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Beowulf does not have end credit scenes.
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Beowulf
2007
As legendary warrior Beowulf arrives at King Hrothgar's court, he pledges to vanquish the monster Grendel, a terrorizing force that has ravaged the kingdom. With valorous strength, he defeats the beast, but his triumph sparks a fierce vendetta from Grendel's mother, a seductive yet ruthless creature driven by vengeance and primal fury.
Runtime: 115 min
Box Office: $196M
Language:
Directors:
Ratings:
![Metacritic](/images/common/movies/metacritic-logo.png)
59
Metascore
6.3
User Score
![Metacritic](/images/common/movies/rt-logo.png)
71%
TOMATOMETER
50%
User Score
![Metacritic](/images/common/movies/imdb-logo.png)
6.3 /10
IMDb Rating
![Metacritic](/images/common/movies/tmdb-logo.png)
59.0
%
User Score
Check out what happened in Beowulf!
The grand festivities at Heorot's majestic Great Hall, constructed by the esteemed Hrothgar (Anthony Hopkins), king of the Danes, are in full swing. The revelry is so raucous that it seems as though the very walls are shaking beneath the feet of the merrymakers. King Hrothgar himself, however, has reached new heights of inebriation, stumbling about the hall in a state of near-nakedness, his slurred words and unsteady gait a far cry from the dignity befitting a monarch.
As the night wears on, the Danes' jubilant chanting and thumping reach a fever pitch, drawing the camera's gaze away from the Hall and out into the surrounding snowy expanse. There, the silence is almost palpable, punctuated only by the distant echoes of the revelry. It is not until we find ourselves within the depths of a desolate cave that the noise takes on a new dimension – a deafening din that seems to pierce the very soul.
Back at Heorot, the party shows no signs of slowing. The massive wooden doors hang askew, their hinges blasted apart by some unseen force; torches extinguish themselves in an eerie display of darkness; and the hearth's flames erupt into an unearthly blue glow. As the night descends further into chaos, the Danes' revelry is abruptly interrupted by a cacophony of screams – not just any screams, but those of something from the cave now mere moments away from Heorot's threshold.
As the creature enters, its imposing figure stands at an astonishing 15 feet tall, its humanoid features twisted and deformed in ways that defy comprehension. Its ears, if one can even call them that, are instead two highly sensitive pads that seem to quiver with every sound. The Danes' cries of terror only serve to further torment the creature's hearing organs, inciting it to unleash a merciless fury upon the revelers.
Eventually, the monster makes its way to King Hrothgar, who stands his ground against the onslaught despite his inebriated state. With a demand for combat, the king challenges the beast, but it remains unmoved, taking instead a long, quizzical look at its would-be opponent before retreating.
Meanwhile, back within the depths of the monster's cave lair, its mother – a creature whose true nature is shrouded in mystery – chastises her offspring for its brutal actions. Though we never lay eyes on her directly, glimpses of her reflection in the pool serve as a haunting reminder that she is anything but human.
As the cursed remnants of Heorot's dark past are consigned to the flames, the once-noble Hall is sealed away as a tomb for evil. Hrothgar, the wise and weary king, convenes with his trusted advisor Unferth (John Malkovich) to ponder the horrors that have beset their kingdom. The weight of their troubles is compounded by the revelation that the monstrous force behind these terrors is none other than Grendel, a malevolent entity that has haunted them for far too long. With desperation in his voice, Hrothgar implores Unferth to spread the word: he will reward the brave warrior who can vanquish this beast with half of the kingdom's riches, and in doing so, bring hope back to their people.
Meanwhile, a storm-tossed vessel battles against the fury of the North Sea. The ship's imposing mainsail bears the emblem of a mighty wolf, a symbol of courage and strength. At the prow, Beowulf (Ray Winstone) and his loyal lieutenant Wiglaf (Brendan Gleeson), stand steadfast against the tempests' wrath, their spirits unbroken by the turmoil around them. As they navigate the treacherous waters, they boast with bravado of their impending conquest over Grendel and the eternal renown that will be theirs.
The Danish shores finally come into view, and Beowulf's party is welcomed by Hrothgar, who greets him warmly, his eyes lingering on the familiar features of a youthful Beowulf. The king invites Beowulf to reopen Heorot, offering his guests food, drink, and shelter as they prepare for their perilous quest.
As the revelry unfolds, Beowulf's gaze falls upon Queen Wealthow, her beauty captivating him despite the propriety that governs their interaction. Unferth, however, seems troubled by Beowulf's presence, his animosity sparked by a whispered tale of the Geatish warrior being challenged to a swimming race and emerging defeated. How, he sneers, can Beowulf claim the mantle of Grendel-slayer when he cannot even outswim a human opponent?
