What's After the Movie
Robert Bernard Altman (February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and producer considered an enduring figure in Hollywood. Known for directing subversive, satirical films marked by overlapping dialogue and large ensemble casts, he has a unique directing style that has cemented his place in the annals of film history. He has directed classics like *M*A*S*H* (1970), *Nashville* (1975), *The Player* (1992), *Short Cuts* (1993), and *Gosford Park* (2001), winning numerous awards over his lifetime. Along with film direction, Altman also made significant contributions to television and the stage. His body of work was honored with an Academy Honorary Award in 2006, acknowledging his profound impact on cinematography. Across his career, Altman has also been credited for his unique filming approaches that added another layer of complexity to his projects, fostering a highly engaging viewing experience. He preferred large ensemble casts for his films and developed a multi-track recording technique, using overlapping dialogue from multiple actors, leading to a more spontaneous and dynamic experience for viewers. This fascinating approach, combined with the aid of mobile camera work and zoom lenses, has given Altman a legacy that continues to influence current generations of filmmakers.
A Prairie Home Companion
The Company
3 Women
Gosford Park
Dr T and the Women
Cookie's Fortune
The Gingerbread Man
Kansas City
Ready to Wear (Prêt-à-Porter)
Short Cuts
The Player
Vincent & Theo
Fool for Love
Popeye
Buffalo Bill and the Indians, or Sitting Bull's History Lesson
Nashville
California Split
Thieves Like Us
The Long Goodbye
McCabe & Mrs. Miller
Brewster McCloud
MASH
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