Straight Time 1978

As Max Dembo (Dustin Hoffman) exits prison, he vows to reform, taking a menial job in a cannery and tolerating his condescending parole officer's insults. But when his innocence is wrongly accused, the ex-con's frustration boils over, igniting a dangerous descent into crime and chaos.

As Max Dembo (Dustin Hoffman) exits prison, he vows to reform, taking a menial job in a cannery and tolerating his condescending parole officer's insults. But when his innocence is wrongly accused, the ex-con's frustration boils over, igniting a dangerous descent into crime and chaos.

Does Straight Time have end credit scenes?

No!

Straight Time does not have end credit scenes.

Actors

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Ratings

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Metacritic

64

Metascore

7.3

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

8.1 /10

IMDb Rating

TMDB

71

%

User Score

Movie Quiz

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Straight Time Quiz: Test your knowledge on the turbulent journey of Max Dembo in 'Straight Time'.

What is Max Dembo's parole officer's name?

Plot Summary

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Upon his release from a six-year stint in a Los Angeles prison, Max Dembo finds himself under the scrutinous gaze of Earl Frank, a parole officer infamous for his patronizing demeanor. Stuck in a mundane cycle of job hunting due to the constraints of his probation, Max encounters Jenny Mercer, a spirited secretary at a drab employment agency who is immediately drawn to his magnetic charm. Their fortuitous meeting leads to an exciting dinner invitation, which Max readily accepts.

Yet, things take a dark turn when Earl’s unexpected visit to Max’s modest dwelling uncovers a troubling clue—a book of matches linked to Max’s friend, Willy Darin, known for his heroin cooking. Despite no signs of drug activity from Max himself, he is swiftly handcuffed and forced back into the confines of prison, stripped of both job and home. Jenny valiantly endeavors to uplift him during his imprisonment, making visits and leaving her phone number.

Upon his release, Max is subjected to a series of urine tests that successfully affirm his sobriety. However, Earl’s relentless attempts to dominate Max’s life only spark greater resentment within him. In a fierce act of rebellion, Max physically confronts Earl, ultimately handcuffing him to a fence by the roadside, which signifies a definitive break from any hope of an upright life.

With crime once again calling to him, Max resumes his former ways, executing an audacious robbery at a Chinese grocery store. He enthusiastically shares tales of his escapades with old cohorts while plotting further outrageous heists, including a poorly planned bank robbery that places him at odds with Jerry Schue.

As tensions mount, Max’s antics grow dangerously reckless, much to Jerry’s dismay. Their audacious theft at a Beverly Hills jewelry shop culminates in chaos when Willy, the getaway driver, panics and abandons them during a police pursuit. Forced to flee on foot, the duo’s precarious situation spirals into disaster when Jerry becomes a casualty while trying to escape through neighboring yards. In a desperate bid, Max resorts to violence, shooting a police officer and escaping with their stolen goods. In a chilling decision, he eliminates Willy to settle an old score, disappearing into the darkness with loyal Jenny.

As they navigate away from Los Angeles, their drive through Antelope Valley is filled with tension. As Jenny listens to the radio recounting the horrific events tied to their escape, she breaks under the weight of reality, insisting they stop so she can process the trauma. Their journey leads them to a lonely service station and diner near Palmdale, where they try to distract themselves with drinks. However, Max is deeply troubled, contemplating their dire circumstances and understanding that Jenny’s safety requires him to return to Los Angeles alone.

With a heavy heart, Max resigns himself to a life of crime, persuasive yet remorseful, as he tells Jenny, “I wanna get caught,” before leaving her behind. This decision marks a poignant farewell as he drives into the night, leaving Jenny grasping with feelings of abandonment.

The film culminates in a powerful montage of booking photographs that chronicle Max’s turbulent teenage years, with his prisoner number - A-20284 - hauntingly reminding viewers of the inevitability of his life choices and their consequences.

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