories of war and the injustices it had wrought; Byron Sutcliff, aka Preacher (Martin Landau), a former priest consumed by a messianic fervor that had led him to set fire to three churches; Ronald "Fatty" Elster (Erland Van Lidth), a monstrous pedophile who wore his 370 pounds like a badge of shame; and John Skagg, aka the Bleeder (Phillip Clark), a ruthless murderer whose very presence seemed to draw life out of those around him. As Dan gazed upon this assembly of lost souls, he sensed that their collective psyche was on the verge of unraveling - and that his own sanity hung precariously in the balance.
As the day wears on, Ray Curtis (Brent Jennings), the stalwart lead orderly on the third floor, shares a candid assessment with Dan: the four voyagers are consumed by an intense animosity towards their strict caretaker. He then locks down his office, literally and figuratively, as he explains to Dan that electricity is the sole barrier separating him from these volatile patients.
Meanwhile, in the gated courtyard where the inmates mingle, Preacher's frustration boils over as he requests a match from Bain and, with calculated malice, sets his suit coat ablaze. The flames dance through the air as he swings it wildly at those around him. Dan valiantly attempts to intervene, but Preacher's fury is unrelenting. It takes Bain's whispered words of caution to quell the chaos, with Bain having reminded Preacher that any misbehavior would be met with a gruesome punishment: being "cut in half" every time.
As Dan navigates the labyrinthine corridors, Ronald slips unnoticed into his office, where he discovers a letter addressed to Dan and a poignant framed photograph of Nell and Lyla. This discovery serves as a poignant reminder of the doctor's personal life.
Dan subsequently seeks out Hawkes' expertise regarding Merton, only to be told that his colleague is likely hiding in nearby Philadelphia. As the sun dips below the horizon, Dan arrives home to find his younger sister Toni (Lee Taylor-Allan) paying him a surprise visit.
Toni extends an invitation for the entire group to join her at a rock concert in town, and as they make their way there, Nell offers Toni an unsettling glimpse into the patients Dan is treating. She also shares the dark truth behind John Skagg's ominous moniker: "The Bleeder." As they arrive at the nightclub, Dan is treated to a cacophonous performance by the punk rock band known as the Sick Fucks – a sound that is decidedly not his cup of tea.
Just as the night seems poised to wind down, the electricity flickers and dies. The crowd spills outside, where they're met with an inky blackness. Back at the hospital, Preacher suddenly declares, "I made the lights go out!" Hawkes inspects the area around the window, only to confirm that neither the gate nor alarm is functioning. With their captors momentarily distracted, the four voyagers seize the opportunity to make their escape.
In the aftermath of this chaos, Ronald and Preacher converge on Ray's office, where they discover him cowering in a closet. A brutal beating ensues, culminating in Ronald snapping his back like a twig. The quartet then makes its way outside, where Ronald's immense strength allows him to shatter a car window and apprehend a fleeing doctor, before sending them packing in the commandeered vehicle.
As the quartet of voyagers converges on a local shopping center, they're met with a chaotic scene: a throng of looters has overrun multiple stores, leaving a trail of destruction in their wake. The four escapees, still reeling from their own sanity-blasting experiences, see an opportunity to replenish their wardrobes and arm themselves for the uncertain road ahead. Hawkes (character) equips himself with a crossbow and assorted handguns, while Preacher wields a formidable Bowie knife and double-bladed axe. Ronald, meanwhile, settles on a trusty baseball bat as his sole weapon, and Skagg "The Bleeder" dons a hockey mask and brandishes a gardening fork.
As they make their way outside, Skagg's bloodlust gets the better of him, and he brutally dispatches a hapless bystander with the gardening fork. This gruesome display seems to unsettle his companions, who promptly abscond in the victim's van, leaving Skagg behind to ponder his actions.
The next day, Dan arrives at the hospital to learn from Bain about the four escaped patients, their rampage of violence, and the numerous lives lost. With the statewide power outage still in effect, Dan must report this disturbing news to the authorities, detailing the horrific deeds committed by these wayward souls.
