Directed by
Michael Ritchie
Made by
Universal Pictures
Los Angeles Times reporter Irwin “Fletch” Fletcher is on a mission to expose drug trafficking along the beach, where he suspects that food vendor Fat Sam is involved in distributing heroin from his shack. Posing as a homeless drug addict for his investigation, Fletch is unexpectedly approached by Alan Stanwyk, who mistakenly believes him to be a junkie. Offering Fletch $1,000 just to discuss a peculiar proposal, Alan invites him to his opulent mansion in Beverly Hills, revealing himself as the executive vice president of Boyd Aviation.
Under a troubling pretext, Stanwyk claims he has terminal bone cancer and only months to live, expressing a wish to avoid further agony. He then offers Fletch $50,000 to come back and murder him, staging it as a burglary to facilitate his escape to Rio de Janeiro. Despite his suspicions, Fletch pretends to agree to the unsettling plan. Partnering with his colleague Louisa Larry, Fletch begins to delve deeper into Stanwyk’s life rather than pursuing the drug trafficking story, much to the frustration of his demanding boss, Frank Walker.
The following day brings a rather uncomfortable situation: Fletch endures a rectal exam from Stanwyk’s doctor, Dr. Dolan, desperately trying to extract information about Stanwyk’s health. Later, he manages to sneak into the hospital’s records room under the guise of a doctor, only to discover that Stanwyk has been lying about his cancer diagnosis. In an attempt to gather more intel, Fletch pays a visit to Stanwyk’s wife Gail at her tennis club, where, pretending to be an acquaintance of her husband, he flirts with her during a spur-of-the-moment tennis lesson, though he doesn’t learn much and eventually leaves.
Undeterred, Fletch masquerades as an FCC agent to probe Stanton Boyd, Gail’s father and head of Boyd Aviation, digging into Stanwyk’s finances. To his surprise, he uncovers that Gail recently liquidated $3 million of her Boyd Aviation stocks for her husband, sparking further intrigue. After returning to his apartment, he finds himself confronted by Marvin Gillet, his ex-wife’s lawyer, who is there to collect overdue alimony. Fletch cleverly bribes him with the $1,000 cash that Stanwyk had given him.
As Fletch settles down with a cold beer and drifts off to sleep, he dreams of playing for the Lakers, scoring hoops. The next day, while on an undercover operation at the beach, he witnesses one of Fat Sam’s customers, Gummy, attempting to flee from a patrol car. Despite his efforts to intervene, Fletch gets kicked in the groin by the police and is powerless to stop them from whisking Gummy away. Reacting in frustration, he hurls a rock at the police car, but it merely continues down the road.
Days later, Fletch finds himself in Provo, breaking into a realtor’s office and uncovering the property deed that shows a suspiciously low selling price of $3,000. His escape from the premises is narrowly secured, chased by a guard dog. Back in Los Angeles, LAPD Chief Jerry Karlin becomes aware of Fletch’s drug article set to be published and sends two brutal detectives to arrest him, planting heroin in his apartment. During their confrontation, Karlin threatens Fletch with dire consequences, but Fletch retorts that he’ll be focusing on another story about off-track betting in the Himalayas. Amused, Karlin releases him, but the ordeal ignites Fletch’s determination to uncover the truth behind the drug-dealing scene.
Dressing as a redneck airplane mechanic, Fletch gains entry into Stanwyk’s hangar, where he learns Stanwyk has been making questionable trips to Utah under the guise of business. A rendezvous at the tennis club with Gail leads to an expensive lunch charged to the obnoxious Ted Underhill, adding more humor to the unfolding drama. Fletch watches from a distance as Stanwyk engages in a cryptic exchange with Chief Karlin, raising more questions about their relationship. When two squad cars show up at his apartment, Fletch narrowly escapes after a thrilling car chase using an Alfa Romeo he “borrows” from a young thief, temporarily throwing off his pursuers at a lodge dinner.
