Armed with hidden cameras and a healthy dose of skepticism, one man delves into the world of DEI initiatives, uncovering the hilarious and often unsettling realities behind these well-intentioned practices. Through witty undercover experiments, he exposes the absurdity and unintended consequences that can arise from striving for a perfectly equitable society.
Does Am I Racist? have end credit scenes?
Yes!
Am I Racist? does have end credit scenes.
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What prompts Matt Walsh to question his own racism?
Get the full story of Am I Racist? with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.
Over a steaming cup of coffee, comedian Matt Walsh reflects on the omnipresent issue of racism in contemporary society. This moment of contemplation ignites a quest for self-discovery: he aims to uncover whether he himself possesses any latent racist sentiments. After an unceremonious exit from a “white guilt” support group, Walsh adopts a persona reminiscent of a gender studies professor encountered during his previous project, What is a Woman?. With a freshly minted DEI certification, he takes on the role of a self-styled “DEI expert”.
His mission to “do the work” leads him down a series of unforeseen avenues. In a daring move, he convinces unsuspecting members of the public to sign a petition calling for the Washington Monument to be renamed as the “George Floyd Monument”, with an added height of 30% and its exterior painted black. In his quest to expose the alleged racism within the “white hillbilly” demographic, Walsh bravely steps into a biker bar. Along his journey, he strikes up conversations with Black Americans who propose a fundamentally simple yet powerful antidote to racism: love.
The apex of Walsh’s endeavor takes the shape of a workshop intriguingly named the Do the Work Workshop. It is here that he confronts an audience of white participants with the heavy claim of their inherent racism. As a part of this demonstration, he publicly denounces his uncle Frank for a distasteful joke made two decades earlier, illustrating the act of taking a stand against racism. To remedy white guilt, Walsh controversially suggests acts of self-flagellation.
However, a surprising twist alters the course of events; Walsh undergoes a sudden change in perspective and brings the workshop to an abrupt halt, revealing the entire undertaking to be a calculated ruse. The film closes with Walsh envisioning the moment he will share these realizations with the broader public, ultimately ending with a relaxed coffee date alongside his uncle Frank.
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