Dev Kapoor, a renowned actor, faces an agonizing dilemma when his beloved daughter requires a life-saving heart transplant. As time runs out, he navigates a treacherous world of medical bureaucracy and desperate choices in a race against fate.
Does Traffic have end credit scenes?
No!
Traffic does not have end credit scenes.
86
Metascore
7.9
User Score
7.6 /10
IMDb Rating
71
%
User Score
Who is the main police officer investigating the drug cartel in Mexico?
In Mexico, police officer Javier Rodriguez and his partner Manolo Sanchez (Vargas) disrupt a drug transport and manage to apprehend the couriers involved. Their operation, however, is suddenly interrupted by General Salazar (Milian), a powerful Mexican official who decides to recruit Javier for a hidden agenda. Salazar’s mission is to track down and capture Francisco Flores (Collins), a notorious hitman working for the Tijuana Cartel, which is run by the Obregon brothers.
As the investigation unfolds in Tijuana, Flores, under severe torture, reveals the names of key members within the Obregon cartel. This leads to a massive police and military effort, spearheaded by Javier and Salazar, which begins to dismantle the cocaine operation run by the Obregon brothers. However, Javier quickly realizes that Salazar is not a hero but a mere pawn for the Juárez Cartel, the rival of the Obregons. Essentially, this part of the Mexican anti-drug strategy turns out to be a facade, as Salazar aims to eliminate one cartel only to strengthen his own position with another for profit.
Meanwhile, Sanchez, intent on exposing Salazar’s real motivations, attempts to relay this critical information to the DEA but tragically loses his life as a result of his betrayal. Disillusioned and unable to continue working under Salazar’s corrupt regime, Javier makes a pivotal decision to collaborate with the DEA. In exchange for his cooperation—primarily his testimony against Salazar—Javier requests a simple but profound change: better electricity for his neighborhood, allowing local children to play baseball at night rather than be exposed to street gangs and criminal activities. Eventually, Salazar’s illicit dealings are exposed, resulting in his arrest and subsequent death in prison.
In a press conference, Javier bravely takes a stand, shedding light on the deep-rooted corruption that permeates not only the police force but also the army. The narrative concludes with a hopeful image: Javier witnesses children playing baseball at night in their new stadium, a symbol of change and progress.
Meanwhile, in Ohio, Robert Wakefield, a conservative judge, is appointed as the head of the President’s Office of National Drug Control, taking on the challenging title of drug czar. Warned by his predecessor and several influential politicians about the futility of the War on Drugs, Robert finds himself navigating a difficult path. His home life suffers as his daughter, Caroline (Christensen), a formerly dedicated honors student, spirals into drug addiction—introduced to cocaine and later free-basing heroin by her boyfriend, Seth (Grace). Caroline’s struggles come to a head when she and Seth are arrested after a fellow student overdoses at a party.
As Robert and his wife Barbara (Irving) grapple with their daughter’s issues, Robert uncovers that Barbara had known about Caroline’s drug use for over six months. The weight of his dual responsibilities as a drug czar and a father becomes increasingly unbearable. During a visit to Mexico, Robert is momentarily reassured by Salazar’s progress against the Obregon brothers; however, upon returning to Ohio, he learns his attempts to get Caroline into rehab have failed. She has disappeared, landing in Cincinnati, where she steals from her parents to fund her addiction and resorts to prostitution.
In a desperate search for Caroline, Robert reluctantly takes Seth with him as he scours Cincinnati. After a fruitless encounter with a drug dealer, he ultimately tracks Caroline down to a sleazy hotel room, where he finds her in a traumatic state. His emotional breakdown manifests as he realizes the depths of his daughter’s despair while Seth quietly exits the scene.
Back in Washington, D.C., Robert prepares to publicly announce a “10-point plan” to combat the War on Drugs. However, during the press conference, he falters, understanding that the war he endorses impacts even families like his own. Unable to support this war any longer, he exits the conference and heads to the airport, leaving behind the charade. Ultimately, he and Barbara commit to attending Narcotics Anonymous meetings with Caroline, seeking to support her and others battling addiction.
In another crucial storyline set in San Diego, an undercover investigation led by Montel Gordon (Cheadle) and Ray Castro (Guzmán) targets high-stakes drug trafficking. They successfully arrest Eduardo Ruiz (Ferrer), a dealer posing as a fisherman, who decides to turn state’s evidence against his boss, drug lord Carlos Ayala (Bauer), the principal distributor for the Obregons in the U.S. The FTC-indicted Ayala has a tough prosecutor specially appointed by Robert to send a message to the Mexican drug organizations, heightening the tension surrounding the trial.
As the trial progresses, Carlos’s pregnant wife, Helena (Catherine Zeta-Jones), learns that her husband leads a perilous life in crime. Fearing for her husband’s life and that of their unborn child, she hires Flores to kill Eduardo Ruiz, knowing that silencing him would effectively derail the trial. In a twist of fate, after Flores sets a car bomb intended for Ruiz, he himself is assassinated, leading to tragedy when the bomb kills Castro but leaves both Gordon and Ruiz unharmed.
Amid these developments, Helena, now desperate for her family’s safety, collaborates with Juan Obregon (Bratt), promising to erase the debt the Ayala family owes in exchange for ensuring Ruiz doesn’t testify against Carlos. This act of treachery leads to Carlos’s release, angering Gordon, who is still reeling from the loss of his partner. Soon after, he infiltrates the Ayala residence and secretly places a microphone, setting the stage for further developments in this intricate tale of deception and corruption.
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