Office Space 1999

Office Space marks the feature debut of director and writer Mike Judge, drawing inspiration from his well-known “Milton” animated shorts. Though it didn’t make a significant impact at the box office upon its 1999 release, Office Space—along with its iconic red Swingline staplers—has since developed a dedicated cult following.

This humorous film delves into the monotonous existence of Peter Gibbons (Ron Livingston), a software engineer stuck in the soul-crushing confines of Initech. Consumed by a tiresome commute, troublesome coworkers, an excessively dull boss, and a girlfriend he suspects of infidelity, Peter’s life feels all but hopeless. The few bright moments in his daily routine arrive courtesy of his friends Samir (Ajay Naidu) and unfortunately-named Michael Bolton (David Herman), his easygoing neighbor Lawrence (Diedrich Bader), and Joanna (Jennifer Aniston), a waitress at the local Chotchkie’s, whom he has a crush on but has never approached.

After a particularly grueling morning filled with tedious reminders about TPS reports—about which the meaning remains a mystery—the atmosphere at Initech shifts dramatically. Employees react nervously upon learning that consultants are being brought in to enhance productivity. Each worker worries for their job, but the anxious Milton (Stephen Root), a long-standing employee anxious about relocating his desk again, is chiefly concerned about the fate of his cherished red Swingline stapler, which he had cleverly hidden from the company as they switched to another brand. Meanwhile, Michael Bolton contemplates unleashing a virus he has created or joining Samir in vandalizing the dreadful fax machine.

On a fateful Friday, as Peter tries to escape work early, he runs into his pompous boss Bill Lumbergh (Gary Cole), who frustratingly insists that he work the weekend. Compounding his problems, Peter’s girlfriend Anne (Alexandra Wentworth) brings him to an occupational hypnotherapist in hopes of improving his outlook on life. However, during the session, the hypnotherapist suffers a heart attack, leaving Peter in a blissful, relaxed state. Ignoring his alarm, he blows off the weekend work as well as the numerous messages from Lumbergh and finds himself confronted by an angry Anne, who reveals that she has indeed been cheating on him, leading to their breakup.

Come Monday, instead of returning to Initech, Peter takes a bold step to Chotchkie’s, where he finally asks Joanna out for lunch. As they bond over a shared love for the television series Kung Fu, Peter shares his decision to stop going to work instead of formally quitting. Later, while retrieving his address book from Initech, he encounters the consultants both named Bob, who encourage him to skip his job interview. Seizing the opportunity, Peter candidly shares his frustrations about management, leaving the meeting feeling liberated, much to the Bobs’ approval.

Meanwhile, Joanna grapples with her own work frustrations as her boss Stan (Mike Judge) confronts her about not wearing enough flair—those playful decorative buttons showcasing personality—resulting in her resolve to express herself fully. As restructuring at Initech unfolds, the Bobs uncover that Milton has been unknowingly receiving a paycheck since being laid off five years prior due to a payroll glitch, and they promptly rectify the situation.

As Peter begins to enjoy his new lifestyle filled with leisure and budding romance with Joanna, he receives unexpected news from the Bobs: he has been awarded a promotion with additional pay and stock options, while Samir and Michael are set to be let go. The trio concocts a plan involving a sophisticated virus to siphon a fraction of a penny from bank transactions, which they unanimously agree is the perfect heist, despite Lawrence overhearing their discussions.

The heist is executed with thrilling enthusiasm, leading to a wild celebration after demolishing their troublesome fax machine, and leaving Milton distraught as he faces more humiliation at the hands of Lumbergh. However, as Peter starts to reveal their scam to Joanna over the weekend, he stumbles upon the harsh reality of her past with Lumbergh, leading to a bitter row between them.

After their arguments and confrontations, Joanna asserts herself against Stan’s nagging supervision and opts to quit her job. Meanwhile, Peter’s excitement about their scheme turns sour when he discovers an alarming balance in their scam account, which swells to over $300,000. Faced with the moral dilemma of sudden wealth that wasn’t rightfully theirs, Peter decides to take the brave route by returning the money along with a confession to Initech.

As events unfold, chaos ensues at Initech, culminating in a fiery fate for the building—fueled by the unresolved tensions ignited over the course of the film. When Milton finally finds himself at a fancy Mexican resort, the audience sees his unchanged disposition, as he is still ready to unleash his wrath over the slightest mistake, hinting at his iconic past.

In the end, we witness Peter embrace a new chapter in his life, trading in his cubicle grievances for hard work alongside Lawrence, as he simply savors the dignity of honest labor—no longer ensnared by the oppressive chains of corporate life.