As Hawkes, Preacher, and Ronald cruise through a nearby neighborhood, they take great pleasure in tormenting a hapless bicycle messenger. When the man dares to mouth off at Hawkes, calling him an "asshole," the enraged voyager responds by putting the van in reverse and running down the pedestrian.
Meanwhile, back at Dan's residence, Preacher arrives on the scene, clad in the very uniform of the recently dispatched bicycle messenger. He presents himself as a harbinger of bad news to Nell, claiming he has a telegram for the doctor. Though she offers to take it from him, Preacher insists on returning later, leaving Nell with an unsettling sense of foreboding.
Later that day, as Toni and Nell prepare to participate in an anti-nuclear protest unfolding in town, they're unaware of the sinister presence lurking nearby. At Dan's house, Ronald has taken up residence, posing as Lyla's babysitter. Though he seems friendly at first, his bizarre behavior soon unsettles her. When Ronald suggests showing off his paper-cutting skills to Lyla, she becomes increasingly uneasy, sensing that something is amiss in this once-harmless world.
As Toni and Nell languish behind bars alongside dozens of fellow protesters, they form an unlikely bond with Tom Smith, another arrestee who shares their passion. When phone call time arrives, Tom selflessly permits Toni to use his turn at the phone, allowing her to reach out to Dan at the hospital and provide crucial information about their whereabouts. With Dan's prompt intervention, a chain of events unfolds as he contacts Bunky (Carol Levy), Lyla's trusted babysitter, to ensure the young girl's safety. Bunky, meanwhile, is summoned to Dan's residence, where she discovers Lyla peacefully slumbering on her bed. As Bunky begins to make arrangements for Billy's arrival, an unexpected interruption sets off a chain reaction of events. A noise emanates from the closet, prompting Bunky to enlist Billy's assistance in investigating the source. Just as they begin to explore the space beneath the bed, a bowie knife materializes, repeatedly jabbing at Bunky with deadly intent. Quick-thinking and agile, she manages to evade the attacks before making a hasty retreat to the bedroom door. However, her escape is short-lived, as Preacher emerges from beneath the bed, only to be thwarted once more when Ronald intervenes, silencing Bunky with a fatal stranglehold.
Later that day, Dan returns home with Nell, Toni, and Tom, only to find his residence swarming with police. To their relief, Lyla is unharmed, having recounted the unsettling presence of Ronald. Meanwhile, the authorities remain oblivious to the tragic fate that has befallen Bunky and Billy. As Tom requests to stay for dinner, Dan extends an invitation to Detective Barnett as well, hoping that the added security will deter any further unwanted visitors – escaped patients or otherwise.
As the evening wears on, Dr. Bain's frantic attempts to reach Dan on the phone go unanswered, leaving him growing increasingly anxious. Meanwhile, at the Potter residence, the family is enjoying dinner when Detective Barnett ventures outside to investigate a strange noise. As they watch from the window, a sudden and sinister silence falls over the scene as a crossbow bolt finds its mark, pinning the detective to a tree. The group springs into action, scrambling to secure their home by locking all doors and windows, but their relief is short-lived as they discover the phone line dead.
As fear takes hold, Toni's trepidation about venturing upstairs proves well-founded, prompting Tom to take charge and personally secure the windows. Dan's subsequent glance outside reveals a chilling sight: Barnett's lifeless body has vanished into thin air. The evening's events have taken a dark and ominous turn.
Later that night, the sound of arrows piercing windows sends Tom and Dan scrambling to barricade the front door with furniture and window frames. As they frantically work to fortify their defenses, Bain receives word from the telephone operator that the Potter residence is experiencing a mysterious outage. He sets out to investigate, arriving at the house to deliver the unsettling news.
