In 1970s America, a deranged serial killer, Emile, justifies his brutal crimes as mercy killings, targeting unhappy women. As a determined detective pursues the culprit, unconventional and morally ambiguous methods are employed to catch the killer, blurring the lines between justice and obsession.
Does The Strangler (1970) have end credit scenes?
No!
The Strangler (1970) does not have end credit scenes.
Jacques Perrin
Jean-Michel Dhermay
Julien Guiomar
Eva Simonet
Paul Barge
Jacqueline Danno
Katja Cavagnac
Jean-Pierre Miquel
Hélène Surgère
Sonia Saviange
Nicole Courcel
Paule Annen
Andrée Tainsy
Stéphane de Verchère
Jean-Pierre de Verchère
Germaine de France
Marcel Gassouk
Nelly Pescher
Liza Braconnier
El Kebir
62
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User Score
What is Leo Kroll's profession?
Leo Kroll, a lab technician with an unsettling fixation on maternal figures, harbors a dark secret: he’s a serial killer responsible for the gruesome murders of several nurses. His latest obsession, Clara, is the nurse who tended to his possessive mother, hospitalized after a heart attack. Kroll’s twisted fascination with dolls is mirrored in his brutal crimes, as evidenced by the eerie presence of a doll at each murder scene. However, it’s his fixation on Tally, an amusement park employee who won him a doll, that hints at a glimmer of humanity beneath his depraved exterior.
As the police investigation unfolds, Kroll becomes increasingly agitated, his possessiveness and paranoia escalating with each passing moment. His visits to his hospitalized mother serve only to intensify his malevolent tendencies, culminating in her fatal heart attack after he confesses to Clara’s murder. The amusement park, once a source of innocent joy, now holds the dark significance of Kroll’s twisted desires.
Upon returning to the park, Kroll’s encounter with Barbara, Tally’s co-worker, sets off a chain reaction of events that ultimately seals his fate. His growing desperation and agitation are palpable as he struggles to maintain control, his fixation on dolls replaced by an all-consuming desire for destruction. The gruesome murder of Barbara, a seemingly innocent victim, serves only to further muddy the police’s investigation.
As Kroll’s mother passes away, he is left to grapple with the true nature of his hatred towards women. His proposal to Tally, though rejected, marks a turning point in his twisted psyche. The seeds of doubt planted by her rejection allow his mother’s venomous words to take root, fueling his malevolent instincts once more.
The police, now hot on Kroll’s trail, bug Tally’s apartment, hoping to catch him in the act. But when Kroll emerges from the shadows, intent on claiming another victim, the police are caught off guard. In a heart-pumping climax, they burst into the room, firing shots as Kroll plunges through the window and meets his demise. The fate of Tally, now trapped beneath the rubble, hangs precariously in the balance, leaving the audience with a haunting sense of uncertainty.
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