In this poignant biopic, the turbulent life of enigmatic author-militarist Yukio Mishima unfolds through a mesmerizing blend of fact, fiction, and dramatic flair.
Does Mishima: A Life in Four Chapters have end credit scenes?
No!
Mishima: A Life in Four Chapters does not have end credit scenes.
84
Metascore
8.2
User Score
%
TOMATOMETER
0%
User Score
7.9 /10
IMDb Rating
78
%
User Score
The cinematic journey begins on November 25, 1970, the final day of Yukio Mishima’s (character) life, as he meticulously completes his manuscript before donning a custom-designed uniform and convening with four devoted followers from his private militia, the Tatenokai. This pivotal moment sets the stage for a film that delves into the complexities of the renowned author’s life, tracing his evolution from a frail youth to a celebrated wordsmith who dedicated himself to a regimen of physical discipline, driven by an unhealthy fixation on masculinity and a militaristic obsession with traditional values.
Through a series of poignant flashbacks, the audience is treated to a glimpse into Mishima’s past, witnessing his transformation from a sickly child to one of Japan’s most esteemed literary figures. His disillusionment with modern society’s materialism ultimately led him down a path of extreme traditionalism, culminating in the establishment of his own private army and a declaration of intent to reinstate the emperor as head of government.
The biographical narrative is skillfully interwoven with dramatizations of three of Mishima’s most notable novels: In The Temple of the Golden Pavilion, a stammering aspirant sets fire to the revered Zen Buddhist temple, driven by feelings of inadequacy and resentment towards its breathtaking beauty. Kyoko’s House portrays a toxic relationship between a middle-aged woman and her young lover, trapped in a cycle of sadomasochism that ultimately proves fatal. Runaway Horses depicts a group of fervent nationalists who fail to overthrow the government, leading their leader to take his own life.
These dramatizations are carefully segmented into four chapters, each reflecting one of the film’s title: Beauty, Art, Action, and Harmony of Pen and Sword. As the narrative unfolds, it becomes clear that Mishima’s world was characterized by an intense juxtaposition of creative passion and destructive fervor.
The film reaches its climax with Mishima and his followers taking a General of the Japan Self-Defense Forces hostage. In a poignant and powerful monologue, Mishima appeals to the soldiers, urging them to join him in his quest to reinstate the emperor as the nation’s sovereign. However, his words are largely dismissed and ridiculed. In a final, tragic act, Mishima returns to the General’s office and commits seppuku, bringing his life full circle.
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