Plaza Suite 1971

In this cinematic masterpiece, a captivating trilogy of stories unfolds within the opulent Suite 719 at New York City’s iconic Plaza Hotel. Each of the three acts presents a new ensemble of characters, yet all share a profound emotional journey against the backdrop of luxury.

The first act, “Visitor From Mamaroneck,” tells the tale of Sam and Karen Nash, whose initial romantic getaway has devolved into a battleground for their deteriorating marriage. With a sense of desperation, Karen attempts to ignite their fading passion, but her efforts lead to a catastrophic escalation, culminating in a heated confrontation about betrayal. The act ends on a poignant note as Sam departs, leaving Karen to grapple with the stark reality of their lost innocence.

Transitioning to the second act, “Visitor From Hollywood,” we encounter movie mogul Jesse Kiplinger, played by Walter Matthau, who finds himself face-to-face with his former lover, suburban housewife Muriel Tate, portrayed by Lee Grant. Though Muriel’s visit appears to be a friendly reunion, Jesse has ulterior motives as he doggedly pursues her, intent on reigniting the ambiguous connection they once shared.

The narrative culminates in the third act, “Visitor From Forest Hills,” which centers around Roy and Norma Hubley, effectively brought to life by Maureen Stapleton and Barbara Harris. As their daughter Mimsey’s wedding day approaches, the anticipation builds. However, Mimsey is overwhelmed by anxiety and locks herself in the suite’s bathroom, obstinately refusing to come out. Her frantic parents devise various plans to persuade her to emerge, yet the impending wedding looms, leaving the audience in breathless suspense over the eventual resolution of the day’s events.