As grief gives way to rage, James and Darnell's animosity towards each other explodes into a violent reckoning across Syracuse's streets. Amidst the chaos, long-held secrets are finally laid bare, exposing the sinister forces behind the brutal attacks on these two unsuspecting men.

As grief gives way to rage, James and Darnell's animosity towards each other explodes into a violent reckoning across Syracuse's streets. Amidst the chaos, long-held secrets are finally laid bare, exposing the sinister forces behind the brutal attacks on these two unsuspecting men.

Does No Such Thing have end credit scenes?

No!

No Such Thing does not have end credit scenes.

Actors

Meet the cast of No Such Thing and learn about the talented actors who brought the characters to life. Explore their roles and career highlights.


Ratings

Discover how No Such Thing is rated on popular platforms like IMDb, Metacritic, and TMDb. Explore audience and critic scores to see how this movie ranks among the best.


Metacritic

36

Metascore

7.6

User Score

TMDB

59

%

User Score

Movie Quiz

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Plot Summary

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Get the full story of No Such Thing with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.


In a reality where the line between television and the real world has become increasingly tenuous, Beatrice (Sarah Polley), a resilient young woman, stumbles into a web of mystery following a cryptic message from her fiancé, Jim. This eerie dispatch, originating from the remote wilderness of Iceland, hints at a mysterious force hiding beneath the surface. Driven by an urgent need to rescue her beloved, Beatrice persuades her formidable boss to allow her the opportunity to journey to the icy wilderness. However, circumstances take a dark turn when her plane crashes, leaving her as the sole survivor of the catastrophic event.

As she endures a grueling recovery process to regain her mobility, Beatrice forms a surprising alliance with Dr. Anna (Julie Christie), a kind-hearted doctor who plays a pivotal role in her harrowing expedition into the depths of a chilling mystery. Together, they venture into an isolated village enveloped in age-old customs and superstitions.

Upon her arrival in this primitive settlement, Beatrice finds herself at the mercy of a strange ritual where she is metaphorically stripped bare and left as an offering for the terrifying Monster (Robert John Burke), a grizzled and fierce creature with a foul mouth. Despite the impending doom, Beatrice’s bravery stands firm, and her unwavering resolve pushes her closer to the truth about Jim’s vanishing.

Confronting the Monster, Beatrice uncovers the chilling fact that he has previously claimed numerous victims, including her beloved fiancé and his crew. In a bold move to break this cycle of despair, Beatrice proposes an unusual partnership: she will assist the Monster in locating Dr. Artaud, the only person who holds the key to understanding the creature’s vulnerability. The stipulation? She insists that the Monster travel back to New York with her, pledging not to unleash chaos upon the city during their visit.

As New York becomes engulfed in the mysterious allure of the Monster, he is thrust into the public eye, becoming a media sensation that swirls with intrigue and chaos, captivating onlookers from all walks of life. Amid this storm of attention, Beatrice immerses herself in her newfound fame, yet the Monster lurks in shadows, increasingly losing himself to the numbing effects of alcohol.

In this uneasy alliance, the Boss crafts a sinister partnership with a government scientist, trading whispers and secrets for insights into the Monster’s unbreakable physique. This collaboration leads to a series of gruesome experiments aimed at unraveling the enigma of his toughness, each probing deeper into his psyche with surgical precision. Nevertheless, the scientists remain baffled by the Monster’s seeming inability to absorb new information, as if he were shielded from knowledge itself.

In this grim tableau, the Monster suffers through humiliating trials, including a particularly distressing experiment where he is publicly mocked and beaten. Yet, amidst the devastation around him, his loyalty to Beatrice remains unshaken, as he resists succumbing to the base instincts that could easily consume him.

As Beatrice navigates this perilous landscape filled with emotional turmoil, she unwittingly finds herself involved in a complex labyrinth of plots and treachery. By chance, she encounters Dr. Artaud, whose hidden agendas are as murky as the depths of the labyrinth itself. Joined by Margaret (Annika Peterson), a former colleague steeped in remorse, Beatrice devises a plan to slip away from the stifling clutches of the government and return to the unforgiving expanse of Iceland, bringing the enigmatic Monster along for the ride.

Their daring escape is short-lived, however, as government forces pursue them with relentless determination. Dr. Artaud, always a cunning strategist, sets his sights on a dark new ambition: to create a device that could completely eliminate the Monster. As Beatrice bids an emotional farewell to her unexpected companion, her tears cascade softly onto the parched ground.

Thus, amidst the chaos, the Monster and Beatrice find themselves staring into each other’s eyes for one last moment, their expressions a poignant reflection of their complex and tortured bond. As the lights flicker chaotically, mirroring the Monster’s labored breaths, Beatrice’s presence becomes an ephemeral whisper, lingering in the air until the screen ultimately fades to black, leaving behind resonant echoes of what could have been.

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