Made by
Warner Bros. Pictures
During the early 1950s, Peter Appleton, portrayed by Jim Carrey, is a promising young screenwriter whose life takes a dramatic turn. After being accused of being a Communist due to his attendance at an anti-war meeting in college—an event he insists he attended solely to impress a girl—his promising career is shattered. In the blink of an eye, his upcoming film is delayed, another writer takes credit for his work, his movie star girlfriend leaves him, and he finds himself without a studio contract.
In a downward spiral fueled by despair, Peter gets drunk and inadvertently drives off a bridge while attempting to avoid an opossum. Upon regaining consciousness, he has lost his memory and finds himself in the quaint town of Lawson, where he is rescued by Stan Keller (James Whitmore) and brought to the local physician, Doc Stanton (David Ogden Stiers). The townspeople mistakenly identify him as Luke Trimble, a local boy who was killed in World War II nine years earlier, and they welcome him back with open arms, viewing him as a beacon of hope. Although initially hesitant to assume this new identity, “Luke” gradually adapts to his perceived past life. Surrounded by his “father” Harry portrayed by Martin Landau, and his “girlfriend” Adele Stanton (Laurie Holden), he embarks on a mission to breathe new life into The Majestic theater, a struggling old movie house that had closed its doors amidst hardship.
Meanwhile, in Washington, D.C., Congressional committee member Elvin Clyde (Bob Balaban) suspects that Appleton’s disappearance is indicative of his supposed Communist affiliations. Unbeknownst to Hollywood, Clyde dispatches two federal agents to track him down. Back in Lawson, not everyone is convinced that “Luke” is truly back. Bob Leffert (Karl Bury), a one-armed soldier with a history with the real Luke, doubts Peter’s claims and fears that this impostor is only setting the town up for more heartbreak.
A few days later, the town throws a much-anticipated welcome home celebration for “Luke,” led by Mayor Ernie Cole (Jeffrey DeMunn). During the festivities, the townsfolk encourage him to showcase his piano skills from his youth. Yet, instead of playing a classical piece, he unexpectedly breaks into a lively roadhouse boogie tune. However, a confrontation with Bob later that evening reveals underlying tensions and doubts about his identity. Despite these challenges, Peter, along with Harry, Adele, and their neighbors, successfully restores The Majestic. They even manage to unite the town in unveiling a memorial commissioned by President Franklin D. Roosevelt after the war, a tribute that had long been delayed.
The turning point arrives when The Majestic screens a film Peter had written, titled “Sand Pirates of the Sahara.” As this moment unfolds, Peter begins to regain fragments of his memory. Simultaneously, Harry suffers a heart attack which leaves him with limited time. In his dying moments, Peter opts to let Harry believe he is truly his son.
Soon after the funeral, Peter confesses to Adele that he is not Luke. The truth comes to light when federal agents Ellerby (Daniel von Bargen) and Saunders (Shawn Doyle) publicly confront him after local boys discover his car washed ashore. Sheriff Cecil Coleman (Brent Briscoe) inquires if he can assist the agents, leading to a summons for Peter to appear before Congress.
On the night of the hearing, Peter’s agent suggests he denounce his past associations with the Communist Party to clear his name. Although he initially contemplates this route, a confrontation with Adele and a poignant letter from the real Luke spurs him to take a stand before the committee. During the televised hearing, led by Congressman Doyle (Hal Holbrook), Peter delivers a heartfelt address on true American values, winning the support of viewers both in the committee room and in Lawson. Fearing backlash, the lawmakers ultimately decide to release him.
Peter learns that it was the girl he had pursued at the college meeting who had implicated him to the committee, and she has since become a producer for Studio One. With trepidation, he returns to Lawson, expecting hostility. To his astonishment, he is met with a hero’s welcome from the townspeople, who have come to appreciate him for who he is. In a concluding epilogue, Peter finds solace in Lawson, marries Adele, and they joyously welcome their first child into the world.
Peter's Accusation
In the early 1950s, Peter Appleton, a promising screenwriter, faces life-altering accusations when he attends an anti-war meeting in college. This event, which he attended to impress a girl, leads to him being labeled a Communist and subsequently shatters his career.
Career Collapse
Following the accusations, Peter's life begins to unravel rapidly. His upcoming film is delayed, another writer claims credit for his work, and his movie star girlfriend leaves him, leaving him without a studio contract.
The Accident
In a state of despair, Peter gets drunk and accidentally drives off a bridge while trying to avoid an opossum. This tragic accident results in Peter losing his memory.
