The Best of Youth 2005

In 1960s and '70s Italy, two brothers Nicola and Matteo face the turbulent tides of adulthood. Nicola's whirlwind romance with Giulia is torn asunder by her fierce convictions, while Matteo finds solace in his love for photographer-turned-librarian Mirella. As they navigate marriage, middle age, and their country's tumultuous transformation, these brothers must confront the complexities of love, loyalty, and identity.

In 1960s and '70s Italy, two brothers Nicola and Matteo face the turbulent tides of adulthood. Nicola's whirlwind romance with Giulia is torn asunder by her fierce convictions, while Matteo finds solace in his love for photographer-turned-librarian Mirella. As they navigate marriage, middle age, and their country's tumultuous transformation, these brothers must confront the complexities of love, loyalty, and identity.

Does The Best of Youth have end credit scenes?

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The Best of Youth does not have end credit scenes.

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Metacritic

89

Metascore

7.4

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As the fabric of their lives begins to fray, two brothers, Matteo and Nicola Carati, find themselves drifting apart after a heartbreaking attempt to save Giorgia, a young woman ensnared in the horrors of an abusive sanitarium. The painful aftermath of this experience leaves emotional scars that echo through their complex familial ties—rooted in tradition, their parents, Angelo and Adriana, stand as steadfast figures, while their siblings, older sister Giovanna and younger sister Francesca, symbolize the untarnished spirit of youth.

In the wake of their separation, Matteo’s internal struggles worsen, causing him to abandon his academic aspirations. Instead, he seeks solace in guiding mental patients through the streets, including Giorgia, whose life remains shackled to her own demons. In contrast, Nicola channels his energy into his studies, successfully passing an exam that paves his way toward a career in psychiatry.

As the brothers’ journeys unfold, their lives intersect in unforeseen ways. Motivated by compassion, Matteo’s determination to rescue Giorgia from the institution leads to heartbreak when authorities swiftly reclaim her. Overcome with despair, he turns to the army as an escape from his turbulent emotions.

Meanwhile, Nicola ventures to Norway and takes on the role of a lumberjack. There, he meets Giulia, a university student who soon becomes an integral part of his life. They eventually settle in Turin, welcoming a daughter named Sara as they craft their new family unit.

After completing his military service, Matteo returns to Rome, finding some semblance of peace as a police officer. Yet, beneath the surface, he grapples with persistent feelings of depression and anger. In Turin, Nicola builds a life with Giulia, although their relationship remains platonic, lacking the formal bond of marriage.

In Sicily, Matteo’s volatile nature leads him to flee the island, returning to Rome with feelings of shame that prevent him from visiting his mother. Meanwhile, Nicola’s path takes an intense shift as he becomes a psychiatrist, driven by the mission to address the injustices faced by those in mental institutions.

The brothers’ fates intertwine once more when Nicola discovers Giorgia, who now suffers in a hospital under horrific conditions. Her silence and fear vividly illustrate the trauma inflicted upon her by those meant to provide care.

As time progresses, Giulia’s life takes a turn as she becomes involved with a hidden cell of the Red Brigades. Her disappearance leaves Nicola in a whirlwind of confusion and heartache, while years later, a serendipitous reunion with Mirella at a library sparks a fleeting, passionate romance for Matteo. However, his sudden withdrawal leaves her heartbroken.

When Mirella returns with life-altering news, Matteo reacts harshly, prompting her to leave. As the countdown to a new year begins, he makes the tragic decision to leap from his balcony, a devastating end to his tumultuous life.

In the aftermath of Matteo’s death, the family fragments, with Nicola’s mother retreating into solitude, while Nicola is consumed by guilt, vowing never to let his brother’s fate repeat. Determined to take action, he arranges for Giulia’s capture, ensuring she spends 17 years in prison, protected from herself and others.

During Giulia’s incarceration, Nicola proposes to her, only to be met with refusal. In the meantime, a chance encounter with a photograph taken by Mirella reveals Matteo’s hidden legacy: he is the father of Andrea, Mirella’s son. This revelation leads Nicola to share the news with his mother, rekindling her sense of purpose as she bonds with Mirella and Andrea on the beautiful island of Stromboli.

As Giulia approaches her release, Nicola and friends embark on a project to renovate an old villa in Tuscany. Upon her release, Giulia encounters Francesca but refrains from connecting with Sara, instead observing from a distance. Sara, now pursuing her dreams in art conservation, becomes engaged to Mimmo, all while grappling with her mother’s past decisions.

After the passing of Nicola’s mother, he travels to Stromboli for closure and to honor their family’s memory. As the weight of grief begins to lighten, Nicola and Mirella discover a profound connection, navigating a budding romance amid their shared history. Simultaneously, a blossoming Sara confronts her relationship with her mother, prompting Giulia to reach out with compassion, albeit cautiously revealing her innermost self.

The film culminates with Andrea, Matteo’s son, embracing a poignant journey toward Norway’s North Cape—an important destination shared by his father and uncle, now a symbol of their unfulfilled dreams lingering in the hearts of those left behind.

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