BUtterfield 8 1960

The film begins with its opening credits rolling gently, as we are introduced to the intricate life of Gloria portrayed by Elizabeth Taylor, who is seen basking in the sunlight while peacefully sleeping. As the morning unfolds, Gloria stirs from her slumber and meticulously examines her surroundings, her eyes searching for a much-needed morning cigarette. Finding none, she settles for a glass of scotch instead. As she wanders through her lavish apartment, she diligently goes through her morning routine: brushing her teeth, rinsing her face, and rifling through her closet where she tries on an extravagant mink coat, perhaps a symbol of her past luxury.

Her exploration takes her into the living room, where she stumbles upon a dress carelessly discarded on the floor, torn and disheveled. With a resigned sigh, she approaches the table, where she discovers a note addressed to her. It’s accompanied by a wad of cash, penned from someone identified only as “L”. The note reads, “Gloria - I hope $250.00 is enough. -L” Anger bubbles to the surface as she reacts vehemently to the way her life is being dictated. Grabbing her lipstick, she defiantly scrawls “No Sale” across a prominent mirror in the living room, leaving the cash behind on the mantle as a statement. Before exiting her upscale dwelling, dressed only in her slip and the borrowed fur coat, she places a few dollars next to the scotch bottle — a symbol of her independence and disdain for the expectations thrust upon her.

Hailing a taxi, Gloria makes her way to a more modest neighborhood where she visits her friend Steve Carpenter, played by Laurence Harvey, a sensitive composer. Their interaction is steeped in playful banter as she nonchalantly prances around his apartment, in an attempt to allure him. With a flick of her coat, she teases him until he becomes noticeably serious, commanding her to put the coat back on. As she prepares to leave, Gloria makes it clear that he is the only one she trusts to be honest with, to which Steve responds with hesitation, not wanting to witness her spiral downward into self-destruction.

The scene shifts as the tension is broken, with Steve preparing breakfast for them both, while Gloria slyly suggests that her mother would disapprove of her current attire. Although Steve tries to downplay this concern by suggesting her mother already knows about her escapades, she insists that they play the part of oblivious daughter and mother. Eventually, she presses him to call his girlfriend Norma, knowing she could lend her something suitable to wear home.

Upon Norma’s arrival with a suit, the tension thickens as the animosity between her and Gloria bubbles to the surface. Despite the verbal sparring match, Gloria manages to keep her head high, leaving with a playful kiss tossed back at Steve. Yet, when Norma confronts Steve about his lingering feelings for Gloria, the fight escalates into a showdown of love devolved into jealousy; Norma declares she won’t remain with him if he cannot let go of Gloria.

Gloria returns home in her flashy red convertible to be greeted warmly by her mother, but she is met with derision from a neighbor, who seizes the moment to make cutting remarks. While preparing to shower, she receives an unexpected call from Mr. Ligget, whom she knows well, inviting her to meet up later that evening. This connection hints at a deeper past as she agrees.

In another part of town, Weston Ligget, or Wes, depicted by Jeffrey Lynn, is traveling by train to visit his wife Emily. He confides in his friend, reflecting on the weight of his marriage and his despondent feelings about returning to a life that constrains him. After some brief familial shooting practice, where Wes showcases his inner turmoil, the audience is left to question the stability of his relationship with Emily.

When Gloria finally meets Wes at a bar, a palpable tension permeates their encounter. An icy chill brewed by frustration and unresolved feelings surfaces as they engage in a heated dialogue. In an impulsive moment, Wes grabs her wrist tightly, igniting a struggle that results in both parties feeling the stinging ache of their connectedness. Gloria, insistent that she is working, drags Wes along as they venture to multiple bars, showcasing the friction-filled dynamic of their relationship. Their connection veers from anger to passion as they finally retreat to a seedy motel, the aptly named “Happy’s Motel.”

Back in Steve’s apartment, drama unfolds further as Norma discovers evidence of Gloria’s lingering presence in Steve’s life, leading to a confrontation that underscores the complexity of their triangular relationship. Ultimately, Gloria and Wes decide to spend the week together, blissfully ignoring their reality. They share intimate moments on a boat during a day trip — a fleeting escape from their tumultuous lives before they return to Manhattan for a shopping trip, culminating in an emotional gift exchange, highlighting Wes’ jealousy.

However, reality creeps back in as Wes’ marital obligations become evident. With the return of his wife looming, Gloria’s world is shaken yet again when she finds herself caught between an emerging love and the realities of a life filled with heartbreak.

As tensions mount and her past closes in on her, Gloria makes impulsive decisions that lead her back to Wes and the returning anger that comes from their unresolved conflicts. A visceral confrontation at a restaurant leads to a shocking accusation that underscores the fragile nature of Gloria’s acceptance. Filled with sorrow and regret, Gloria finds solace at Steve’s place, seeking comfort in the familiar bond forged from shared pasts.

An emotional climax ensues when Wes, torn by his feelings for Gloria and trapped in his existing marriage, confronts his demons while Emily, feeling abandoned, reflects on the crumbling relationship. Gloria’s farewell to her mother signifies a step toward liberation, yet Wes makes a harrowing decision to chase after the one person he feels is the answer to finding his happiness.

In a stunning final act of desperation, the two engage in a high-speed pursuit down a deserted highway that spirals tragically to its conclusion. The film’s poignant exploration of love, loss, and the haunting echoes of the past culminates in a devastating crash that strips away any remaining illusions of hope as Wes is left to pick up the pieces of his own life, confronted with the anguish of his choices as he exits into the unknown, leaving the profound legacy of Gloria’s poignant journey to linger.