In 1984 Amsterdam, teenager Frank escapes high school norms to find his place among the vibrant House of Boys community. Amidst a whirlwind of music, dance, and romance, he rises from barman to stage sensation and finds love with housemates. But as the shadow of "the gay plague" looms, Frank's hopes are tested by the struggles of his tight-knit group.

In 1984 Amsterdam, teenager Frank escapes high school norms to find his place among the vibrant House of Boys community. Amidst a whirlwind of music, dance, and romance, he rises from barman to stage sensation and finds love with housemates. But as the shadow of "the gay plague" looms, Frank's hopes are tested by the struggles of his tight-knit group.

Does House of Boys have end credit scenes?

No!

House of Boys does not have end credit scenes.

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Metacritic

40

Metascore

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User Score

Rotten Tomatoes
review

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TOMATOMETER

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User Score

IMDb

6.5 /10

IMDb Rating

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Plot Summary

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In the vibrant yet repressed milieu of 1980s Luxembourg, a restless teenager named Frank (Layke Anderson) finds himself uprooted from his mundane life and dives into an unexpected adventure with his closest friend, Rita. As they immerse themselves in the eclectic undercurrents of Amsterdam, Frank is momentarily captivated by the city’s liberating ambiance, allowing him the freedom to discover his authentic self. However, his sense of wonder crumbles when Rita leaves with her new boyfriend, leaving Frank feeling adrift and disconnected from his surroundings.

In search of comfort and belonging, Frank stumbles across the mysterious “House of Boys,” a cabaret bar in Amsterdam that serves as a refuge for young men who fulfill the desires of older patrons. There, the enigmatic matriarch, Madame (Udo Kier), takes Frank under her wing and offers him a place to stay, introducing him to an eclectic ensemble of personalities. Among them is Angelo, a spirited performer whose unwavering commitment to transitioning from male to female becomes a guiding light for Frank’s own path of self-discovery. Concurrently, Jake (Benn Northover), a seasoned performer renowned for his chiseled physique and charismatic stage presence, struggles with the contradictions of his established heterosexual lifestyle against the backdrop of a hedonistic world.

As Frank grows increasingly enamored with Jake, he grapples with the contradictions between Jake’s assertions of straightness and the undeniable intimacy they share. Their tumultuous relationship intensifies when Jake’s long-term girlfriend absconds with his savings to fund an abortion, leaving him devastated. In his moment of need, Jake finds solace in Frank’s arms, and they embark on a romance that transcends mere physicality, discovering deeper emotional connections.

As Europe begins to confront the looming threat of the AIDS epidemic, Jake’s health rapidly deteriorates, manifesting in sudden fainting spells and mysterious rashes, culminating in a heartbreaking diagnosis. The once-spirited “House of Boys” starts to succumb to the shadow of illness and death, mirroring the personal calamity that Jake faces.

In a poignant conclusion, Frank sets out on a solitary pilgrimage to Morocco, where he fulfills a final act of love by scattering Jake’s ashes over the sea, granting a sense of closure to their bittersweet story.

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