Arrival in Lawson
Peter regains consciousness in the quaint town of Lawson, where he is rescued by Stan Keller and brought to physician Doc Stanton. Unbeknownst to him, the townsfolk mistakenly identify him as Luke Trimble, a local boy who died in World War II.
Embracing the New Identity
Initially hesitant, Peter begins to adapt to his life as 'Luke Trimble,' embraced by a loving community that sees him as a beacon of hope. Surrounded by his new 'father' Harry and 'girlfriend' Adele, Peter works to revive the local theater.
Federal Investigation
While Peter reinvents himself in Lawson, Congressional committee member Elvin Clyde suspects that Peter's disappearance is connected to his Communist affiliations. He sends federal agents to track down the missing screenwriter.
Welcome Home Celebration
The town organizes a welcoming celebration for 'Luke,' filled with excitement and joy. Peter showcases his unexpected musical talent during the festivities, but underlying tensions with skeptic Bob Leffert hint at doubts about his identity.
Restoring The Majestic
Together with Harry, Adele, and the townsfolk, Peter successfully restores The Majestic theater, uniting the community in the process. They unveil a long-awaited memorial commissioned by President Roosevelt, honoring the local soldiers.
Movie Screening Revelation
The turning point comes when The Majestic screens a film written by Peter, titled 'Sand Pirates of the Sahara.' As he watches, fragments of his lost memory start to return, coinciding with Harry's deteriorating health.
Facing the Truth
After Harry's funeral, Peter confesses to Adele that he is not actually Luke. Soon after, federal agents confront Peter publicly, escalating the tension regarding his true identity.
Congressional Hearing
Peter is summoned to appear before Congress, where his agent suggests he denounce his Communist affiliations. A confrontation with Adele and a letter from the real Luke inspire him to take a stand during the hearing.
A Heartfelt Stand
During the televised hearing, Peter delivers a passionate address on American values, garnering support from both the committee and the viewers in Lawson. The lawmakers, fearing backlash, ultimately decide to release him.
Return to Lawson
Peter learns that the girl he tried to impress in college implicated him. He returns to Lawson expecting anger but is instead welcomed as a hero by the townsfolk who appreciate him for who he truly is.
Finding Solace
In a fitting conclusion, Peter marries Adele and embraces a new life in Lawson. The couple joyfully welcomes their first child, completing Peter's transformation and triumph over adversity.
Peter Appleton (Jim Carrey)
Peter Appleton is a promising young screenwriter whose life unravels after being wrongly accused of Communist affiliations. After a serious accident leaves him amnesiac, he adopts a new identity as Luke Trimble, experiencing a journey of self-discovery. His transition from despair to hope reflects his inner strength and capacity for change.
Harry (Martin Landau)
Harry acts as the surrogate father to Peter Appleton, believing him to be his long-lost son, Luke. His affection and wisdom offer Peter emotional support throughout the story. As a war veteran, Harry represents the complexities of loss and familial bonds in the aftermath of conflict.
Time period
Early 1950s
The movie is set during the early 1950s, a period marked by anti-Communist sentiment and the red scare in the United States. This tumultuous time affected many, especially individuals in the entertainment industry, who faced accusations and scrutiny regarding their political affiliations. It was a time of societal change, where individuals like Peter Appleton struggled to navigate personal and professional challenges.
Location
Lawson, Washington D.C.
Lawson is a quaint town that serves as the primary setting of the film, where the protagonist Peter Appleton finds refuge. Known for its tightly-knit community, Lawson is portrayed as a place of hope and healing, where the townsfolk come together to support one another. The town's centerpiece is The Majestic theater, a struggling establishment that becomes a symbol of revival and unity.
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Identity
Identity is a central theme in 'The Majestic,' as Peter Appleton grapples with questions of who he is after losing his memory. The mistaken identity as Luke Trimble provides the town with a symbol of hope, but it also forces Peter to confront his past. Ultimately, the journey towards self-acceptance and truth resonates with the audience as he realizes the importance of authenticity.
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Resilience
Resilience is showcased through Peter's transformation and the community's spirit. Despite adversity, both Peter and the townspeople strive to restore The Majestic theater, representing their determination to overcome hardships. This theme reinforces the idea that hope and unity can flourish even in the face of despair.
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The Power of Art
The film highlights the transformative power of art, particularly through the revival of The Majestic theater. As Peter writes and screens films, he discovers their ability to evoke emotions and shape identities. The Majestic becomes not only a venue for entertainment but also a hub for community bonding and healing.
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