Pride and Prejudice 1940

As marriage prospects arise in a bustling English countryside, Mrs. Bennet's fervent matchmaking attempts are matched only by her daughters' own biases and misconceptions. Amidst the whirlwind of love, family, and social status, two proud and prejudiced hearts - Mr. Bingley's charming ease and Mr. Darcy's haughty reserve - must navigate the treacherous terrain of their own emotions to find true happiness.

As marriage prospects arise in a bustling English countryside, Mrs. Bennet's fervent matchmaking attempts are matched only by her daughters' own biases and misconceptions. Amidst the whirlwind of love, family, and social status, two proud and prejudiced hearts - Mr. Bingley's charming ease and Mr. Darcy's haughty reserve - must navigate the treacherous terrain of their own emotions to find true happiness.

Does Pride and Prejudice have end credit scenes?

No!

Pride and Prejudice does not have end credit scenes.

Ratings


Metacritic

84

Metascore

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User Score

TMDB

69

%

User Score

Movie Quiz


Pride and Prejudice Quiz: Test your knowledge on the intricate relationships and cultural themes presented in the 1940 film 'Pride and Prejudice'.

What is the name of the protagonist in the film?

Plot Summary

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In a vibrantly woven tapestry of cultural identity, the life of Lalita Bakshi unfolds within the rich patterns of her Indian heritage. Residing with her family in Amritsar, this compassionate young woman finds herself entwined in a captivating narrative when she receives an invitation to a friend’s wedding. This event gathers a diverse array of personalities, including Will Darcy, a charming American whose interest quickly gets swept up in the emotional currents surrounding Balraj, a witty Indian-British barrister, and his sister Kiran.

As the wedding festivities commence, Lalita experiences a clash of wills with Darcy, whose charming presence is undercut by a condescending attitude. The dynamics within her family grow more complex with the arrival of Kohli Saab, a jolly family friend from Los Angeles searching for a traditional Indian bride. His pursuit ignites a whirlwind of events that probe the boundaries of cultural customs and family expectations.

As the plot unfolds, Lalita’s journey combines with Darcy’s when they venture to Goa, where their opposing views on love, relationships, and the socio-economic future of India create a battleground of ideals. Moreover, Johnny Wickham, a former acquaintance of Darcy from London, begins to whisper sweet nothings into Lalita’s ear, intensifying her contempt toward Darcy.

The arrival of Kohli Saab prompts a sequence of transformations that challenge the family’s values and traditions. Adding to the tension, Wickham’s presence at the Garba ceremony, despite the disapproval of Mrs. Bakshi, puts Lalita in a difficult position as she grapples with her desire for autonomy while fulfilling her duties as a daughter.

As the story progresses, the family dynamics become increasingly intertwined, with Jaya and Maya, Lalita’s sisters, striving to carve out their own identities amid this sea of emotions. The poignant departure of Balraj, who promises to keep in touch with Jaya from London, serves as a bittersweet reminder of the fragility of connections and the profound impact of human relationships.

This intricately layered narrative presents a spectrum of love, family, culture, and identity, ultimately culminating in a story that resonates deeply with viewers, filled with both humor and sentiment. When the Bakshi family receives the staggering news from Kiran that Balraj is courting potential brides in New York, the previously stoic Mrs. Bakshi cannot hide her disappointment alongside her daughters Jaya and Lalita. The trio’s anguish is palpable as they confront the stark reality of losing a cherished family member to a new life far across the Atlantic, though little do they realize that fate has different plans for them.

A twist of fate occurs when the Bakshis unexpectedly meet Darcy at Heathrow Airport, where he too attends the wedding of Kohli Saab and Chandra. In a heartfelt gesture, Darcy extends his first-class seat to Mrs. Bakshi, giving him the opportunity to sit beside Lalita in economy for the flight. This seemingly small act of kindness sets the stage for a transformative journey that reshapes the course of Lalita’s life.

As their relationship develops, it becomes evident that Darcy is more than just a captivating stranger. His mother, Catherine, introduces Lalita to his former love, Anne, who mispronounces her name as “Lolita,” igniting a series of startling revelations. During this time, Jaya and Lalita also meet Georgie, Darcy’s younger sister, who reveals the painful truth: that Balraj and Darcy have been estranged since the latter persuaded his brother against marrying an Indian girl with a reputation for greed.

This shocking disclosure ignites Lalita’s fury, as she grasps that Darcy bears responsibility for Jaya’s unhappiness. Her resentment peeks when Darcy proposes, and she vehemently rejects him, blaming him for Jaya’s plight. At the same time, Lakhi seizes their layover to elude the family and rendezvous with none other than Wickham, a rogue with a penchant for trouble. Darcy intervenes, clarifying that he has been diligently working to mend the relationship between Balraj and Jaya. The revelation of Wickham’s dubious past unfolds as Darcy discloses that Wickham had impregnated Georgie at a young age and had schemed to marry her for their family’s riches before fleeing when his plans collapsed.

As the tension begins to ease, Lalita reflects on Darcy’s words and reaches out for his help to rescue Lakhi from Wickham’s clutches. Together, their collaboration succeeds in liberating Lakhi, creating the pathway for Lalita to embrace Darcy’s proposal.

The film culminates in a joyous double wedding, celebrating as Jaya unites with Balraj, while Lalita joyfully declares “I do” to Darcy, marking the dawn of a beautiful new chapter in their lives.

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