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Does Saw VI have end credit scenes?

No!

Saw VI does not have end credit scenes.

Saw VI

Saw VI

2009

As Jigsaw's sinister influence continues to unfold, Hoffman seizes the reins of his mentor's deadly legacy, orchestrating a new game with devastating consequences. Amidst the chaos, the FBI races to unravel the truth behind Jigsaw's diabolical plan, but Hoffman's cunning tactics ensure a thrilling ride full of twists and terror.

Runtime: 90 min

Box Office: $68M

Language:

Directors:

Ratings:

Metacritic

30

Metascore

6.3

User Score

Metacritic
review

39%

TOMATOMETER

review

46%

User Score

Metacritic

6.0 /10

IMDb Rating

Metacritic

63.0

%

User Score

Check out what happened in Saw VI!

As the film unfurls, we are introduced to a young woman (Tanedra Howard), winner of the 'Scream Queens' reality show, who finds herself in a precarious predicament - trapped in a dark, confined space with a sinister device fastened to her cranium. A headset equipped with two bolts, poised at her temples, threatens to drill into her brain if activated. Across from her, separated by an insurmountable barrier, lies a portly individual (no actor credited) who shares the same dire circumstance.

As the woman endeavors to regain control of the situation, her counterpart becomes increasingly agitated, ultimately succumbing to panic and inadvertently triggering the signature broadcast from Jigsaw. The enigmatic mastermind lambasts both captives for their perceived role in perpetuating medical insurance 'crimes' (denying policies and claims for personal gain), pointing them toward a scale situated between the two fences. A gruesome ultimatum is issued: one of the pair will undoubtedly meet a tragic demise, while the survivor will be the one who sacrifices the most flesh from their own body and places it on the scale within a 60-second time frame.

To emphasize the gravity of their situation, Jigsaw demonstrates the consequences of failure by inflicting minor injuries upon the captives. The man, in a desperate attempt to comply with Jigsaw's demands, seizes a knife and begins to mutilate his love handles, depositing the resulting flesh onto the scale. In stark contrast, the woman, physically fit but lacking a similar solution, initially attempts to sever her chains.

However, by the time she makes this futile effort, the man has already dispatched a significant portion of his own flesh and is busy with a second incision. Panic sets in, and the woman hastily forms a makeshift tourniquet using surgical tubing around her upper arm before resorting to the knife. As the seconds tick away, she brutally hacks off her entire arm, severing it from her body and depositing it onto the scale.

This gruesome act of self-mutilation tips the scales in her favor, condemning the man to a horrific demise as the headset drills into his brain. The woman emerges victorious, having outlasted her tormentor and concluded the opening scene with a sense of morbid triumph.

In the cutthroat world of medical insurance claims, William (Peter Outerbridge) reigns supreme as vice president of claims and investigations for Umbrella Health. With an eagle eye for detail, he oversees a team of six individuals who meticulously dissect applications to identify even the most minor flaws. This fastidious approach allows them to deny claims with ruthless efficiency, much to the detriment of their clients' well-being. As William navigates the complexities of his work, he finds solace in his clandestine meetings with the enigmatic legal advisor, whose presence seems to soothe his troubled mind. However, beneath the surface of his polished demeanor lies a calculating individual who is adept at exploiting loopholes and justifying his decisions, no matter how morally dubious they may be.

In a flashback, the devastating consequences of William's actions are revealed as he is confronted by the grieving loved ones of a client whose insurance claims were denied due to an unrelated oral surgery from 30 years prior. The deceased had been suffering from a serious heart condition, but William's team used their formulaic approach to deny coverage, ultimately contributing to his untimely demise. Unfazed by the tragedy, William commends his team for their diligence in uncovering similar inconsistencies, illustrating his cold calculation and detachment.

Meanwhile, the game-changing events of Saw 5 have set the stage for a new chapter in the saga of Detective Hoffman (Costas Mandylor). The successor to Jigsaw finds himself transported from the 'crushing wall' trap area to a new, eerily familiar environment. As he emerges from the glass box that had contained him at the end of the previous installment, Hoffman is met with an unsettling sight: the mangled and torn corpse of Agent Peter Strahm, a grim reminder of his own mortality. With a sense of resignation, Hoffman surveys the carnage, confirming the death of his former ally and cementing his own place in the twisted world of Saw.

