General Orders No. 9 2011

Lush with the stunning imagery and symbols that define the American Deep South, General Orders No. 9 captivates audiences with its vivid visual narrative filled with rusted weathervanes, decaying oak barns, solitary wolf trees in abandoned fields, and silent, stately brick courthouses that echo the trials and tribulations that have shaped this complex cultural legacy within the genteel South. This debut film from Robert Persons, a former magazine publisher from Charleston, South Carolina, blossomed into a breathtaking and poetic exploration of Georgia’s cultural, moral, and geographical heritage. Through an introspective examination of outdated maps, historical structures, lyrical narration, and stunning landscape cinematography, the film unfolds like a delicate tapestry.

Accompanied by a haunting blend of stringed melodies and ritualistic chants, our guide’s first words emerge with the force of a gathering storm, journeying from wilderness to state, transforming deer trails into Indian paths and then county roads. In this striking first effort from Persons, a profound connection is established that remains strong throughout the film, encapsulating the contrasting realities of dusty rural routes meeting serene waterways, alongside the relentless encroachment of Atlanta’s urban sprawl. The beauty with which the film portrays Georgia’s dormant sharecropping wastelands and the skeletal remains of plantations is nothing short of mesmerizing, presenting a powerful visual language all its own.

Furthermore, Persons’ entrancing narration delves into the complex history of the South’s cultural identity, unearthing themes of both profound suffering and remarkable triumphs that have faded over time. This gradual transition results from a mix of kindness, deliberate ignorance, and a troubling cultural amnesia induced by industrial advancements.

The title, General Orders No. 9, is derived from the order of surrender issued by General Robert E. Lee to the Confederate Army in 1865, symbolically concluding the brutal Civil War and marking a pivotal moment in the nation’s transformation. However, the film presents a powerful assertion that the residual impacts of that trauma are still palpable, suggesting that true catharsis remains an ongoing journey. By weaving together vital themes and images essential for understanding the cultural and geographical identity of Georgia, and, by extension, the wider American South, Persons crafts an enchanting narrative that stands as a poignant and uniquely American work of cinematic poetry.