Returning to Provo, Fletch, disguised as an insurance investigator, interviews Stanwyk’s parents and finds evidence of Stanwyk’s secret marriage to another woman, revealing the truth behind his motivations. Back in Beverly Hills, he shares his findings with Gail, who is understandably upset. On the night of the planned murder, when Fletch arrives at Stanwyk’s mansion, he discovers that the tables have turned: Stanwyk intends to kill him instead, adopting a sinister plan to fake his death.
Realization dawns on Fletch as Stanwyk reveals his intent to burn Fletch’s body, taking off to Brazil with both his other wife and Gail’s $3 million. Just then, Chief Karlin appears, and upon discovering Stanwyk’s intent to escape with Karlin’s drug money, he kills Stanwyk. In a twist of fate, Karlin turns his weapon on Fletch, only to be knocked out cold by Gail with a tennis racket.
In the aftermath, Karlin is indicted for Stanwyk’s murder, thanks to Fletch’s investigative work. As Fletch starts a new chapter, he begins dating Gail, taking her on a much-deserved vacation to Rio. In a final comedic touch, Fletch shares with the audience that he had charged the trip to Underhill’s credit account, leaving them in stitches as the screen fades to black.
Fletch's Investigation Begins
Los Angeles Times reporter Irwin 'Fletch' Fletcher embarks on an undercover investigation into drug trafficking along the beach, targeting a food vendor named Fat Sam. He suspects that Fat Sam is distributing heroin from his shack at the beach and decides to pose as a homeless drug addict to expose the truth.
Meeting Alan Stanwyk
Fletch's undercover act leads him to an unexpected encounter with Alan Stanwyk, who mistakes him for a junkie. Stanwyk, revealing himself as the vice president of Boyd Aviation, offers Fletch $1,000 for a peculiar proposal that sets off a chain of unexpected events.
The Mortally Ill Proposition
Stanwyk claims to be terminally ill with bone cancer and asks Fletch to murder him, framing it as a burglary to facilitate his escape. Intrigued yet cautious, Fletch pretends to agree to the unsettling proposal, shifting his focus away from the drug trafficking story.
A Discomforting Rectal Exam
The following day, Fletch visits Stanwyk's doctor, Dr. Dolan, to extract information about Stanwyk's health through an invasive rectal exam. This uncomfortable situation highlights Fletch's commitment to uncovering the truth, but it provides little actual insight into Stanwyk's claims.
Digging Deeper
Fletch sneaks into a hospital records room disguised as a doctor, only to find that Stanwyk has been lying about his cancer diagnosis. Instead of pursuing his drug trafficking story, he becomes entangled in Stanwyk's mysterious personal life.
Flirting at the Tennis Club
Attempting to gather more intel, Fletch visits Stanwyk's wife, Gail, at her tennis club. Posing as an acquaintance of Stanwyk, he engages in a flirtatious tennis lesson, but ultimately leaves without acquiring significant information regarding Stanwyk.
Masquerading as an FCC Agent
In a bold move, Fletch disguises himself as an FCC agent to investigate Stanwyk's finances through Gail's father, Stanton Boyd. He uncovers that Gail recently liquidated an astonishing $3 million worth of Boyd Aviation stocks for her husband, which deepens the mystery surrounding Stanwyk.
Confrontation with Marvin
After returning home, Fletch is confronted by Marvin Gillet, his ex-wife's lawyer, who is there to collect overdue alimony payments. Fletch cleverly bribes Marvin with the cash Stanwyk had previously given him, cleverly sidestepping a sticky situation.
Undercover Operations at the Beach
While conducting an undercover operation on the beach, Fletch witnesses a drug dealer's escape attempt from the police. Despite his efforts to intervene, he ends up getting kicked in the groin, highlighting the dangers of his investigation.
Break-In in Provo
Fletch travels to Provo and breaks into a realtor's office, where he uncovers a suspiciously low selling price on a property deed. His search for information is interrupted when a guard dog chases him out, adding a comical twist to his investigation.
Threat from LAPD Chief
LAPD Chief Jerry Karlin catches wind of Fletch's pending drug article publication and retaliates by sending detectives to plant heroin in Fletch's apartment. During a tense confrontation, Fletch retorts with an absurd story about off-track betting in the Himalayas, amused at the absurdity of it all.