Beowulf acknowledges the truth behind Unferth's words, but then spins a yarn of his own, recounting a swimming competition that took an unexpected turn. As he speaks, the scene shifts to a flashback of Beowulf pitted against a formidable foe in the ocean. With unyielding determination, he battles and vanquishes monstrous sea creatures, each one more awe-inspiring than the last.
Though this tale may be embellished, its core is rooted in reality. What Beowulf fails to share with the Danes, however, is the encounter that followed his underwater conquests: a chance meeting with an ethereal siren/mermaid/water nymph whose unearthly beauty left him entranced and helpless.
As the curtain closes on the mermaid's enigmatic fate, Beowulf and Unferth continue to simmer with animosity towards each other, their mutual distrust a palpable force that hangs heavy over the court. King Hrothgar intervenes, retreating to his chambers as the Queen sings a haunting melody that seems intended solely for Beowulf's ears. Her voice lingers in the air like a whispered secret, only dissipating when she departs. The King's demand for her to produce an heir is met with a sorrowful determination from Wealthow, who refuses to comply, her words dripping with a pain that remains unspoken. The King's shame is palpable, though the audience is left to fill in the gaps of their complicated past.
As the Danes depart, Beowulf and his companions remain behind, preparing for the impending battle against Grendel. With a bold declaration, Beowulf announces his intention to engage the monster hand-to-hand, undeterred by the fact that no weapon has been able to vanquish the beast. His machismo is matched only by his bravery as he strips off his armor, readying himself for the fight of his life. The Geats begin to chant Beowulf's name, their voices carrying far beyond the Hall and into Grendel's lair, where they awaken a chorus of anguished cries.
As the torches flicker out, a blue flame erupts from the hearth, casting an eerie glow over the scene. The sound of pounding on the reinforced doors grows louder, and Grendel bursts forth once more, leaving a trail of death in his wake. Beowulf enters the fray, his naked form a testament to his unyielding determination. With a strength and agility that belies the whispers of his mortality, he engages Grendel in a fierce battle, their bodies entwined as they clash.
As the fight rages on, Beowulf begins to notice a telling weakness - Grendel's sensitivity to loud noises. Seizing this advantage, Beowulf leaps onto the monster's back and pummels his earpads with reckless abandon, unleashing a torrent of pain that sends Grendel reeling. As the beast attempts to flee, its arm becomes entangled in the chains, leaving it vulnerable to Beowulf's grasp. With a triumphant cry, Beowulf claims victory as he rips the arm from Grendel's mangled form, sending the monster fleeing back to the safety of his cave.
As Beowulf holds aloft the severed limb, proclaiming his triumph over the fallen beast, the majority of the Geats erupt into a chorus of cheers and applause. Only Wiglaf remains skeptical, his gaze lingering on the carnage that surrounds them, his thoughts consumed by the lives lost in the battle.
As Grendel's life force ebbs away, he utters a dying declaration, pointing accusatory fingers at the hero of the tale, Beowulf. His mother, her voice like a mournful dirge, begins a haunting melody as she cradles her son's lifeless form in her arms. Her song falters, replaced by anguished wails and a fury that borders on madness. In the midst of this despair, Grendel's mother transports his body to an altar-like structure, a poignant reminder of the tragedy that has unfolded.
Meanwhile, back in Heorot, Hrothgar is hosting another grand celebration in honor of Beowulf's heroism. Unferth, now contrite, seeks forgiveness for his earlier doubts, while Wealthow's admiration for the Geatish warrior reaches new heights. The King presents Beowulf with a golden horn, an emblem of the Danish kingdom, its dragon-shaped form adorned with a fiery red jewel at its neck. Hrothgar makes a cryptic remark about dragons, observing that their only weakness lies in targeting their necks - a prophetic comment that will soon take on ominous significance.
As the night wears on, Wiglaf's somber mood is palpable as he prepares the Geats' ships for departure at dawn. The company, now drunk with revelry, slumbers peacefully, unaware of the horror that is about to unfold. In a startling turn of events, Grendel's mother descends upon Heorot, her eyes blazing with a fierce determination. As she surveys the sleeping warriors, she homed in on Beowulf, her gaze piercing through the darkness.
In a surreal and disorienting sequence, Beowulf is beset by visions of Wealthow, who implores him to grant her a son. However, as he begins to stir, the King's features morph into those of a monstrous creature, leaving no doubt that Grendel's mother has arrived. Beowulf awakens to find his comrades slaughtered and their bodies suspended from the rafters like macabre ornaments.
As the survivors begin to suspect that Grendel's demise may have been premature, Hrothgar reveals that the Geats were indeed massacred by Grendel's mother, a revelation that underscores the King's foreboding knowledge. When pressed about Grendel's parentage, Hrothgar proves evasive, his reticence hinting at a deeper connection between himself and the monster. Unferth lends Beowulf his family's sword, a symbol of their trust in him to vanquish this latest threat.