Detective Hoffman is summoned to the crime scene in the near future, where he finds FBI Agent Erickson (supervising Strahm from the previous installment) and local authorities already on the premises. The unexpected twist: they've uncovered fingerprints belonging to none other than deceased agent Peter Strahm, whose severed hand had been previously used by Hoffman as a ploy to incriminate him in a series of gruesome traps. However, this clever ruse is put into jeopardy when Erickson introduces their new partner in the investigation - Special Agent Lindsay Perez (Strahm's former partner, presumed deceased). It transpires that her apparent demise was merely implied, as they didn't want to risk revealing her true status until they could trust Hoffman with the truth. Given Strahm's tenuous link to the Jigsaw Killer and Hoffman's sole knowledge of his death, this revelation sends shockwaves through the investigation.

Meanwhile, Jill Tuck, the enigmatic wife of Jigsaw, is shown carefully opening a mysterious box from Saw 5. Although the contents are not fully disclosed at this point, she does produce six envelopes, each bearing a numerical designation (1-6), as well as a yellow envelope without a number. It becomes apparent that the box contains additional items, though their nature remains unclear. As Jill opens one of the numbered envelopes, a photograph of Pamela Jenkins, an investigative journalist who has written extensively on Jigsaw, is revealed.

This intrepid reporter, driven by her passion for uncovering the truth behind Jigsaw's twisted games, cornered Hoffman at a hospital with the aim of securing a statement from him. However, Hoffman dismisses her as a sensationalist seeking to capitalize on Jigsaw's notoriety, rather than genuinely pursuing justice. Pamela proposes an intriguing deal: in exchange for providing her with a lead on Jill Tuck's whereabouts (allowing her to conduct a crucial interview), she agrees to tone down her coverage of the case. Hoffman agrees to consider her proposal and enters the hospital room where the survivor from the opening scene's drill trap is recovering. The young woman, who has lost an arm but remains remarkably alive, is subjected to a grueling interrogation by Hoffman about her experiences during the game. Her distressing response: she feels that losing her limb was intended to impart some profound lesson, rather than simply being a brutal outcome of the trap's design.

As Hoffman (Costas Mandylor) stands before Perez and Erickson, presenting them with a shocking discovery, the gravity of the situation settles in. The duo reveals that the surgical blades used on Jigsaw's (Tobin Bell) victims bear an uncanny resemblance to those found at the scene of "Strahm's" (Hoffman's own) previous traps. This eerie connection leads them down a rabbit hole of investigation, delving into the past to uncover any potential links between the current Jigsaw killings and those of yesteryear. Furthermore, Hoffman's fingerprints are found to contain traces of Freon coolant chemicals, an enigmatic finding that will soon unravel to reveal a sinister motive. As Hoffman's composure begins to fray at the edges, it becomes clear that he is desperate to stave off the impending investigation, which threatens to implicate him rather than Strahm.

Meanwhile, Jill (Betsy Russell) finds herself face-to-face with Hoffman in her clinic, a setting eerily reminiscent of their past encounters. As they retreat to her office, it becomes apparent that she is privy to Hoffman's inner workings and is actively collaborating with him regarding the Jigsaw killings. Hoffman's urgency is palpable as he implores Jill to grant him access to Jigsaw's box, insisting that time is of the essence. Jill obliges, presenting him with five envelopes instead of the expected six, a subtle hint at her own understanding of the game's complexities. With his demands met, Hoffman departs, vowing never to cross paths with Jill again. As he exits, Jill is beset by a haunting flashback, one that whisks her back in time to an era when John Kramer was still alive. In this poignant scene, Kramer shares his unyielding conviction that addiction can only be vanquished through the most brutal of means. He illustrates this philosophy by introducing Amanda, a former patient at Jill's clinic who, under Kramer's guidance, had seemingly overcome her addiction. The intensity of this flashback serves as a stark reminder of Hoffman's true intentions and the gravity of the game he has set in motion.

