In Robert Altman's iconic drama, Nashville's vibrant music scene serves as a backdrop for a rich tapestry of interconnected stories. A lawyer's faltering marriage to a gospel singer is just one thread in this intricate web, where rival country musicians, quirky characters, and unexpected relationships converge in a poignant exploration of the American dream.
Does Nashville have end credit scenes?
No!
Nashville does not have end credit scenes.
96
Metascore
7.9
User Score
%
TOMATOMETER
0%
User Score
7.6 /10
IMDb Rating
0
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User Score
What is the name of the political candidate referenced throughout 'Nashville'?
The film unfolds over five dynamic days leading up to a political rally for Hal Phillip Walker, a candidate whose presence is felt but never seen. As the narrative weaves through the lives of 24 characters in Nashville, each with their own ambitions and often intersecting storylines, the viewer is taken on a poignant journey through the local music scene.
On Day One, we are introduced to the hustle and bustle of Nashville with a campaign van touting Walker’s folksy political slogans. Parallel to this, Haven Hamilton (played by Henry Gibson) is in the studio recording a grand patriotic anthem titled “200 Years”. However, Opal (portrayed by Geraldine Chaplin), a young Englishwoman claiming to be making a radio documentary for the BBC, finds herself unwanted in Haven’s creative space. Nearby, Linnea Reese (played by Lily Tomlin) passionately records a song alongside a black gospel choir.
Later, the celebrated country singer Barbara Jean (performed by Ronee Blakley), returning to Nashville after recovering from a tragic accident, is greeted by a crowd including Haven and his accomplice, Lady Pearl (played by Barbara Baxley). The day is marked by tension as Pfc. Glenn Kelly (portrayed by Scott Glenn), alongside the folk trio Bill, Mary, and Tom, navigate their own complex relationships. Bill and Mary’s marriage is strained by her affection for the charming Tom (played by Keith Carradine).
As the day progresses, Mr. Green (played by Keenan Wynn) arrives at the airport to pick up his niece Martha (portrayed by Shelley Duvall), who comes to Nashville with an agenda that includes chasing after musicians rather than attending to her purported sick aunt. When Barbara Jean collapses from the heat upon her arrival, her team rushes her to the hospital, creating a flurry of activity and misadventures in the aftermath.
Day Two sees Tom attempting to rekindle his relationship with Linnea, but tensions rise at a pre-show gathering hosted by Haven, where local talents mingle. The night is marked by performances that shift the dynamics between characters, revealing deeper layers of love, ambition, and betrayal.
On Day Three, various church services showcase the characters’ lives. Their seemingly mundane routines are punctuated by more drama as Barbara Jean delivers a powerful hymn, while Opal roams, capturing the chaotic beauty of Nashville in fragmented poetic reflections. The subsequent stock car races highlight the tensions between emerging and established artists.
As we shift to Day Four, emotional turmoil continues to surface. Barbara Jean’s narrative collides dramatically with those around her. Sueleen, a waitress with dreams of making it in country music, faces deep humiliation at a fundraising event, ultimately revealing the profound struggles faced by underappreciated talents.
Finally, on Day Five, anticipation builds as the concert at the Parthenon unfolds. The narrative crescendos with a tumultuous event that upends the gathering — a gunshot rings out, shocking everyone. As chaos ensues, characters grapple with their present circumstances, while Winifred (played by Barbara Harris) unexpectedly seizes a moment in the spotlight as she begins to sing, capturing the audience’s hearts. The film concludes with a chorus of resilience and hope, as Winifred’s moment illuminates the dreams and aspirations of Nashville’s talented community.
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