1946. Amerigo is seven years old and he has never left Napoli and his mother Antonietta. His world, made of streets and poverty, is about to change. Boarding one of the “happiness trains” he will spend the winter up north where a young woman, Derna, will welcome him and take care of him. At her side, Amerigo gains an awareness that will ...
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In the year 1946, a time marked by profound hardships in post-war Italy, we encounter Antonietta, an impoverished single mother, who faces the tough decision of sending her beloved son Amerigo away. As part of the initiative known as the treni della felicità (trains of happiness), organized by the Italian Communist Party (PCI), Antonietta hopes to provide a better life for her son by arranging for him to travel from bustling Naples to the relative comfort of northern Italy where he would live with a host family. Despite her good intentions, Amerigo initially resists this plan, clinging to the familiar surroundings of his childhood. His decision to stay changes drastically when he is caught in a precarious situation involving Antonietta’s boyfriend, leading to a confrontation over the fraudulent selling of white-painted rats for furs.
At the train station, an unsettling scene unfolds as an elderly woman instills fear in the gathered crowd. She warns the children and their parents with terrifying tales of deportation to Siberia and cannibalism, which sends shivers down their spines. However, the determined PCI cadres rise to the occasion, passionately arguing that the children’s dire circumstances necessitate the journey north for a chance at a better life, ultimately persuading the hesitant families.
Upon arriving in Modena, the children are welcomed by their host families, one by one, until only Amerigo remains. He is reluctantly taken in at the last moment by Derna, a former partisan who now lives alone, mourning the loss of her boyfriend during the war. The next day brings introductions to Derna’s brother, Alcide, and his three sons: Revo, Lucio, and Nario. The kind-hearted Alcide shares a wealth of skills with Amerigo, particularly igniting his passion for music with the violin. Yet, inter-family tensions arise as jealousy festers in Lucio towards the affection Alcide shows Amerigo. Their budding friendship faces challenges, notably when Amerigo, haunted by the old woman’s tales, hides from a baking opportunity in the woods until Derna reassures him he will return home after the wheat harvest, laying the groundwork for their slowly growing bond.
As Amerigo adapts to school life, he quickly becomes the target of bullies, primarily due to his southern roots. However, an unexpected ally emerges in Lucio, who begrudgingly defends him. Events at a May Day festival take a turn when Lucio taunts Amerigo about his mother, leading to a fight which results in Amerigo running away. In a vulnerable moment, he stumbles upon Derna in distress, confronting the misogyny of her colleague. That night, he comforts her, drawing parallels between her and his mother’s strength, acknowledging that Antonietta would never allow herself to be mistreated in such a manner.
As the harvest season arrives, it becomes time for the southern children to return home, where Amerigo is met with coldness from his mother. Antonietta cynically suggests that he is destined for a life of poverty. Amerigo, feeling incredibly isolated as the only child without letters or gifts from his fosters, discovers a painful truth when he visits the PCI offices: his mother has withheld the care packages from Derna intended for him. The pain intensifies when he finds that Antonietta has pawned the cherished violin gifted to him by Alcide. A confrontation ensues where Amerigo reprimands her for her selfishness, leading to a heart-wrenching slap from his mother. In a moment of desperation, he flees and boards a train back to Modena, culminating in a tearful reunion with Derna.
Fast forward to 1994, and we find an adult Amerigo, now a successful violinist, grappling with the news of his mother’s passing. His return to Naples unveils memories as he discovers his old violin, which Antonietta had redeemed, engulfing him in a wave of nostalgia and sorrow. Through a poignant voiceover, it is revealed that Antonietta had indeed allowed her son to seek his own happiness, having sent a letter to Derna, imploring her to either accept him into her heart or to facilitate his return. This resonates with the profound message that those who genuinely care for others may sometimes let them go, a testament to the enduring nature of love and sacrifice in the face of adversity.
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