In the heart of Tijuana's treacherous caves, a family's idyllic vacation turns to horror when a couple's children vanish. Their desperate search yields a gruesome discovery: their kids have returned, but at a terrible cost. The once-innocent youngsters are now vessels for unspeakable terror, threatening to destroy everything they hold dear.
Does Here Comes the Devil have end credit scenes?
No!
Here Comes the Devil does not have end credit scenes.
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50
Metascore
5.3
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55
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What is the relationship between Adolfo and Sara?
Get the full story of Here Comes the Devil with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.
As the sun dipped below the horizon, an unsettling tension began to overshadow what had once been a joyful family outing. Adolfo, portrayed by Alan Martinez, and his sister Sara, played by Michèle Garcia, driven by an unmistakable curiosity, wandered into the depths of an ancient rocky hillside, and they vanished without a trace. Their parents, Felix and Sol, brought to life by Francisco Barreiro and Laura Caro respectively, were engulfed in a desperate search, haunted by an eerie silence. A local gas station attendant’s foreboding warning about the hill being cursed began to resonate ominously as the family faced the terrifying uncertainty surrounding their children’s disappearance.
When morning light broke, there was a mix of relief and dread as the police discovered Adolfo and Sara, their return a jarring contrast to the gloom that had enveloped their parents. Yet, as time passed, something unsettling changed within the siblings. Their odd behavior spurred their worried parents to seek medical help and psychological evaluation, with the dark possibility of abuse casting a long shadow over the once harmonious household.
As Sol grew increasingly suspicious, she couldn’t shake off the feeling that something sinister lurked beneath the seemingly innocent surface of their community. Her focus shifted to Lucio, the local outsider, whose foreboding presence seeped into their lives. Although Felix remained steadfast in his denial of any wrongdoing, Sol’s instincts screamed that something was amiss. The shocking revelation of Lucio’s brutal murder only deepened the enigma surrounding their family’s turmoil.
Nights passed, bringing with them a strange, supernatural presence that began to invade their home. Flickering lights, slamming doors, and terrifying episodes seemed to radiate from the essence of the children themselves. Sol’s lingering discomfort morphed into sheer terror as she struggled to connect these bizarre events to her husband’s refusal to acknowledge the spectral disturbances.
Determined to uncover the truth, Sol embarked on a covert investigation filled with deceit and corruption that threatened to unravel everything they cherished. Her revelations, often kept hidden from Felix, unveiled a harrowing reality behind Adolfo and Sara’s mysterious disappearance. When the ghastly discovery of their lifeless forms—dressed as if returning from school—came to light, it amplified the family’s horror and despair.
In a gut-wrenching moment of clarity, Sol realized that Felix had been untruthful about their children’s fateful morning. His claim of dropping them off at school mere moments before her own discoveries was merely a desperate ruse to shield her from the tragic reality they were complicit in. The burning question transformed from a simple “what happened?” into a daunting “what awaits those who confront the lurking evil in their midst?”
As Sol navigates the shattering revelations presented by the gas station attendant—who reveals that her daughter fell prey to a serial killer right from the film’s outset—she grapples with the devastating implications surrounding the eerie earthquake that coincided with Adolfo and Sara’s disappearance. The attendant’s grim prophecy echoed hauntingly: > “those who dwell there are in search of…people who can be possessed. To them, we’re only a shell. They use us to do evil and then throw us away.” In an attempt to shield her family from this harsh truth, Sol fabricates a scenario of a school closure, keeping the children home while Felix departs for work.
As breakfast unfolds, Sol’s demeanor drips with tension. With a chillingly calculated approach, she sedates Adolfo and Sara, dresses them in formal clothing, and presents a disturbing tableau at the kitchen table. However, solace quickly dissipates as an otherworldly force emerges, conjuring visions of her deceased children cloaked in their unsettling cave garb. In a frantic bid to escape her crushing reality, Sol ignites the stove’s gas and steers away from the scene, instructing Felix to meet her at the gas station.
As the hours melt away, Felix and Sol ascend the ominous hill toward the cave that harbors its own secrets. Upon confronting the lifeless bodies of their children, now eerily clad, Felix’s anguish boiled over, resulting in a tragic series of events that culminated in his violence against Sol, followed by his own demise as the earth quaked beneath them.
In a chilling epilogue, ghostly images of Felix and Sol emerge from the shadows, returning to their abandoned car, and they embark on a hauntingly halted descent down the hill, embodying the notion of experiencing the thrill of driving anew.
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