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The Pretty One does not have end credit scenes.

The Pretty One

The Pretty One

2014

When identical twins Audrey and Laurel converge on their birthday, their contrasting lives collide in a poignant twist of fate. As Laurel's awkwardness and codependency are tragically swapped with her sister's confidence and style, she must navigate the unexpected opportunity to reimagine herself and seize control of her stagnant life.

Runtime: 90 min

Box Office: $14K

Language:

Directors:

Genres:

Ratings:

Metacritic

53

Metascore

7.3

User Score

Metacritic
review

50%

TOMATOMETER

review

46%

User Score

Metacritic

62.0

%

User Score

Check out what happened in The Pretty One!

Here is a rephrased version of the section:

Identical twins Laurel and Audrey (Zoe Kazan) may share a identical physical appearance, but their personalities are as distinct as night and day. While Audrey exudes sophistication and poise, Laurel's shyness and awkwardness make her an introverted soul. The stark contrast between their lives is further highlighted by the fact that Audrey has built a life of success and luxury, while Laurel remains at home with their widowed father (John Carroll Lynch) and his new fiancée, assisting him in his unique profession of recreating famous paintings. At their birthday celebration, Audrey persuades Laurel to join her in the city, marking a turning point that will forever alter the course of their lives. In preparation for the move, Laurel undergoes a transformative haircut that eerily replicates her sister's features. Returning from the salon, they embark on a fateful journey together, only to find themselves embroiled in a devastating car crash that changes everything. When Laurel awakens in the hospital, she is initially unaware of her true identity due to post-traumatic amnesia, and it is only later that she discovers Audrey's tragic demise. The morning of what was supposed to be Laurel's funeral serves as a poignant reminder of her sister's passing, but instead of mourning her loss, Laurel decides to perpetuate the illusion that she is actually Audrey.

As "Audrey," Laurel returns to the city where her sister once lived and worked as a real estate agent. It is there that she encounters Basel (Jake Johnson), her sister's former tenant, who is perplexed by Audrey's sudden transformation from a cold, distant individual to someone warm and compassionate. As she navigates this new persona, Laurel learns that Audrey had been in a troubled relationship with Charles (Ron Livingston) before the accident that took her life. Her growing closeness to Basel and her sister's colleague, Claudia (Frankie Shaw), serves as a catalyst for her own self-discovery, but it also raises suspicions about her true identity and motives.

As Laurel and Basel's bond deepens, their relationship blossoms into a romance that transcends the boundaries of their initial acquaintance. However, this newfound love is short-lived, as an innocent mistake on Laurel's part sets off a chain reaction of events that ultimately leads to her downfall. Unbeknownst to her, Laurel's introduction of Charles (her supposed ex-boyfriend) to her boss Edith (Sabrina Lloyd), fails to reveal the truth about his identity - Charles is, in fact, Edith's husband. The consequences are swift and severe; Laurel finds herself abruptly fired from her job.

In a devastating turn of events, Basel proposes to Laurel, confessing that he has been smitten with her since their initial meeting. However, Laurel interprets this declaration as his affection for her Audrey persona, rather than her authentic self. Unable to continue living a lie, Laurel reveals the truth to Basel, shattering the illusion and leaving him heartbroken. The relationship implodes, and Laurel is left grappling with the aftermath of her deception.

Returning home to confront the reality of her impersonation, Laurel confides in her father about her experiences as Audrey. Initially shocked by his daughter's subterfuge, he is also relieved that the sibling dynamic he had grown accustomed to remains intact. Another funeral takes place - this time for Audrey - and it serves as a poignant reminder of the life Laurel has been living.

Seeking solace in Claudia's words of wisdom and her father's unwavering support, Laurel begins to reconcile with her own insecurities about being the lesser sister. With her original paintings serving as a tangible connection to her authentic self, she finds the courage to return to the city and confront the truth. Upon her return, she sets out to rekindle her relationship with Basel, who still harbors feelings for her despite his initial devastation.

In a poignant climax, Laurel's sincerity and devotion ultimately win over Basel's heart, and they share a tender kiss, paving the way for a future filled with hope and possibility.