As Hoffman's memories unfold like a twisted puzzle, he finds himself revisiting a haunting moment from the past - the meticulous adjustments he made to the crucifix trap in Saw 3, mere moments before its deadly activation. The lifeless body of Timothy lay motionless in a wheelbarrow, a grim reminder of the horrors that unfolded. Jigsaw's wheelchair, pushed by Amanda's calculating gaze, rolls into view, accompanied by a stern rebuke for Hoffman's perceived shortcomings in engineering. The mastermind behind the gruesome games chastises his protégé for neglecting fundamental principles such as friction, grease, and gear ratios.

Hoffman's callous response to Jigsaw's criticism is met with disdain, as he carelessly discards Timothy's lifeless form onto the floor. Amanda's warning that Hoffman has not yet been thoroughly tested hangs in the air like a guillotine's blade, its deadly precision awaiting its cue. Hoffman's defiant assertion that he does not require testing is countered by Amanda's chilling reminder that, despite Jigsaw's fragile mortality, she remains an integral part of the twisted game.

As tensions simmer, Jigsaw intervenes, commanding Amanda to retrieve Dr. Lynn from the hospital, effectively ending their impromptu meeting. As Hoffman and Amanda part ways, Jill appears in the hallway, her presence greeted with a mix of hesitation and embarrassment by Amanda. Jigsaw's enigmatic promise to grant Jill a way out, even after his passing, is accompanied by the mysterious gift of a box key, its purpose shrouded in mystery.

Meanwhile, William's office becomes a hub of chaos as the darkness falls. A news broadcast detailing Jigsaw's unrelenting killing spree continues unabated, despite the supposed demise of the serial killer. When the power suddenly fails, William's panic is palpable as he confronts a shadowy figure lurking across his office floor. With gun in hand, he ambushes the intruder, only to discover that it is merely a security guard. As William attempts to keep the guard alive, the latter valiantly points out the true Jigsaw figure stalking them from the shadows. William's world is turned upside down as he becomes Jigsaw's latest victim.

As Pamela (reporter) delves deeper into the mystery of Jill's apartment, she finds herself unwittingly entangled in Jigsaw's sinister game. The clever trap is set when Pamela arrives at the scene, bearing a letter that holds the key to unlocking the puzzle. Despite being turned away by an uncooperative Jill, Pamela leaves behind a tangible piece of evidence, only to be snatched up by Jigsaw as she attempts to flee. This sets in motion a chain of events that will test the limits of survival and morality.

Meanwhile, William finds himself suspended in mid-air, shackled between two massive stone blocks. The cunning Jigsaw presents him with an ultimatum: complete a series of tests within a one-hour time frame, or risk never seeing his family again. Across from William lies his janitorial counterpart, similarly entrapped and facing the same daunting challenge. As the clock ticks away, each breath taken by William brings the blocks closer together, threatening to crush him like so many before. The only escape route lies in outlasting the other prisoner in a silent struggle for air.

In a separate room, a desperate mother and son are trapped amidst a sea of hydrofluoric acid, their fate tied to a switch labeled LIVE or DIE. As they frantically search for an exit strategy, they're forced to confront the cruel reality that their very survival hangs in the balance. In another room, Pamela finds herself bound by Jigsaw's latest riddle, her own life hanging precariously from the outcome of William's tests.

As the stakes grow higher, the clock ticks down, and the tension builds, one thing becomes clear: only those who can outwit Jigsaw will escape with their lives.

As William ventures into a dimly lit room, he's faced with an impossible dilemma. His eyes settle on two handles, the only means of salvation for his file clerk, a youthful man with no family to speak of, and his secretary, a diabetic woman burdened by the weight of her loved ones. The air is heavy with tension as William's hands hover over the handles, his mind racing with the ghastly consequences of his actions. With great reluctance, he must release one handle, condemning one of them to a gruesome fate. The weight of his decision is crushing, and it's clear that the very thought of taking a life is anathema to him.

As the handles grow increasingly resistant, William's grip begins to falter. In a desperate bid to spare the old woman, he chooses to hold fast, allowing the young man to meet his untimely demise. The sound of his body crashing against the wall stills the air, and William's apology is tinged with sorrow as he warns the surviving secretary to be cautious, even as he prepares to face the next challenge ahead.