As Beowulf and Wiglaf venture into the depths of the cave, their mission is twofold: to vanquish Grendel's mother and avenge the fallen warriors. Beowulf, driven by his unwavering sense of justice, insists on entering the dark and foreboding cavern alone, armed with the golden horn and Unferth's trusty sword. The air is thick with anticipation as he navigates the treacherous terrain, his path illuminated only by the magical glow emanating from the horn. A sudden turn reveals a chamber filled to the brim with glittering gold and the unsettling sight of human remains scattered about. At the altar, Grendel's lifeless body hangs suspended, a grim reminder of the battles already fought.
The stillness is shattered when an ethereal voice pierces the darkness, echoing off the stone walls as Grendel's mother slowly rises from the depths of the water. Her form shifts and morphs, taking on human-like proportions that seem almost hypnotic in their allure. Beowulf stands transfixed, his gaze locked onto the mystical lady-creature with a fervor reminiscent of his earlier encounter with the mermaid. It becomes clear that he is susceptible to her charms, entranced by her enigmatic beauty.
Grendel's mother praises Beowulf's dashing physique and unyielding strength, her words dripping with seductive promise. As she glides closer, Unferth's sword seems to melt away like wax in the fiery furnace of her will. She extends an olive branch, offering him a kingdom and eternal glory on one condition: he must succumb to her advances, bearing her another son to replace the one he had taken from her. With a fierce grip, she claims Unferth's sword as her own, its once-formidable strength now reduced to mere playthings in her grasp.
Beowulf, however, does not resist her entreaties, his resolve wavering as she sidles closer and snatches the dragon horn from Hrothgar's treasured collection. Her words are laced with an air of mystique, assuring him that her promise remains valid so long as she possesses the horn. As Beowulf teeters on the brink of surrender, the scene shifts abruptly to Heorot, where he returns with Grendel's decapitated head, flung at Hrothgar's feet like a trophy.
With feigned nonchalance, Beowulf claims not only to have dispatched Grendel but also his mother, boasting that he left Unferth's sword lodged in her lifeless body. The King of the Danes regards him skeptically before announcing an unexpected twist: since Hrothgar has no direct heirs, everything – including the kingship and Wealthow herself – will pass to Beowulf upon his passing. As if this revelation were not enough, Hrothgar summons Beowulf for a private audience, their conversation shrouded in mystery.
As the King of Denmark requests a retelling of Beowulf's (Gerard Butler) encounter with Grendel's mother, the warrior's tone takes on a hint of wariness, his words echoing those of before. However, the King's knowing gaze and gentle rebuke - "She's no hag, Beowulf. We both know that" - suggests that Hrothgar (Anthony Hopkins) is privy to the true nature of events, leaving Beowulf visibly rattled yet mute. The royal party disperses momentarily, only for Hrothgar to make a sudden and inexplicable departure from the castle wall, his descent into darkness marked by an air of foreboding.
As the scene shifts to reveal Beowulf's aged visage, now grayer and weathered, wearing the Danish crown with a mix of resignation and melancholy. His gaze surveys the carnage on the battlefield, where his soldiers are mowing down their foes with ruthless efficiency. The once-formidable hero seems almost disheartened by the realization that his unparalleled success and glory have been garnered through an unholy alliance with the monstrous, rather than any personal merit or prowess.
In a poignant display of existential despair, Beowulf dares one of the enemy soldiers to take aim at him, knowing that such a feat would be impossible (it is not). The Queen, Wealthow (Robin Wright), appears distant and detached from her husband's return, her gaze lingering on his weathered face with an air of disinterest. Meanwhile, Beowulf has grown enamored with Ursula (Alison Lohman), a young beauty whose affections for him seem genuine.
Their clandestine relationship is kept hidden from Wealthow's prying eyes, though the Queen likely senses the truth. The marriage between Beowulf and Wealthow has become loveless and cold, their bond strained by the secrets they keep from one another. When Ursula inquires about the state of their union, Wealthow's enigmatic response - "Too many secrets" - hints at a deep-seated discontentment that echoes her husband's own feelings of emptiness and dishonor.
One fateful evening, Unferth (character name) presents himself before the King, accompanied by a humble captive bearing an unexpected gift: Hrothgar's radiant golden horn, unearthed on the shores not far from Grendel's eerie lair. Beowulf is struck with trepidation as he realizes that this discovery invalidates his earlier pact with Grendel's mother and foretells impending calamity. And so, it is no surprise when a dragon descends upon one of the kingdom's outlying villages under the cover of night, leaving only a handful of survivors in its fiery wake. Unferth alone escapes to convey a message from his son to the King.
