The Bridge on the River Kwai 1957

In the scorching Burmese jungle, Allied prisoners face off against their ruthless Japanese captors in a battle of wills. As the enemy forces them to construct a vital bridge, British and American officers hatch a daring plan to destroy it. But amidst the chaos, one commander's obsession with discipline and order threatens to upend their entire strategy.

In the scorching Burmese jungle, Allied prisoners face off against their ruthless Japanese captors in a battle of wills. As the enemy forces them to construct a vital bridge, British and American officers hatch a daring plan to destroy it. But amidst the chaos, one commander's obsession with discipline and order threatens to upend their entire strategy.

Does The Bridge on the River Kwai have end credit scenes?

No!

The Bridge on the River Kwai does not have end credit scenes.

Ratings


Metacritic

88

Metascore

8.3

User Score

Rotten Tomatoes
review

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TOMATOMETER

review

0%

User Score

IMDb

8.1 /10

IMDb Rating

TMDB

%

User Score

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Plot Summary

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Two prisoners of war are engaged in a solemn task, burying a corpse in the graveyard of a Japanese World War II prison camp located in southern Burma. One of them, American Navy Commander Shears, has a strategy to secure his comfort; he frequently bribes the guards to get sick duty, thus allowing him to dodge the grueling labor that awaits most prisoners.

A fresh group of British prisoners arrives, marching proudly while whistling the Colonel Bogey March, under the command of Colonel Nicholson. Nicholson emphasizes obedience, stating that the prisoners must comply with orders since they have surrendered upon the orders of their superiors. However, the Japanese camp commander, Colonel Saito, is adamant that all prisoners, regardless of their ranks, will participate in the construction of a bridge over the Kwai River for a railroad that connects all of Burma.

The tension escalates when Saito demands everyone work, while Nicholson insists that his officers are exempt from manual labor due to the Geneva Conventions. After a violent confrontation where Saito threatens to execute officers, he is eventually persuaded to reconsider by Major Clipton, a British medical officer among the captives, who warns that killing officers would lead to a scandal. Saito relents but leaves Nicholson and his officers to endure the harsh sun, resulting in the collapse of one of his men. Later, Nicholson faces further brutality when he is beaten in Saito’s quarters and thrown into solitary confinement.

As construction on the railroad bridge lags, primarily due to deliberate mishaps orchestrated by the British prisoners, Saito finds himself under immense pressure to complete the project. If he falters, it will lead to his dishonor and possibly Seppuku (ritual suicide). Reluctantly, he grants Nicholson an “amnesty” to commemorate a Japanese victory, allowing the officers to avoid labor. With newfound freedom, Nicholson strides through the camp, filled with pride.

Post-ordeal, though physically intact, Nicholson is taken aback upon inspecting the disarray at the construction site. Determined to outdo his captors, he orders Captain Reeves and Major Hughes to devise better plans for the bridge, hoping to showcase British ingenuity and boost morale amidst the grim atmosphere of captivity.

Meanwhile, Shears and two others make a valiant escape attempt. Tragically, two are killed during their flight; Shears, shot and swept away by the river, eventually finds himself in a Siamese village where the locals nurse him back to health. He ends up in a British hospital in Colombo, Sri Lanka, where he becomes embroiled with a charming nurse.

One day, Major Warden from the British Special Forces requests an audience with Shears. He’s on a perilous mission to demolish the Kwai bridge and believes Shears’ local knowledge would be invaluable. Shears, however, reveals that he is not a Commander, but merely an enlisted Navy man who assumed the identity of a deceased officer for better treatment in captivity. After a moment of dilemma, Warden offers him a simulated rank in exchange for his aid on the operation, which Shears ultimately accepts, realizing survival is paramount.

Back at the prison camp, Nicholson successfully convinces the Japanese that a more suitable location for the bridge should be chosen. In a moment of surprising maneuverability, he abandons the original structure for a new one, instructing his men fervently as the deadline approaches. Clipboard, however, can only observe in disbelief as Nicholson fervently pushes his men, even allowing junior officers to lend a hand, which stands in stark contrast to his former stance regarding labor.

Simultaneously, the commandos make their descent from the skies. Unfortunately, one officer’s parachute misfires, resulting in fatal injury. With assistance from village chiefs and porters, they maneuver toward the river, but they are confronted by a Japanese patrol. In the chaos, Warden springs into instant action, but not without consequence as he suffers a gunshot wound. Nonetheless, Shears refuses to abandon his fellow operatives, and they push on toward their target.

As the prison celebrates the bridge’s completion, hidden plans unfold beneath it as Shears and Joyce wire explosives. The morning light brings a surreal realization as they see the explosives exposed due to the river’s receding waters. Nicholson, filled with pride, inspects the bridge when chaos ensues—an explosive revelation that shatters confidence. As train tracks ready for use by a Japanese train filled with soldiers, a confrontation ignites with Nicholson, Saito, and Joyce caught in a crossfire.

In a moment of impending doom, Nicholson gasps, > “What have I done?” as if awakening from a fog. What follows is a harrowing culmination; despite their intentions, life and death blur as the detonator is activated. With sacrifice and tragedy interwoven, the bridge explodes, sending the train plummeting into the river.

Warden, amidst the wreckage, struggles with guilt, exclaiming, “I had to do it! They might have been taken alive! It was the only thing to do!” Meanwhile, Major Clipton silently observes the reality of war, shaken and distressed, wondering, “Madness! … Madness!” as the heart-wrenching consequences of their choices unfold.

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