The journey to the next test is marked by a series of haunting flashbacks, triggered by cryptic messages scrawled beneath his shackles. The first vision transports him back to a chance encounter with John Kramer, a figure whose words would prove prophetic. As they commiserate over their respective roles in the grand scheme, John Kramer's words cut deep: "You don't take into account the individual's desire to live." William's formula for profitability has blinded him to the humanity of his decisions, and John's rebuke leaves a lasting impression.

The second flashback is equally unsettling. John appears before him once more, his calm demeanor belied by the urgency in his voice. He recounts the tale of an insurance policy that denied him treatment for a life-threatening condition, leaving no other option than experimental gene therapy. William's refusal to intervene, motivated solely by profit concerns, incenses John Kramer, who lambasts the callousness of the healthcare system and warns William that he will be held accountable by both the living and the dead.

As William ventures into a sauna-like environment, he finds himself face to face with his erstwhile legal counsel (now trapped in a labyrinthine maze below), her fate eerily tied to a device strapped around her neck. The device's countdown timer poses an existential threat: unless she navigates the treacherous path and reaches the exit, it will ultimately prove fatal. The only means of salvation lies in William's cooperation, as he must deliberately manipulate steam valves to create a passage for her. This act of mercy, however, comes at a terrible cost, redirecting scalding steam blasts directly towards his own face. Despite the risks, William chooses to aid his former advocate, calmly guiding her through the maze while absorbing the punishment himself. As she finally emerges victorious, it becomes clear that there is no conventional key to release her from the deadly device's grasp; instead, a power saw and an X-ray reveal that the solution lies within the stitching of William's own body. With his former counsel now beyond help, William must weigh his options, choosing to prioritize her rescue over his own self-preservation. In a poignant display of humanity, he volunteers to extract the key from his flesh, only for his would-be rescuer to succumb to panic and desperation, ultimately sealing her own fate.

Meanwhile, Hoffman (an enigmatic figure shrouded in mystery) observes the unfolding game with a calculating gaze, his attention piqued by the tantalizing prospect of uncovering hidden truths. His reverie is abruptly interrupted by the arrival of agents Erickson and Perez, who implore him to hasten to their location due to a crucial breakthrough in the investigation. As Hoffman arrives at the scene, he finds Erickson and Perez poised to crack the code on the distorted tape, meticulously laying out evidence that threatens to expose his deepest secrets.

As the sound technician wraps up her analysis, Hoffman seizes the opportunity to assert control, silencing the room by cutting power and then brutally slaughtering both Erickson and the sound technician. Cornering a terrified Perez, he demands to know who else is privy to his clandestine activities. With defiant courage, Perez reveals that "everyone" shares in this knowledge, before succumbing to Hoffman's wrath.

With the lab now awash in gasoline and ablaze, Hoffman departs, leaving behind a trail of destruction and chaos. As he returns to the scene of the game, it becomes increasingly clear that his true identity remains shrouded in mystery, perpetuating an air of enigma and intrigue.

As William navigates the treacherous landscape of his own making, a sense of foreboding settles over him like a shroud. His next move is calculated to avoid catastrophe, but the stakes are higher than ever before - the lives of his entire investigative claims team hang precariously in the balance. A dizzying carousel comes into view, its six members of William's trusty team strapped helplessly in place. The cold reality sets in: a shotgun mounted atop this gruesome merry-go-round will systematically execute them one by one unless William intervenes. But at what cost? He must press a button to spare their lives, but doing so will thrust him into harm's way - and he can only intervene twice. Whatever the outcome, four of his colleagues are doomed to meet a tragic end, leaving William with an impossible choice. As tensions simmer and petty squabbles erupt among his team members, they each attempt to justify their own survival over that of their comrades. Despite his deep reluctance to watch anyone perish, William makes his difficult decisions, ultimately saving two women and condemning the rest to the merciless shotgun's fury. With a heavy heart and the weight of responsibility bearing down upon him, William retrieves the final key and proceeds alone into the foreboding hallway, his journey now marked by the somber shadow of loss and sacrifice.

As the clock ticks down in the claustrophobic confines of their precarious predicament, the desperate mother and son duo frantically search for a way out - only to be met with crushing disappointment as the switch they've flipped yields no results. Meanwhile, Jill quietly takes up her position in the control room, unaware that Hoffman's absence has left her with a critical responsibility. The air is thick with tension as she begins to set up the final pieces of the puzzle, carefully placing the letter from Hoffman on his desk and hiding herself away.

