An unnamed screenwriter finds himself at a secluded, three-story villa by the picturesque Caspian Sea, accompanied only by his pet dog, “Boy.” In a moment of secrecy, he aims to keep “Boy” hidden from the authorities, as dogs are deemed unclean under Islamic law. To further disguise himself, he shaves his head and obscures the villa’s windows with black curtains to shield his identity.
One stormy night, the tranquility of the villa is shattered when Melika and her brother Reza unexpectedly break in. They reveal that they’ve fled from an illegal beach party, where alcohol was present, and are now seeking refuge from the police. The writer urges them to leave, but Reza’s shocking revelation that his sister is suicidal stops him in his tracks as he exits to find a vehicle, leaving Melika behind.
Melika’s presence begins to unsettle the writer. She engages him in cryptic conversations, filled with theatricality and deceit, prying into his personal life. As her probing intensifies, the writer’s paranoia grows; he suspects she might be a spy for the police. Despite his protests, Melika insists on opening the curtains, causing tension to escalate. Suddenly, just as she disappears, the writer is left alone, and an ominous sound erupts as thieves break in through the back patio door. In a panic, he and “Boy” hide, listening to the chaos unfold.
The narrative pivots dramatically when acclaimed film director Jafar Panahi and his crew emerge within the villa, revealing that all prior events were purely fictitious. The filmmaker’s life unfolds in mundane moments—eating, conversing with repair workers fixing the patio window, and interacting with friends—while Melika’s presence continues to haunt him. In a surreal twist, Melika ventures into the water, prompting Panahi to follow, only for the scene to rewind, returning him to the villa. He then examines photographs on his cell phone, documenting the moments when the writer first encountered Melika and Reza. The film culminates with Panahi departing the villa, leaving Melika to watch him go.
Arrival at the Villa
The unnamed screenwriter arrives at a secluded, three-story villa situated by the beautiful Caspian Sea. Accompanied only by his pet dog, 'Boy,' he intends to find solitude away from the outside world and the dangers associated with having a dog in his current surroundings.
Hiding 'Boy'
In an effort to protect his dog, the screenwriter goes to great lengths to keep 'Boy' hidden from authorities. Aware of the Islamic law that deems dogs unclean, he shaves his head and covers the villa's windows with black curtains to obscure their presence.
Break-In by Melika and Reza
On a stormy night, the tranquility of the villa is disrupted when Melika and her brother Reza unexpectedly break in. They reveal that they are fleeing from the police after escaping an illegal beach party where alcohol was consumed, thus seeking refuge in the isolated villa.
Reza's Shocking Revelation
As the writer urges them to leave the villa, Reza makes a shocking confession that his sister, Melika, is suicidal. This revelation compels the writer to reconsider his initial intention of leaving to find a vehicle, as he grapples with the gravity of the situation.
Melika's Cryptic Conversations
Melika's presence begins to unsettle the writer, leading to a series of cryptic conversations filled with deceit and theatrics. As she pries into his personal life, the writer's paranoia intensifies, raising suspicions that she could be spying for the police.
Opening the Curtains
Tension escalates when Melika insists on opening the black curtains that the writer had carefully closed. This act ignites a confrontation between them, as the writer fears exposure to the authorities while feeling increasingly threatened by Melika’s unpredictability.
Burglary at the Villa
Just as Melika suddenly disappears, the writer finds himself alone in the villa. Panic ensues when thieves break in through the back patio door, prompting him and 'Boy' to hide, listening intently to the sounds of chaos and uncertainty unfolding around them.
Introduction of Jafar Panahi
The narrative takes an unexpected turn as acclaimed film director Jafar Panahi and his crew enter the villa, revealing that all prior events had been part of an elaborate fiction. This shift alters the perspective of the story, blending reality with the writer's imagination.
The Mundanity of Life
As Panahi's life unfolds in mundane moments within the villa, he navigates interactions with repair workers and friends. While these moments are ordinary, Melika's haunting presence lingers in the background, creating an unsettling atmosphere.
Melika's Water Venture
In a surreal turn of events, Melika ventures into the Caspian Sea, leading Panahi to follow her. However, in a bizarre twist, the scene rewinds, bringing him back to the safety of the villa and the reality of the unfolding story.
Examination of Photographs
After the surreal experience in the water, Panahi begins reviewing photographs on his cell phone. These images document the moments leading up to the initial encounter between the writer, Melika, and Reza, visually chronicling the events that transpired.
Departure from the Villa
The film culminates with Jafar Panahi preparing to leave the villa, marking the end of his strange encounter. As he departs, Melika watches him go, symbolizing the unresolved nature of their interactions and the duality of fiction and reality.
Unnamed Screenwriter
The unnamed screenwriter is a complex individual grappling with paranoia and fear of exposure. Isolated in the villa, he embodies the struggles of an artist confronting societal norms and authorities. His interactions with Melika and Reza reveal his vulnerability, showcasing his fear of both personal failure and the implications of his choices.
Melika
Melika is a captivating yet enigmatic character who instigates tension in the villa. Her theatricality and cryptic conversations unsettle the writer, blurring the lines of trust and deceit. Her struggles with mental health and desire for freedom ultimately lead to her haunting presence in the writer's psyche.
Reza
Reza is a protective brother overshadowed by his sister's struggles and the chaotic events unfolding. His abrupt revelation about Melika's suicidal state hurls the narrative into a deeper emotional abyss. Reza's character embodies the weight of familial responsibility amidst societal constraints.
Time period
The film is set in contemporary times, characterized by modern societal issues such as restrictions around personal freedoms and cultural norms. This modern backdrop serves as a critical context for the characters' struggles, particularly around the themes of secrecy and identity.
Location
Caspian Sea, Secluded Villa
The story unfolds at a secluded three-story villa near the picturesque Caspian Sea. Known for its serene shores, the area provides a stark contrast between natural beauty and the turmoil faced by the characters. The villa, isolated and tranquil, becomes a psychological battleground as hidden secrets and tensions come to light.
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Secrecy
Secrecy plays a pivotal role in the film, as the unnamed writer attempts to hide both himself and his dog from the scrutiny of the authorities. The act of concealing identities raises questions about privacy and the lengths individuals go to protect themselves. Throughout the narrative, the escalating tension surrounding secrets adds to the psychological atmosphere of the villa.
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Mental Health
The theme of mental health is explored through Melika's suicidal tendencies and Reza's desperate plea for help. These elements reveal the fragility of the human psyche amidst societal pressures and the hidden struggles many endure. The film presents a poignant critique of how cultural norms can impact individual well-being.
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Performance
Performance is a recurring theme as characters engage in theatrical conversations and deceptive interactions. Melika's role blurs the line between reality and fiction, exposing the ways individuals navigate and manipulate identities. This theme culminates in the film's surreal moments, challenging the viewer's perception of authenticity.
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