Sidewalks of New York 2001

In this witty romantic comedy, three men and three women find themselves entwined in a complex web of relationships, love, and heartache. Through candid interviews and intimate scenes, the film masterfully explores the absurdities and struggles of modern romance, where the pursuit of connection can lead to unexpected twists and turns.

In this witty romantic comedy, three men and three women find themselves entwined in a complex web of relationships, love, and heartache. Through candid interviews and intimate scenes, the film masterfully explores the absurdities and struggles of modern romance, where the pursuit of connection can lead to unexpected twists and turns.

Does Sidewalks of New York have end credit scenes?

No!

Sidewalks of New York does not have end credit scenes.

Ratings


Metacritic

49

Metascore

tbd

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.4 /10

IMDb Rating

TMDB

61

%

User Score

Movie Quiz


Sidewalks of New York Quiz: Test your knowledge on the intricate relationships and characters in the film 'Sidewalks of New York'.

What is Tommy Reilly's profession?

Plot Summary

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As the film opens, we are introduced to Tommy Reilly, a once-promising writer who has regrettably settled into the role of a producer for a weekly entertainment news program. This decision stems more from economic necessity than from a passion for storytelling. His personal life is spiraling; he has recently been dumped by his live-in girlfriend without a moment’s notice. To escape his troubles, he moves in with his friend Carpo, an aging ladies’ man who generously dispenses dubious romantic advice, hoping to navigate life’s complications.

While browsing a local video store, Tommy encounters Maria Tedesko, a grammar school teacher reeling from her recent divorce, and understandably cautious about jumping into a new relationship. Their chemistry is palpable, but Maria’s reluctance causes her to withdraw from Tommy, ultimately leading to a surprising twist: she later reveals she is pregnant with Tommy’s child but decides against involving him in her decision to raise the child alone.

Maria’s situation is complicated further by her ex-husband, Benjamin Bazler, who works as a doorman in a Manhattan apartment building and harbors dreams of becoming a professional musician, reminiscing about the great rock music of the ’60s and ’70s. He confides in Ashley, a coffee shop waitress from Iowa attending NYU, about his aspirations, unaware that she is entangled in a tumultuous affair with Griffin Ritso, a married dentist who professes his love for her but is paralyzed by the thought of leaving his wife, Annie Matthews.

As the narrative progresses, tensions in their relationships escalate. Ashley ultimately decides to end things with Griffin, only to seek comfort in a budding romance with Benjamin. Meanwhile, Annie, feeling imprisoned in her marriage, finds solace in her conversations with Tommy, where they bond over mutual dissatisfaction in their romantic lives. This connection grows deeper and ultimately influences her decision to leave Griffin.

The film intricately weaves together these characters’ perspectives on love, sex, and relationships through a unique documentary-style lens, providing an intimate look into their thoughts and feelings. As the storyline unfolds, we delve into the complex relationships that bind these characters, each navigating their own journey through the tumultuous waters of love, desire, and heartbreak.

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