But his words fall on deaf ears as Dan and the others urge him to leave, sensing an unseen threat lurking in the shadows. It's only when Dan reveals the presence of the voyagers that Bain decides to take a risk and attempt to reason with them. Emerging from the nearby underbrush is Preacher, his Bowie knife at the ready.
In a shocking turn of events, Preacher brutally slashes off Bain's left ear before attempting to force his way into the house. As Dan rushes to assist, Bain retreats to his car in a state of panic. Preacher then reappears, axe in hand, and delivers a chilling declaration: "Romans 12.19: Vengeance is mine, saith the Lord!" With that ominous warning, Preacher disappears into the night, leaving behind only a sense of unease and foreboding.
As the dust settles, Tom's gaze falls upon Bain's abandoned vehicle, its occupant nowhere to be found. The night has claimed another victim, plunging the group further into chaos and despair.
As Dan futilely attempts to summon help from the outside world, his cries falling on deaf ears, the atmosphere inside grows increasingly suffocating. The arrival of Barnett's lifeless body, hurled through a window by Ronald, only serves to amplify the sense of dread that pervades the group. In a desperate bid for safety, they stack furniture against the broken window as Hawkes fires another arrow into the fray. Meanwhile, Toni's perceptions begin to blur, and she becomes convinced she sees another figure leap through an open window - a hallucination that is quickly dispelled when Dan inquires about her distress. Her response, however, belies a deeper concern: "I'm getting sick again."
As the group's senses are overwhelmed by the acrid stench of smoke, Dan's instincts scream at him to take action. He deduces that Preacher has infiltrated the basement, intent on setting fire to the very foundation of their existence. The discovery of Bunky and Billy's lifeless bodies in a closet sends Nell scrambling for the fire extinguisher, only to find herself face-to-face with death once more.
With Dan's quick thinking and bravery, he manages to subdue Preacher and extinguish the flames before they spread. But little do they know, their reprieve is short-lived. Ronald bursts into the fray from the kitchen back door, brandishing his baseball bat like a deadly instrument of chaos. Lyla, ever resourceful, ducks for cover beneath a table and severs Ronald's leg with a knife, while Tom wields a massive cleaver to devastating effect in Ronald's back. As the life drains from Ronald's body, Tom claims the fallen baseball bat as his own, delivering a crushing blow that sends his opponent crashing to the floor.
As Dan's frantic efforts to hotwire Bain's car falter, he dashes back inside to confront the chaos unfolding before his eyes. Tom, his true identity finally revealed to Nell as she gazes upon his bloodied face, wraps his hands around Toni's neck with an eerie calmness. The sound of her desperate screams pierces the air, prompting Dan to rush in and wrench Tom away from his sister. Nell, quick-thinking and resourceful, seizes the opportunity to avenge her family by plunging the knife into Tom's abdomen, ending his life.
The sudden stillness is short-lived, as Preacher emerges from the basement, only to be met with Dan's fierce resistance. A desperate struggle ensues, culminating in Dan claiming the large bowie knife and exacting a deadly retribution upon the preacher. As the survivors gather, attempting to process the horrors they've witnessed, Hawkes materializes at the kitchen doorway, his crossbow trained on them.
Hawkes' sinister declaration, "It's not just us crazy ones who kill," hangs in the air like a malediction, before he becomes distracted by the news report featuring Dr. Merton on television. The sudden loss of electricity seems to trigger something within Hawkes, and he shatters the TV with his frustration. With a sense of disorientation, he departs the house, fleeing into the night.
Hawkes' nocturnal wanderings lead him through the town, eventually arriving at the nightclub where the Sick Fucks are performing. His entrance is marked by a brutal display of violence against the doorman, who had dared to insult him. Inside, Hawkes becomes entranced by the punk rock band's performance, his attention piqued by a drug-addled girl who approaches him. With an unsettling calmness, he produces his .45 caliber gun and points it at her neck, only to be met with laughter from both her and himself. The scene is bathed in an eerie sense of detachment, as if the very fabric of reality has become distorted.