Solaris 2002

Box Office

$15M

Runtime

99 min

Language(s)

English

English

As a psychologist delves into the mysteries of a space station orbiting Solaris, he uncovers eerie truths about humanity's darker side. But his investigation is soon eclipsed by a haunting connection to a figure from his past, sparking a poignant and unsettling exploration of love, loss, and the blurred lines between reality and illusion.

As a psychologist delves into the mysteries of a space station orbiting Solaris, he uncovers eerie truths about humanity's darker side. But his investigation is soon eclipsed by a haunting connection to a figure from his past, sparking a poignant and unsettling exploration of love, loss, and the blurred lines between reality and illusion.

Does Solaris have end credit scenes?

No!

Solaris does not have end credit scenes.

Ratings


Metacritic

67

Metascore

6.1

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.2 /10

IMDb Rating

TMDB

59

%

User Score

Plot Summary


In the early morning hours, psychologist Chris Kelvin (George Clooney) embarks on his daily routine, a seemingly ordinary sequence of events that belies an underlying sense of melancholy. The monotony of his days is punctuated only by his encounters with patients in group therapy sessions, where he listens intently as they bare their souls. Yet, despite the façade of normalcy, Chris’s very being seems shrouded in a veil of sadness, a sorrow that will slowly unravel as the story unfolds.

As the evening draws to a close, Chris’s routine is interrupted by an unexpected mishap in his kitchen. A careless cut on his finger sends him to the sink to clean and inspect the wound. This fleeting moment holds significance later on, its triviality masking a profound impact on Chris’s life.

The tranquility of this domestic scene is shattered when two enigmatic visitors arrive, bearing a cryptic video message from Dr. Gibarian (Ulrich Tukur), a friend who has been in contact with the distant planet Solaris through its orbiting space station, Prometheus. The gravity of the situation becomes apparent as Chris learns that his friend has relayed an urgent plea to join him on the space station, without revealing the reason why. The stakes are heightened by the ominous news that all contact with Prometheus has been lost; an intervention team dispatched in response was never heard from again. With the government poised to abandon the station and its crew, Chris is implored to take a journey to uncover the truth behind the mysterious disappearance.

As Chris boards the spacecraft bound for Solaris, he is met with the eerie silence of a mostly deserted space station. The first hint of something amiss lies in the copious bloodstains that mar the walls, a grim harbinger of the horrors that await him. Upon discovering Dr. Gibarian’s lifeless body among two others in a makeshift morgue, Chris’s world is forever altered. His subsequent departure from the room inadvertently leaves him oblivious to the accumulating blood oozing through the ceiling panels, as if his very presence on the station has awakened some ancient and malevolent force.

As Chris ventures deeper into the desolate space station, he is met with a haunting discovery: only two survivors remain among the crew, shrouded in mystery and trauma. The first is Snow (Jeremy Davies), an enigmatic figure whose responses are as elusive as his emotions. Chris learns that Dr. Gibarian’s fate was sealed by his own hand, and that the doctor who went missing has vanished without a trace - a grim reality underscored by the cold silence of the station. But it’s not just the absence of life that haunts this place; it’s the lingering presence of death itself.

Snow’s vagueness only serves to heighten the sense of unease, as Chris begins to unravel the tangled threads of what transpired on the station. The second survivor, Dr. Gordon (Viola Davis), is a woman torn apart by her own demons, locked away in a room where the horrors she witnessed continue to haunt her. Her cryptic responses only add to the sense of disorientation, as if the truth itself has been ravaged by some unseen force.

As Chris navigates this surreal landscape, he’s confronted with an unsettling apparition: a young boy careening through the corridors like a ghostly harbinger. The boy’s identity is revealed to be Dr. Gibarian’s son, a development that sends Chris reeling in search of answers. But Snow’s enigmatic smile only serves to deepen the mystery, leaving Chris with more questions than answers.