Disguise and Eavesdropping
Fletch dons a disguise as a redneck airplane mechanic to infiltrate Stanwyk's hangar. There, he discovers Stanwyk's dubious travel plans to Utah, further complicating the layers of Stanwyk's intentions and actions.
Discovering Stanwyk's True Intentions
On the night of the planned murder, Fletch learns that Stanwyk intends to kill him instead. The realization comes just in time as he discovers Stanwyk's plot to fake his own death and escape with a large sum of money.
The Fiery Showdown
In a climactic moment, Chief Karlin appears and kills Stanwyk when he learns of the plan to escape with stolen drug money. The chaos escalates when Karlin turns on Fletch, only to be knocked out by Gail, providing a twist that shifts the balance of power.
A New Beginning
Following Stanwyk's murder indictment against Chief Karlin, Fletch starts a fresh chapter in life by dating Gail. Their vacation to Rio brings closure to the chaotic events, with Fletch humorously revealing he charged the trip to Underhill's credit account, leaving the audience laughing as it all fades to black.
Irwin 'Fletch' Fletcher
Irwin 'Fletch' Fletcher is a resourceful and wisecracking reporter who constantly finds himself in precarious situations. His knack for disguise and impersonation showcases his creativity and cunning. Despite his unorthodox methods, he is driven by a strong sense of justice, which propels him to uncover the truth, even at great personal risk.
Alan Stanwyk
Alan Stanwyk is a complex character whose façade of wealth and success masks darker intentions. He presents himself as a victim with a terminal illness, manipulating Fletch into a dangerous scheme. His intelligence and cunning are revealed as the story unfolds, making him both a compelling antagonist and a tragic figure.
Gail Stanwyk
Gail Stanwyk, Alan's wife, is depicted as a woman caught in the web of her husband's lies. She embodies a sense of innocence and determination, especially as she grapples with the truths uncovered by Fletch. Her evolution throughout the film leads her to align more with Fletch, marking her as an integral part of the resolution.
Frank Walker
Frank Walker is Fletch’s demanding boss, who embodies the pressures of journalistic integrity and workplace expectations. His frustrations with Fletch’s diversion from the drug story highlight the challenges reporters face when pursuing multiple storylines. Walker's character adds a layer of workplace dynamics to the narrative.
Time period
The film is set in a contemporary time period relevant to its release, reflecting the societal norms and issues of the early 1980s. This era was marked by shifts in attitudes towards crime, media reporting, and drug-related topics, all of which are central to the narrative.
Location
Los Angeles, Beverly Hills, Provo, Rio de Janeiro
The movie unfolds primarily in Los Angeles, a bustling city known for its vibrant culture and beach lifestyle. Beverly Hills, a glamorous neighborhood within Los Angeles, is highlighted as the opulent home of Alan Stanwyk, showcasing luxury and affluence. Provo, a quieter town, plays a significant role in uncovering hidden truths about Stanwyk's dealings. The story even hints at Rio de Janeiro, symbolizing freedom and escape, as a destination for the characters' getaway.
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Investigative Journalism
At its core, Fletch depicts the theme of investigative journalism, as the protagonist, Irwin Fletcher, seeks to uncover the truth behind drug trafficking and corruption. His determination and clever disguises highlight the lengths to which journalists will go in order to expose wrongdoing. The story illustrates the challenges and moral dilemmas faced by reporters, balancing personal integrity with professional duties.
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Deception
Deception permeates every layer of Fletch's investigation, with characters continually hiding their true motives. Fletch himself adopts various identities to navigate through the web of lies surrounding Stanwyk. This theme explores how appearances can be misleading and the lengths to which individuals will go to achieve their goals, often leading to unexpected outcomes.
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Comedy
The film cleverly incorporates comedic elements into the narrative, balancing the tension of the investigation with humor. Fletch's quick wit and absurd situations create a comedic backdrop, allowing viewers to engage with serious themes while maintaining a light-hearted tone. The interplay of comedy with crime and deception adds depth to the storytelling.
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