A once-lauded screenwriter's creative drought sparks a journey of self-discovery. When struggling filmmaker Keith Michaels lands a professorship at a quaint upstate New York university, he hopes to coast through the semester and revive his stalled career. But as he connects with his students, including single mom Holly, Keith finds himself reinvigorated by their stories, leading him to question what truly matters in life.
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The Rewrite does not have end credit scenes.
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51
Metascore
7.0
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60
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What was Keith Michaels' sole claim to fame?
Keith Michaels, a disillusioned screenwriter, trudges through life weighed down by a series of unsuccessful pitches and a dwindling bank balance. Once celebrated for his screenplay Paradise Misplaced, which snagged the Best Screenplay Award 15 years ago, he now finds himself navigating the mundane realities of teaching screenwriting at Binghamton University in Upstate New York—a stark contrast to his former Hollywood glory.
Upon his arrival, Keith’s grumpy demeanor butts heads with fellow professor Mary Weldon, igniting a firestorm of tension. His unprofessional antics lead him into a short-lived affair with undergraduate student Karen Gabney, which fizzles out almost as quickly as it began. It’s evident that Keith has little regard for his teaching duties, demonstrated when he decides to choose students based solely on their appearance rather than their talent, leaving many of them feeling stagnant for months.
Things take a turn when, after receiving a harsh critique from Karen about his capabilities, Keith begins to refocus his energies on nurturing his students’ passion for writing. Among them is a gem named Clem Ronson, a shy and awkward individual whose script captures the eye of Keith’s agent, Ellen.
An unexpected friendship blossoms between Keith and mature student Holly Carpenter, a single mother of two trapped in a soulless marriage. Despite their starkly different outlooks—Keith views his struggling career and rocky relationship with his estranged son, Alex, as mostly hopeless, while Holly carries a buoyant optimism—they find common ground in their shared challenges. Holly’s sage advice eventually breaks through Keith’s tough exterior, inspiring him to reach out to Alex for the first time in years.
Meanwhile, complications arise when his proposal for Paradise Misplaced II is shot down, and he faces dismissal from the university after his relationship with Karen comes to light. In a moment of anger, he argues with Holly and decides to throw in the towel, leaving her shocked. Determined to salvage his career, Keith accompanies Clem to Manhattan for a pitch meeting with Hollywood producers. During the trip, he experiences a revelation about the positive influence he’s had on his students, especially Clem.
Fueled by this new sense of purpose, Keith leaves Clem to tackle the meeting independently and returns to Binghamton, ready to fight for his job—a battle he wins after offering a heartfelt apology to Mary Weldon.
As Keith undergoes a significant transformation in his values, he cultivates a deep admiration for Holly’s relentless drive toward her aspirations. Their budding connection is palpable, illustrating the power of shared enthusiasm. In a defining choice, he opts to decline Ellen’s offers to return to the glittering life of Hollywood, instead deciding to remain in Binghamton where he can channel his energy into teaching and creating a screenplay that captures the essence of his journey in this quaint town. He tactfully requests Ellen to respect his teaching hours and not reach out during class.
When he returns, Keith is met with a warm reception from his students, who were perplexed by his earlier decision to leave. He sincerely apologizes for any confusion and steps forward with a revitalized commitment to his teaching role. As this poignant tale draws to a close, Keith’s phone vibrates softly with a voicemail from Alex, leaving an enduring imprint on his story.
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