The Nun's Story 1959

As Gabrielle “Gaby” Van Der Mal, played by Audrey Hepburn, donned the habit of Sister Luke, she embarked on a profound journey that would challenge her faith, obedience, and sense of purpose. Born to a renowned Belgian surgeon, Dean Jagger, who played her father Hubert, Gaby felt a strong calling to serve others in the African Congo. Under the vigilant supervision of Mother Superior, portrayed by Edith Evans, Sister Luke faced the demanding trials of postulancy and novitiate, where she was first compelled to confront the conflict between her personal ambitions and her vow of obedience.

As she maneuvered through the rigorous challenges of her training, Gaby’s resolve to prove her worth led her to excel academically, achieving high scores that ignited subtle rebellion against the Mother Superior’s request for her to intentionally underperform in her final examination as a display of humility. This act of quiet defiance would eventually have repercussions, leading Sister Luke to be assigned to a mental hospital in Europe rather than being sent to the Congo, where she had hoped to fulfill her mission. Here, she was confronted with the grim realities of violence and despair.

The trauma inflicted by a psychotic patient, played by Colleen Dewhurst, left Gaby deeply unsettled, marking just the beginning of her many trials. As Sister Luke grappled with her own feelings of shame and disobedience, she ultimately took her solemn vows but was sent to the Congo, where her skills in tropical medicine were largely squandered in a segregated facility catering to European patients.

It was within these confines that she developed a complex relationship with the brilliant yet atheistic surgeon, Peter Finch, who portrayed Dr. Fortunati. His admiration for Sister Luke’s nursing skills was countered by frustration over her spiritual dilemmas. As Gaby’s health deteriorated due to tuberculosis, Fortunati orchestrated a treatment plan that allowed her to stay in the Congo, preventing her from having to recuperate in Europe.

Following her recovery, Sister Luke returned to the forefront of her work but soon found herself again caught in the struggle between duty and desire. Faced with the task of accompanying a mentally unstable VIP, she was sent back to Belgium, where she entered a phase of quiet introspection at the motherhouse in Brussels. This transition was made all the more pressing by the looming presence of war in Europe, forcing Sister Luke to prepare for yet another adjustment amidst the chaos.

As Sister Luke adapted to her new environment, she grappled more profoundly with the discord between her commitment to obedience and her growing disenchantment with the brutal realities of Nazi-occupied territory. The burden of her father’s tragic death at the hands of the oppressors weighed heavily on her heart, complicating her faith in a world rife with cruelty. Her unwavering dedication to her vows began to waver under the relentless pressure to compromise her principles, eroding her sense of purpose and moral clarity.

Eventually, as the emotional toll became unbearable, Sister Luke reached a turning point, prompting her to seek solace through radical change. With profound sadness, she submitted a petition for dispensation from her vows, marking a transformative shift in her identity and life path. The scene culminates with the camera panning out as she sheds her nun’s habit, trading it for the modest clothing of a layperson, before quietly slipping away from the convent through a rear exit, leaving behind the only life she had ever known.