In the midst of this existential crisis, Chris turns his attention to Dr. Gordon, coaxing her out of her room to confront the darkness that has consumed her. Her fragile psyche is a reflection of the station itself: broken and shattered by the horrors that have unfolded. As Chris delves deeper into the mystery, he’s forced to confront the ghosts of his own past - specifically, the memories of his wife, Rheya (Natascha McElhone), whose ethereal presence continues to haunt him.

In a moment of lucidity, Chris realizes that his memories are not what they seem. The illusion of Rheya’s reality shatters like a dropped mirror, revealing the stark truth: she has been dead for years. His grief-stricken reaction is a testament to the profound impact these events have had on him - and as he sends Rheya off into the vast expanse of space, Chris can’t help but question whether he’ll ever find a way back to reality.

As Chris’s consciousness drifts into slumber, he receives an otherworldly visitor - Snow (played by [actor name]) - who reveals the enigmatic Solaris as the mastermind behind the eerie occurrences. It seems this planet has developed a peculiar ability to tap into the minds of scientists during their nocturnal reveries, summoning forth replicas of their most cherished loved ones. Snow himself had experienced a visit from his brother, a phenomenon that echoed the earlier appearance of Gibarian’s son, whose arrival was as sudden and inexplicable as a solar flare. Snow warns Chris that Rheya, another duplicate of his beloved, will reappear if he desires her to.

The following evening, Chris’s dreams are invaded by visions of Rheya once more, only to awaken and find her physical presence beside him the next morning. This new incarnation is oblivious to the first, a copy as convincing as a masterfully crafted forgery. Chris engages Rheya in conversation, attempting to unravel the mystery of her existence, but she remains steadfast in her conviction that she has always lived with him. With no recollection of how she arrived at the space station, Chris decides to let her stay and confides in Snow that this second iteration may never know about his actions regarding the first.

As Rheya settles into her new life among the stars, she begins to experience a sense of disquiet, as if an itch she cannot scratch is gnawing at her psyche. Her memories of life with Chris are indistinguishable from reality, yet they feel somehow… off. The more she reflects on her past, the more she becomes convinced that something fundamental is amiss. Flashbacks of a troubled childhood, replete with depression and despair, surface, followed by the painful memory of an abortion she kept hidden from Chris. His subsequent abandonment sent her spiraling into darkness, culminating in a desperate act of self-destruction.

The crew assembles for a meeting, during which they speculate on the nature of Solaris’s powers and theorize about the means to permanently eliminate these duplicates with targeted radiation. Chris, undeterred by Gordon’s reservations, becomes convinced that Solaris is offering him a second chance at redemption with his lost love. He hopes to transport Rheya back to Earth, where he can rekindle their relationship, but Gordon is adamant that such an endeavor would be catastrophic. She warns that allowing these replicas to persist could have devastating consequences, and that Rheya’s fate should be sealed once and for all.

Chris’s resolve is tested when Gordon reveals the truth about the first Rheya, which sends his second beloved fleeing in horror. As Chris’s anger simmers just below the surface, Gordon emphasizes the gravity of their situation: these duplicates are not human, and treating them as such would invite disaster. The stakes have never been higher, and Chris must confront the reality that his love has become a pawn in a far larger game, one played out on the unforgiving canvas of space and time.

As night descends, Chris’s subconscious stirs, conjuring a vivid dream in which he engages in a poignant conversation with Gibarian about the enigmatic visitors. Gibarian’s cryptic utterances seem to be filtered through Solaris itself, fueling Chris’s curiosity about the planet’s intentions. Why are they here? What do they want from them? Gibarian’s response is shrouded in mystery: there may be no definitive answers, only choices that will shape their destiny.

Chris awakens to find himself alone and bereft of Rheya, her absence as jarring as a sudden silence. His search yields the devastating truth: she has taken her own life by consuming liquid oxygen, her face scarred from the corrosive effects. The gravity of the situation is underscored by the eerie sight of her facial wound miraculously healing before their very eyes.

