Cheech & Chong's The Corsican Brothers

Here is the rephrased section:

As Los Guys, a raucous rockabilly band, counted their earnings from another successful street performance, two of its lead members stumbled upon a mystical gypsy storyteller. Her enchanting tale would transport them to the world of The Corsican Brothers, a saga of sibling rivalry and rebellion. The story began with the births of twins Louis and Lucien, sired by different French aristocrats, each unaware that their bond went far beyond familial ties. As infants, children, and adults, the brothers' parallel lives unfolded, marked by a peculiar trait: they could physically feel each other's pain. This phenomenon would become the film's most enduring comedic thread.

As they grew older, Louis (now Luís) found himself entangled in lowly jobs in Mexico, while Lucien remained in France, seething with resentment towards the royals' brutal treatment of peasants. The sadistic Fuckaire, who usurped the throne after the king's disappearance, became his primary target for revolution. When the two brothers reunite at age 30, Luís's reluctance to join his brother's crusade is tempered by their shared desire for the queen's daughters, whose charms had captivated them both.

As Lucien hatched a plan to infiltrate the royal court disguised as a flamboyant hairdresser and Nostradamus, they would find themselves entangled in a web of intrigue. A brief stint in prison wouldn't deter Lucien, who valiantly fought outnumbered rather than flee from danger. His escape marked the beginning of a thrilling sequence of events that culminated in Luís's near-execution, followed by a daring rescue and Fuckaire's downfall.

As the brothers prepared to marry their princesses, they suddenly feared for their future, prompting Lucien to sweep in and whisk them away from the altar. United in their determination to start a revolution in America, they bid farewell to their romantic entanglements and set off on an adventure that would shake the very foundations of the New World.

After their epic journey concluded, Los Guys returned to their outdoor cafe gig, belting out Chuck Berry's "Nadine" to a disinterested crowd. The show must go on, after all.

As the cinematic narrative unfolds, a rich tapestry of humor is woven through deliberate anachronisms, cleverly juxtaposing the rustic charm of 18th-century pre-revolutionary France with the unexpected presence of Nostradamus, whose prophetic exploits have become synonymous with the distant past. Meanwhile, the character of Luís embarks on a fantastical journey that transcends temporal boundaries, finding himself inexplicably transported to the vibrant streets of modern-day Mexico - a jarring yet fascinating convergence of eras that adds to the film's irreverent humor and playful subversion of historical norms.