The Boss of It All 2007

The film kicks off with a unique introduction featuring Lars von Trier, whose presence is only felt through a reflection in a camera crane positioned in front of a building. He directly acknowledges the audience, humorously stating that this film is not to be taken with any seriousness. At the heart of the narrative is Ravn, an IT company owner in a bit of a pickle, who resorts to hiring an unemployed actor, Kristoffer, driven by a peculiar obsession with Pier Antonio Quarantotti Gambini. Ravn’s intention is to have Kristoffer impersonate him during a pivotal meeting aimed at selling the company to a rival Icelandic firm.

However, the meeting spirals into chaos when the irate Icelandic representative unleashes his frustration about what he perceives as excessive sentimentality and verbosity from the Danes. In the aftermath, Ravn reveals to Kristoffer that he is, in fact, the actual boss, but had been too anxious to step into the role himself. For the past decade, he had crafted a fictitious narrative to the employees, claiming that the true owner of the company resided in America, only communicating through email, blaming the faceless “boss of it all” for any troubles that arose.

Intrigued by this new position, Kristoffer takes on the role, immersing himself with the staff over the subsequent days as they prepare for the next meeting concerning the sale of the company. This leads to a series of comedic moments, particularly as Kristoffer grapples with misunderstandings. One notable incident arises when he attempts to respond to a vague query from an employee, unaware that he previously sent an email proposing marriage. The laughter escalates as Kristoffer frequently seeks Ravn’s guidance in public spaces, trying to navigate the murky waters of corporate interactions and his newfound authority.

As the plot unfolds, Kristoffer learns a startling secret from Lise, one of the original six staff members. Each of them had invested $15,000 in Ravn’s business endeavors, under the belief that they hold a stake in the company. Yet, unbeknownst to them, Ravn is planning to sell the company and dismiss all of them, pocketing the profits for himself. Disturbed by this revelation, Kristoffer feels compelled to change the course of events and persuades Ravn to come clean to the staff about their current situation. However, when Ravn attempts to pass the blame onto the “boss,” the deception continues.

At a subsequent meeting with the Icelandic company’s president, Kristoffer boldly negotiates an additional $50 million on top of the initial offer of $254 million, which leads to another tumultuous fallout as the president storms out in anger. In a climactic final meeting where the six original staff members are present, Ravn gathers his courage and admits the truth about being the boss. Surprisingly, the staff responds with unexpected equanimity and instead choose to retain the company rather than going through with the sale. Yet, Kristoffer still possesses the legal rights as the owner, leaving him at a moral crossroads as he weighs his options.

Ultimately, despite his better judgment, when the Icelandic boss mentions Gambini, Kristoffer finds himself swept away by the admiration and unexpectedly agrees to sign the deal. The film concludes with a poignant scene of everyone vacating the premises while Kristoffer channels his inner Gambini, performing a passionate monologue directed at the astounded Icelandic boss. With laughter, deception, and unexpected twists, this film delivers a rich tapestry of corporate intrigue wrapped in comedic absurdity.