The Day I Became a Woman 2001

In this poignant and whimsical odyssey, three stages of a woman's life unfold as a beautiful triptych. A debut feature from Marziyeh Meshkini, the film masterfully blends humor, surrealism, and heartache, set against a backdrop of breathtaking visuals, with a script by acclaimed director Mohsen Makhmalbaf.

In this poignant and whimsical odyssey, three stages of a woman's life unfold as a beautiful triptych. A debut feature from Marziyeh Meshkini, the film masterfully blends humor, surrealism, and heartache, set against a backdrop of breathtaking visuals, with a script by acclaimed director Mohsen Makhmalbaf.

Does The Day I Became a Woman have end credit scenes?

No!

The Day I Became a Woman does not have end credit scenes.

Ratings


Metacritic

84

Metascore

tbd

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

7.3 /10

IMDb Rating

TMDB

61

%

User Score

Movie Quiz


The Day I Became a Woman Quiz: Test your knowledge about the powerful narratives of Iranian women in 'The Day I Became a Woman'.

What significant event occurs in Hava's life when she reaches the age of nine?

Plot Summary

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The film intricately weaves together three interconnected narratives that highlight the struggles of women seeking their identities within the confines of Iranian society.

In the first story, we meet Hava, who is celebrating her ninth birthday. On this special day, her mother and grandmother inform her that she has reached womanhood, which means she can no longer engage in play with her boyhood friend and must wear a chador when outside. Determined to cling to her childhood, Hava learns that she was born at noon and persuades her family that she remains a child until that exact moment. To mark the time, she cleverly uses a stick planted in the ground to track the shadow that will align with it at noon. The film captures her quest as she endeavors to savor her final hour of childhood bliss.

The second segment follows Ahoo, a married woman who is eager to participate in a women’s cycling competition. Leading the race, she is interrupted by her husband, who arrives on horseback, insisting that she stop and return home. His threats of divorce only fuel Ahoo’s determination, prompting her to continue cycling. In a shocking turn of events, her husband summons a mullah to administer their divorce. Despite the relentless efforts of tribal leaders and male relatives trying to impose societal constraints on her, Ahoo’s resilience shines through as she resists their attempts to control her.

Lastly, we are introduced to Hoora, an elderly widow who has come into a substantial inheritance. With newfound freedom, she sets out to acquire all the possessions she had longed for during her marriage. Tying strings around her fingers as reminders, she enlists the help of several young boys to carry her purchases, which include furniture and white goods. Their journey leads them to the beach, where Hoora prepares to board a waiting ship, symbolizing her escape from the limitations of womanhood. Meanwhile, two of the young participants from the bicycle race observe her from a distance, along with Hava, who has now donned her chador, offering a poignant reflection on the complexities of freedom and identity.

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