In 1970s America, a deranged serial killer, Emile, justifies his brutal crimes as mercy killings, targeting unhappy women. As a determined detective pursues the culprit, unconventional and morally ambiguous methods are employed to catch the killer, blurring the lines between justice and obsession.
Does The Strangler (1970) have end credit scenes?
No!
The Strangler (1970) does not have end credit scenes.
Jacques Perrin
Émile
Jean-Michel Dhermay
Le prostitué menaçant
Julien Guiomar
L'inspecteur Simon Dangret
Eva Simonet
Anna Carré
Paul Barge
'Le Chacal'
Jacqueline Danno
Monique
Katja Cavagnac
Florence
Jean-Pierre Miquel
Le commissaire principal
Hélène Surgère
Hélène, l'actrice esseulée
Sonia Saviange
La femme en soie
Nicole Courcel
Claire, la prostituée
Paule Annen
Mme Élisabeth
Andrée Tainsy
Mme Jeanne, la patronne du bar restaurant
Stéphane de Verchère
Jean-Pierre de Verchère
Germaine de France
Marcel Gassouk
Le mari homosexuel
Nelly Pescher
Liza Braconnier
La fille dans le café
El Kebir
L'Algérien
62
%
User Score
What is Leo Kroll's profession?
Leo Kroll, a lab technician with an unsettling obsession for maternal figures, hides a dark secret: he is a serial killer responsible for the gruesome murders of multiple nurses. His latest fixation revolves around Clara, the nurse who cared for his possessive mother during her hospitalization due to a heart attack. Kroll’s morbid fascination with dolls is reflected in his brutal acts, with an eerie doll appearing at each crime scene as a chilling signature. Nevertheless, it is his attachment to Tally, an employee at an amusement park who gifted him a doll, that hints at a flicker of humanity beneath his depraved disposition.
As the police delve into the investigation, Kroll’s agitation becomes palpable. His possessiveness and paranoia spiral out of control with every tick of the clock. Visits to his ailing mother serve to deepen his malevolence, culminating in her fatal heart attack that occurs right after he confesses to Clara’s murder. The once jovial atmosphere of the amusement park transforms into a shadowy reminder of Kroll’s twisted desires.
Upon returning to the park, an encounter with Barbara, Tally’s coworker, sparks a catastrophic chain of events that would ultimately seal his fate. Kroll’s desperation intensifies, and his urge to destroy overtakes his previous fixation with dolls. The shocking murder of Barbara, a seemingly innocent victim, further complicates the police investigation and raises the stakes.
With the death of his mother, Kroll is compelled to confront the true essence of his hatred for women. His proposal to Tally, although spurned, marks a critical shift in his already twisted psyche; her rejection plants seeds of doubt that allow his mother’s venomous remarks to flourish, fuelling his dark instincts once again.
As the police intensify their pursuit of Kroll, they bug Tally’s apartment in hopes of catching him in the act. However, when Kroll emerges from the shadows, determined to claim another victim, the police are taken by surprise. In a heart-pounding climax, they storm into the room, gunshots ringing out as Kroll leaps through the window to meet his end. The fate of Tally, now ensnared beneath the debris, remains precariously uncertain, leaving the audience with a haunting sense of ambiguity.
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