Tales of Terror 1962

In this macabre anthology, Vincent Price plays three eerie tales of revenge, obsession, and mortality. From a grieving father's malevolent wrath to a rival's deadly fixation and a dying man's desperate attempt to cheat fate, these dark vignettes weave together into a twisted tapestry of terror and suspense.

In this macabre anthology, Vincent Price plays three eerie tales of revenge, obsession, and mortality. From a grieving father's malevolent wrath to a rival's deadly fixation and a dying man's desperate attempt to cheat fate, these dark vignettes weave together into a twisted tapestry of terror and suspense.

Does Tales of Terror have end credit scenes?

No!

Tales of Terror does not have end credit scenes.

Ratings


Metacritic

68

Metascore

7.3

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.8 /10

IMDb Rating

TMDB

66

%

User Score

Movie Quiz


Tales of Terror Quiz: Test your knowledge on the eerie narratives and characters in 'Tales of Terror' from 1962.

Who serves as the guide throughout the three haunting sequences?

Plot Summary

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In this unnerving adaptation of Edgar Allan Poe’s classic stories, Vincent Price guides us through three chilling segments that delve into the darker corners of the human psyche. The initial tale centers around Lenora Locke, who makes a harrowing return to her father’s dilapidated mansion, only to find him engulfed in sorrow and loss. His silence speaks volumes, hinting at a profound guilt he harbors, believing that Lenora is to blame for her mother’s tragic demise, Morella.

As Lenora embarks on an unsettling journey to uncover the painful mysteries of her family’s past, she is confronted by the horrifying sight of her mother’s decaying body, forever arrested in a grotesque tableau. This revelation triggers a series of dreadful events that culminate in a spine-chilling encounter with the vengeful spirit of Morella. In a fantastical twist, Lenora’s existence is extinguished while Morella’s corpse is resurrected, reclaiming its former beauty. The horrific exchange of their bodies leaves Lenora’s father to confront his nightmarish fate amidst a consuming blaze.

The second tale spins around Montresor Herringbone, who is consumed by a profound loathing for his wife, Annabelle, and her mysterious black cat. His resentment grows fitfully as he grapples with his own feelings of inadequacy, turning increasingly to wine to dull the misery of his life. The arrival of Fortunato Luchresi serves as the catalyst for his downfall, leading Herringbone to entomb both his wife and her feline in an act of brutal desperation.

Within this self-imposed prison, Herringbone faces relentless torment from the apparition of the black cat alongside the shadow of his own guilt. As this segment concludes, the chilling sentiment from Poe resonates through the air: >“I had walled the black monster up within the tomb!” evoking a sense of suffocating dread that envelops the viewer.

In the final narrative, M. Ernest Valdemar battles against a debilitating illness, seeking the eccentric help of Mr. Carmichael, a hypnotist known for his mental manipulations. As Valdemar succumbs to a series of trance states, he becomes ensnared in a perilous limbo between life and death, his cries for release falling on deaf ears as Carmichael callously withholds the relief he yearns for.

As weeks of torment drag on, Valdemar’s body begins to decay, yet Carmichael remains firmly in command, eagerly pursuing the affections of Valdemar’s devoted wife, Helene. Despite his malevolent strategies, Helene fiercely resists Carmichael’s lewd advances. The tension escalates into brutal violence when Carmichael launches a savage attack on her. In a shocking twist, the decaying form of Valdemar rises from its grave, fueled by a furious vengeance directed at the tormentor who prolonged his anguish. As the physician, Dr. Elliot James, rushes to the chaos, he finds Helene narrowly escaping the terrifying horror that has been unleashed from the depths of death.

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