Obsessed with notorious serial killer Ludovic Chevalier, Kelly-Anne dedicates herself to securing a front-row seat at his trial. A budding friendship with another courtroom fixture briefly alleviates her isolation, but the grueling proceedings and Chevalier's chilling presence soon draw Kelly-Anne deeper into a dark and dangerous obsession.
Does Red Rooms have end credit scenes?
No!
Red Rooms does not have end credit scenes.
Meet the cast of Red Rooms and learn about the talented actors who brought the characters to life. Explore their roles and career highlights.
Charlotte Aubin
Actrice Talk Show
Guy Thauvette
Juge Marcel Godbout
Juliette Gariépy
Kelly-Anne
Laurie Babin
Clementine
Elisabeth Locas
Francine Beaulieu
Natalie Tannous
Maître Chedid - Couronne
Pierre Chagnon
Maître Fortin - Défense
Myriam Baillargeon
Mère de Kim
Christophe Baril
Ambulancier #1
Raïssa Beaudoin
Journaliste télé #2 CN24
Sebastien Beaulac
Agent de sécurité #2
Fernando Becerra
Caméraman télé journaliste #1
Chantal Bellavance
Assistante de la couronne
Maria Belmonte
Constable spécial #4
Simone Bilodeau
Kim - voix
Sylvain G. Bissonnette
Huissier-Audiencier
Raphaëlle Blanchette
Justine - photo
Jérémie Bouchard
Juré #6
Vincent Boucher
Père de Justine
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81
Metascore
6.5
User Score
Challenge your knowledge of Red Rooms with an engaging quiz. Test your memory of the movie’s characters, plot twists, and unforgettable moments.
Who is the accused in the trial that Kelly-Anne attends?
Get the full story of Red Rooms with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.
In the bustling city of Montreal, a captivating yet chilling story unfolds as fashion model Kelly-Anne finds herself deeply entangled in the notorious trial of Ludovic Chevalier, a man facing grave accusations of broadcasted murder involving three innocent teenage girls in what has come to be known as the “Red Room”—a seedy corner of the dark web where audiences pay to witness horrific snuff films. With the case garnering sensational attention from media outlets and countless “fans” of Chevalier who believe in his innocence due to his seemingly gentle disposition, the situation serves as a perfect storm for a gripping narrative of obsession, ethics, and the human psyche.
Despite the FBI having provided evidence, including two snuff films, that link Chevalier to these heinous acts, the killer’s use of a balaclava raises doubts about his identity. Indeed, disturbing evidence looms: the discovery of the girls’ remains in Chevalier’s backyard adds another layer of complexity to the unfolding drama. As the courtroom becomes a spectacle, Clementine, a young woman drawn to the courtroom proceedings, strikes up an unexpected friendship with Kelly-Anne. This bond forms after Clementine—who journeyed to Montreal from afar, motivated by a desire to witness the trial—reveals her own challenging circumstances, including her stay in a local homeless shelter.
As the two women grow closer, the contrasts in their personalities become stark: while Clementine passionately defends Chevalier’s character, insisting that his innocence must be proven, Kelly-Anne maintains a colder, more analytical stance. She reveals her unconventional source of income through online gambling and unveils her tech-savvy nature as the programmer behind her own AI, Guinevere. Yet, hidden beneath the surface, Kelly-Anne has embarked on a far more sinister path by cyber-stalking Francine Beaulieu, the grieving mother of Camille Beaulieu—the youngest victim whose snuff video remains elusive to authorities.
As the trial progresses and the tense moment approaches for the court to watch the notorious snuff films, Clementine’s hopes of vindication for Chevalier are shattered when she learns that only the families of the victims will be allowed into the courtroom. Upset by her exclusion, she confides in Kelly-Anne about her desire to view the films, believing they could exonerate Chevalier. However, Kelly-Anne harbors a dark secret; unbeknownst to her new friend, she has already ventured onto the dark web to obtain the films. When the pair returns to Kelly-Anne’s apartment to watch the videos together, revealing the masked killer’s unmistakable blue eyes and unique gait identical to Chevalier, the harsh reality shatters Clementine’s hopeful naivety as she succumbs to tears over both the brutality of the content and the devastation of realizing the truth of Chevalier’s guilt. Faced with this unbearable revelation, Clementine decides to abandon the trial, seeking solace away from the horrid spectacle.
The tragic turning point occurs on Chevalier’s birthday when Kelly-Anne provocatively dons a schoolgirl uniform, resembling the attire of Camille at the time of her murder, complete with a wig and colored contact lenses, in a shocking stunt meant to draw attention to the courtroom. As she is forcibly removed, Chevalier’s eerie wave haunts her, serving as a catalyst for her subsequent downfall; she is subsequently terminated from her modeling agency, her reputation smeared by her impulsive actions.
Determined, Kelly-Anne reaches out to a hacker on the dark web who possesses Camille’s snuff film and is preparing to auction it. Successfully validating her identity, Kelly-Anne enters the bidding war, using her gambling skills to outmaneuver competitors and ultimately secure the film. The moment Kelly-Anne views the gathered footage, a euphoric high washes over her, but paranoia soon creeps in as she fears her activities may have been tracked through Guinevere, leading her to dispose of the AI product in a blender.
In a twisted culmination of her obsession, Kelly-Anne utilizes the confidential information gleaned from the dark web about Francine to bypass her home’s security system. In a horrifying act, she sneaks into Camille’s room dressed as the girl, taking selfies that reflect an unsettling fascination while leaving behind a flash drive containing the damning snuff film for Francine to discover later.
Eventually, news breaks that Francine has turned the flash drive into the police, leading to the undeniable evidence necessary to incriminate Chevalier. As he pleads guilty, the media can finally shift its focus from the trial’s sensationalism to the deep scars left on the families of the victims. Back in her hometown, Clementine attempts to reconcile her previous support for Chevalier during an interview, referring to herself as an “ex-groupie” while mourning the lives lost; she can now only think about the victims and the harrowing truths they leave behind.
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