As the countdown reaches its final moments, William bursts into the scene, only to find himself face-to-face with an eerie chamber that eerily connects Pamela's acid-trapped cell to that of the family he was so desperately trying to save. But what follows is a shocking revelation: Pamela is not just any stranger - she is William's own sister, and the very family he was attempting to rescue is none other than the ones who had wronged him. The truth begins to unravel like a twisted thread as it becomes clear that Pamela has been serving as the bait, luring William into this trap.

As Jigsaw's haunting tape crackles to life, the mother and son are confronted with a bitter pill: they were never meant to be tested or judged - merely held captive in a prison of their own making. The game's true purpose is laid bare: William has been given the opportunity to make amends for his past transgressions by facing the very people he wronged, with Pamela serving as the linchpin that sets it all in motion.

Tears stream down Pamela and William's faces as they beg for mercy and forgiveness, but their entreaties fall on deaf ears. The mother, consumed by her own rage and sorrow, stands at the precipice of destruction, poised to exact a terrible revenge upon William - not for personal gain, but as a means of protecting others from suffering the same fate he had inflicted upon them. Though she cannot bring herself to flip the switch, her son is far less inhibited, gleefully sending the needle-wielding walls crashing down onto William's chamber.

As the acid flows through the vats and the needles inject their deadly payload, William's screams are drowned out by the sound of his own organs dissolving into a gruesome puddle of blood and viscera.

As Hoffman materializes in the control room, his eyes land on a cryptic letter that serves as a harbinger of doom. He settles into his chair, his curiosity piqued as he delves into the contents of the letter. The truth slowly unravels, revealing Amanda's sinister involvement in Jill's clinic heist, which resulted in the tragic miscarriage. Hoffman's expression turns grim as he realizes that Amanda had orchestrated the entire operation, and he had been privy to her deceit all along.

The blackmailing tone of the letter hits Hoffman like a ton of bricks - Amanda is threatened with exposure if she fails to kill Dr. Lynn Denlon, a fate that John is oblivious to. This bombshell revelation sets in motion a chain reaction that ultimately sabotages Amanda's game, as Hoffman seeks to assert his dominance by manipulating the situation outside Jigsaw's purview.

However, just as Hoffman thinks he has gained the upper hand, a jolt of electricity courses through the chair, sending him crashing to the floor. Jill emerges from the shadows, her eyes blazing with a fierce determination. With calculated precision, she secures Hoffman to the control chamber using leather restraints, and then drops another bombshell - the jaw splitter trap that Amanda had so narrowly escaped.

As Hoffman's world begins to crumble, Jill reveals the true nature of the game - Hoffman was the sixth target all along, a revelation that sends shivers down his spine. With Jigsaw's final will guiding her actions, Jill has become the arbiter of Hoffman's fate, leaving him with no means of escape, only the crushing weight of his own treachery. The once-proud and calculating Hoffman is now reduced to a mere pawn in Jill's game of revenge, forever trapped in a cycle of despair and torment.

As Hoffman stands isolated, his frustration boils over into a violent outburst, as he mercilessly pounds the headset against his wrist, shattering his own hand in the process. With his broken limb dangling limply, he then maneuvers it through the leather restraint, freeing himself from the chair's confines. Next, he attempts to wrestle the headset off his head, but it refuses to budge, rendering him helpless.

In a desperate bid for freedom, Hoffman's gaze darts towards a small window in the doorway, and with a burst of adrenaline, he propels his head through the narrow opening just as the headset makes a final, crushing attempt on his skull. Though the door is only partially ajar, Hoffman has managed to extricate himself from immediate danger.

As he catches his breath, Hoffman's anguish gives way to defiance, and with a fierce determination, he rips a gash in the side of his cheek using the metal bit in his mouth. With this newfound liberty, he forces his head free from the headset's constraints, sending it crashing to the ground as he lets out a primal scream of triumph – having survived the ordeal, and thereby "proven himself" in the brutal game he's been forced to play.

Following the credits, Amanda approaches Jeff Denton's daughter at a doorhole and imparts two enigmatic words: "Don't trust the one who saves you." This cryptic warning seems eerily aimed at Hoffman, whose own struggles for survival have left him forever changed.