Am I Racist? 2024

Armed with hidden cameras and a healthy dose of skepticism, one man delves into the world of DEI initiatives, uncovering the hilarious and often unsettling realities behind these well-intentioned practices.  Through witty undercover experiments, he exposes the absurdity and unintended consequences that can arise from striving for a perfectly equitable society.

Armed with hidden cameras and a healthy dose of skepticism, one man delves into the world of DEI initiatives, uncovering the hilarious and often unsettling realities behind these well-intentioned practices. Through witty undercover experiments, he exposes the absurdity and unintended consequences that can arise from striving for a perfectly equitable society.

Does Am I Racist? have end credit scenes?

Yes!

Am I Racist? does have end credit scenes.

Actors

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Ratings

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Rotten Tomatoes
review

56%

TOMATOMETER

review

96%

User Score

IMDb

6.7 /10

IMDb Rating

TMDB

62

%

User Score

Letterboxd

2.8

From 6 fan ratings

Movie Insider

4.67/5

From 24 fan ratings

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What prompts Matt Walsh to question his own racism?

Plot Summary

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Over a steaming cup of coffee, comedian Matt Walsh reflects on the omnipresent issue of racism in contemporary society. This moment of contemplation ignites a quest for self-discovery: he aims to uncover whether he himself possesses any latent racist sentiments. After an unceremonious exit from a “white guilt” support group, Walsh adopts a persona reminiscent of a gender studies professor encountered during his previous project, What is a Woman?. With a freshly minted DEI certification, he takes on the role of a self-styled “DEI expert”.

His mission to “do the work” leads him down a series of unforeseen avenues. In a daring move, he convinces unsuspecting members of the public to sign a petition calling for the Washington Monument to be renamed as the “George Floyd Monument”, with an added height of 30% and its exterior painted black. In his quest to expose the alleged racism within the “white hillbilly” demographic, Walsh bravely steps into a biker bar. Along his journey, he strikes up conversations with Black Americans who propose a fundamentally simple yet powerful antidote to racism: love.

The apex of Walsh’s endeavor takes the shape of a workshop intriguingly named the Do the Work Workshop. It is here that he confronts an audience of white participants with the heavy claim of their inherent racism. As a part of this demonstration, he publicly denounces his uncle Frank for a distasteful joke made two decades earlier, illustrating the act of taking a stand against racism. To remedy white guilt, Walsh controversially suggests acts of self-flagellation.

However, a surprising twist alters the course of events; Walsh undergoes a sudden change in perspective and brings the workshop to an abrupt halt, revealing the entire undertaking to be a calculated ruse. The film closes with Walsh envisioning the moment he will share these realizations with the broader public, ultimately ending with a relaxed coffee date alongside his uncle Frank.

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Keywords

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diversity equity inclusionanti racist industryanti racist support grouprepublican bashingdei certificationsatire comedydark comedyrace2dinneranti white racismdisguisewigreenactmenthate crimeracist worldviewanti racist educatorsmiling as racistracist americacolor blindnesswhite entitlementunconscious biasfake reenactmentdiverse authorsrepublican naziscolor blinddo the workjussie smollett hoaxwhite privilegehetero normativitywhite silenceanti racismmicro aggressionanti whitenesswashington monument washington d.c.systemic racismtone policingfake hate crimedo the work workshopreference to jussie smollettsystematic inequalitiesreference to sesame streethate americahate crime hoaxblack reparationmansplainabolish whitenesswhite griefreference to robin diangelocultural appropriationunited states of americaland acknowledgement

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