Beowulf's intuition confirms that this dragon is the unholy offspring of his ill-fated union with Grendel's mother, prompting him to prepare for an epic showdown. He shares a poignant moment with Wealthow, confessing their enduring love amidst the turmoil. Then, he readies himself alongside Wiglaf and sets out to confront the beast.
Despite his companions' pleas, Beowulf insists on facing the dragon alone, driven by a sense of duty and unyielding resolve. As he ventures deeper into the cave, he is met with the eerie whispers of a malevolent force deliberating between the lives of Wealthow and Ursula. Suddenly, Grendel's mother emerges from the shadows, her words dripping with venom: it is too late to renege or renegotiate; fate has been sealed.
In that instant, a gargantuan dragon bursts forth from the cave's dark recesses, unleashing a scorching blast of fire that forces Beowulf into a desperate retreat. He narrowly avoids the flames and escapes the cave just as the dragon thunders toward Heorot. With unwavering determination, Beowulf seizes hold of the beast mid-air and engages it in a fierce aerial battle, with Wiglaf hot on his heels, astride his horse.
At some point during their dogged pursuit, Beowulf manages to secure a length of chain around the dragon's neck. When the beast plunges into the depths of the ocean, taking him along for the ride, Beowulf clings tenaciously to an ancient anchor and uses its weighty chain to jam the monster's jaws shut just as it teeters on the brink of resurfacing from the waves.
As the dragon's fiery assault on the castle intensifies, its path of destruction converges with an unlikely convergence of fate, as Wealthow and Ursula engage in a poignant conversation on the rampart, oblivious to the impending doom that will soon ensnare them. The beast's unrelenting fury ultimately boils down to a desperate bid to claim the two women as its own, sealing their fate as it reduces the exits to mere ashes, leaving no avenue of escape.
Meanwhile, Beowulf finds himself suspended in mid-air, his chain-wrapped form swinging precariously before the dragon's infernal maw. In this precarious predicament, he spots a glowing red focal point on the dragon's throat, eerily reminiscent of the radiant jewel within Hrothgar's horn. With unyielding determination, Beowulf plunges his sword into the vulnerable area, discovering that it yields entry to the beast's very heart. However, as he strains to grasp the opportunity, he finds himself perpetually just inches too far removed from the coveted prize.
As the dragon's malevolent intentions become increasingly apparent, Beowulf realizes that time is running out for Wealthow and Ursula. In a daring display of unyielding resolve, he severs his arm, sacrificing his sword in the process, but gaining the crucial extra distance to claim the dragon's heart and rip it asunder.
As the beast succumbs to its mortal wounds, Beowulf clings to its throat, squeezing forth the final moments of life. The dragon's death throes precipitate a catastrophic fall from the heavens, plummeting both Beowulf and his nemesis towards the unforgiving shoreline below. Wiglaf arrives just in time to rescue Wealthow and Ursula, only to find himself confronted with the macabre spectacle of Beowulf and the dragon sprawled upon the beach.
As the tide washes over the duo, Beowulf's consciousness begins to wane, his gaze drifting towards the receding form of a youthful figure, eerily reminiscent of his own younger self, yet shrouded in Grendel's mother's golden film. The fleeting image vanishes beneath the waves, as Wiglaf arrives on the scene, only to find Beowulf's life force ebbing away.
In his final moments, Beowulf implores Wiglaf to honor his legacy by revealing the truth about his relationship with Grendel's mother, ensuring that the king's demise is not shrouded in myth or embellishment. With a sense of peace settling over him, Beowulf succumbs to his mortal wounds, leaving behind a testament to his unwavering courage and unshakeable integrity.
Here's a rephrased version:
As the funeral pyre on the water extinguishes itself, Wealthow and Ursula (grieving companions) lead the procession back to the castle, while King Wiglaf (king of the Geats) lingers behind, his own sorrow deepened by the loss of his friend Beowulf. The monarch's gaze remains fixed on the conflagration, where a flaming vessel has been set adrift, bearing the remains of his fallen hero.
Unfazed by the sudden appearance of Grendel's mother - now a terrifying amalgamation of humanoid features and monstrous appendages - Wiglaf watches as she pays her respects to Beowulf with a kiss. The boat's inferno-fueled descent into the depths seems almost anticlimactic, especially when compared to the drama unfolding above water.
As Grendel's mother rises from the waves, her eyes locking onto Wiglaf with an unnerving intensity, the king's attention is drawn to the shore, where Hrothgar's iconic horn has washed up. Picking it up, he wades into the surf, his gaze unwaveringly fixed on the seductive figure before him.
The air is thick with tension as Wiglaf and Grendel's mother engage in a wordless standoff, their eyes locked in a dance of temptation and desire. The question lingers: will Wiglaf succumb to her charms, perpetuating the cycle of tragedy that has haunted his people for generations?