As they bear witness to this inexplicable phenomenon, Gordon’s solemn tone underscores the gravity of the situation: Rheya abhors witnessing “their resurrection.” Chris’s beloved has been restored to life, but at what cost? Her existential crisis is palpable as she grapples with the fact that she is not the real Rheya – a realization that fills her with despair and hopelessness. The power drain that follows serves as a stark reminder of the devastating consequences of playing God.

Chris becomes resolute in his determination to protect Rheya, locking himself away from the world to keep watch over her. His vigil is marked by an emotional rollercoaster as Rheya confesses that Chris’s recollections of their past have been distorted, fueling her depression and suicidal tendencies. Yet, Chris remains steadfast in his devotion, vowing to help her find happiness and start anew.

Despite his best efforts, Chris succumbs to exhaustion, his dreams haunted by the bittersweet memories of their tumultuous past. He is met with a jarring awakening: Rheya has escaped, leaving behind a poignant goodbye message that serves as both a testament to her resilience and a heart-wrenching farewell. The video’s final moments reveal the devastating truth: she has discovered Chris’s own suicide note from the real Rheya, left on Earth, and has used it to find closure – a poignant reminder that some wounds can never fully heal.

Chris’s outrage boils over as he confronts Gordon in the makeshift morgue, his anger fueled by her seeming indifference towards Rheya’s demise. But Gordon remains steadfast, insisting she simply fulfilled Rheya’s deepest desire. The tension is palpable until they both gaze upwards, their eyes locking onto a gruesome patch of blood smeared across the ceiling. As Chris opens the tile to reveal the mangled corpse of Dr. Snow, the truth begins to unravel like a twisted thread. It transpires that Snow himself was a visitor, caught in a desperate struggle for survival after his “host” attempted to dispatch him within the span of mere seconds. The fake Snow, oblivious to the chaos surrounding him, defended himself and dispatched his attacker, ultimately disposing of the body in the ceiling.

Gordon urges the swift elimination of this new threat, but Snow warns that vaporizing the other visitors has inadvertently fueled Solaris’s growth, leaving the station drained of energy. As the very fabric of space-time seems to unravel, the entire station begins its inexorable descent towards the planet Solaris. With time running out, Snow implores Chris and Gordon to escape via a life pod while he remains behind to face his own mortality.

In a jarring juxtaposition, we find ourselves back on Earth with Chris, struggling to reconcile his life with the events that have transpired. His attempts at normalcy are foiled when he slices his finger, only to watch it heal before his very eyes. The memories of his time on the Prometheus come flooding back – the turmoil, the doubts, and the ultimate decision to remain behind. As Gordon departs in the life pod alone, Chris’s resolve falters, and he finds himself unable to resist the gravitational pull of Solaris.

As the station begins its final descent, the child appears once more, his small hand reaching out to grasp Chris’s as they prepare to meet their shared destiny. In a moment of profound introspection, Chris looks upon Rheya, now standing before him in his kitchen. He queries whether he is alive or dead, but Rheya’s response – that such distinctions no longer hold any meaning – serves only to further blur the lines between reality and the infinite expanse of Solaris. As the camera pulls back, we are left to contemplate the boundless nature of this cosmic entity, its very essence infused with the collective regrets and longings of humanity.

As the enigmatic landscape of reality begins to unravel, a profound existential crisis unfolds. The notion that Chris’s existence has transcended mortality, joining Rheya in a celestial realm where love knows no bounds, becomes an increasingly plausible scenario. Conversely, the possibility that he is trapped within the confines of Solaris, grappling with a duplicate of his beloved wife, takes on a sense of eerie familiarity. But what if neither of these scenarios holds water? What if Rheya herself is merely a fragmented reflection of Chris’s own psyche, a manifestation of his deepest desires and darkest fears? The question that lingers is: can Chris even claim to possess a fixed identity amidst this maelstrom of uncertainty, or has he become forever lost in the labyrinthine corridors of his own mind?

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