As the clock strikes midnight at the dawn of a new millennium, five chilling tales unfold through found footage POV terror. A punk rock band invades an abandoned art collective, unleashing a gruesome fate; sorority hazing descends into supernatural horror; a sleazy TV host faces a brutal obstacle course; voyeuristic teens uncover the girl next door's dark truth; and two filmmakers stumble into a hellish dimension, guided by a tormented soul.
Does V/H/S/99 have end credit scenes?
No!
V/H/S/99 does not have end credit scenes.
Archelaus Crisanto
Brittany Gandy
Lucy (segment "Suicide Bid")
Dashiell Derrickson
Chris Carbonara (segment "Shredding")
Duncan Anderson
Isabelle Hahn
Annie (segment "Suicide Bid")
Kim Abunuwara
Kyle Bales
Rolando Davila-Beltran
Tybee Diskin
RC (segment "Shredding")
Verona Blue
Deirdre (segment "Shredding")
58
Metascore
5.2
User Score
5.1 /10
IMDb Rating
59
%
User Score
What is the main theme explored in the segment 'The Gawkers'?
In The Gawkers, the narrative unfolds across several segments, starting with Frame One where a stop-motion war sequence depicts World War II soldiers gearing up for battle. However, the chaos ensues when one soldier, Johnson, loses control and, while driving a tank, accidentally kills four of his comrades. This frantic scene is interrupted by glitches that present brief glimpses from other films in the series.
The next segment, Shredding, revolves around R.A.C.K., a punk rock band consisting of Rachel, Ankur, Chris, and Kaleb. This group is notorious for their prank-filled web show. Their latest escapade leads them to the haunted ruins of a music venue called the Colony Underground, which tragically burned down three years ago, claiming the lives of another punk band, Bitch Cat. Despite his apprehension, Ankur reluctantly joins his friends as they explore the eerie site. As they engage in playful antics, Ankur expresses his fears of a supernatural entity known as a bhuta, believed to haunt locations of desecration. The tension escalates when they attempt a reenactment involving inflatable dolls and mock a tragic incident, only to be confronted by a terrifying voice that warns them to leave. Chaos reigns as the reanimated Bitch Cat emerges, resulting in gruesome deaths for Kaleb and Chris, leaving Rachel as the last survivor who faces a horrific end.
Frame Two of The Gawkers juxtaposes these comedic horrors with an animated scene where a soldier meets his fate at the hands of a giant phoenix, adding to the eclectic and darkly humorous tone of the narrative.
In Suicide Bid, we meet Lily, a determined college freshman aspiring to join the illustrious Beta Sigma Eta sorority. She risks social alienation by participating in a perilous hazing ritual that involves being buried alive in a coffin, a legendary yet tragic initiation. As the night unfolds, terror strikes when she is left alone in the coffin, where a ghoul emerges to attack her. When the sisters return to claim their prize the next day, they find only an empty coffin. In a shocking twist, Lily, now a ghoul, appears with Giltine, a spirit seeking revenge, leading to a horrific confrontation with the remaining sorority members.
Frame Three revisits the battlefield, where the chaos continues as monsters take a toll on the soldiers. Ultimately, survival comes at a steep price, leaving viewers on edge.
Ozzy’s Dungeon introduces a twisted children’s game show where contestants face brutal physical challenges, culminating in a tragic fate for many. Years later, the tormented host finds himself captive in the basement of one of his former contestants, leading to a gruesome series of vengeance-driven challenges against him.
The narrative further intertwines with a gruesome tale featuring Brady and his brother Dylan from Frame Four, where voyeurism leads to a horrific encounter with a gorgon, changing their fates forever. Meanwhile, Nate and Troy in To Hell And Back get embroiled in a demon summoning, desperately trying to escape the fiery depths of Hell.
The film concludes with The Gawkers (Final Frame), where the stone bodies of Brady and Dylan are presented, hinting at a continuation of dark fates as the witches once again call upon Mabel, suggesting her return. As the credits roll, the audience is left with a final haunting image of chaos and tragedy, setting the stage for a potential sequel.
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