Where Do We Go Now? 2012

Where Do We Go Now? tells the story of a remote, isolated, unnamed Lebanese village inhabited by both Muslims and Christians. The village is surrounded by landmines and only accessible by a small bridge. As civil strife engulfs the country, the women in the village try, by various means and with varying success, to keep their men in the dark, sabotaging the village radio, then destroying the village TV.

The story begins with a boy named Roukoz, whose job – along with his cousin, Nassim – is to venture outside the village and bring back much-needed merchandise such as soap, utensils, newspapers, light bulbs. Roukoz lives with Nassim’s family, and it is made clear that Nassim has lost his father. Roukoz tries to fix the church speakers, and falls off his ladder, crashing into the cross and snapping it in half. Other characters include the village mayor and his wife Yvonne (Christians), the cafe-owner Amal (played by Nadine Labaki), Rabih (the village painter and Amal’s love interest) and his sister, Issam (Nassim’s brother) and his wife Aida, and the village priest and the village imam.

The next day, the congregation is gathered in church to celebrate the Sunday mass. The priest preaches about the need to fix the church, and blames the broken cross on the wind, telling churchgoers to keep their cool and that their fellow Muslims have nothing to do with it.

Some time later, the imam discovers that some goats have found their way into the mosque, and urges the Muslims not to blame the Christians for what had happened. As people start to gather, however, a Muslim man blames the Christians for what has happened and a small fight ensues.

The village is slowly drawn into greater violence, but the women get along beautifully and conspire together to keep their men from fighting, even hiring Ukrainian dancers to entertain their men. But as Nassim is killed in a skirmish between Christians and Muslims while on an errand in a nearby town, the women are faced with a real test of wills. In an attempt to control the situation, they drug the men by mixing hashish inside sweet pastries and remove their weapons from the village. When the men wake up, they find all the Christian women dressed in Muslim attire, and vice versa, essentially challenging their husbands and sons to hit them first if they want sectarian violence. Nassim’s funeral then goes peacefully, and the movie ends with the men looking to the women for direction.