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No!
A Fantastic Fear of Everything does not have end credit scenes.
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A Fantastic Fear of Everything
2014
In this sidesplitting comedy, a reclusive author's fixation on Victorian serial killers has him convinced he'll be their next victim. As his agent and a mysterious Hollywood executive offer a lifeline to his struggling career, Jack's neuroses spiral out of control, exposing his darkest fears - from his love life to his laundry habits - in a hilarious quest for sanity and redemption.
Runtime: 100 min
Language:
Directors:
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Ratings:
![Metacritic](/images/common/movies/metacritic-logo.png)
31
Metascore
4.7
User Score
![Metacritic](/images/common/movies/rt-logo.png)
33%
TOMATOMETER
35%
User Score
![Metacritic](/images/common/movies/imdb-logo.png)
5.8 /10
IMDb Rating
Check out what happened in A Fantastic Fear of Everything!
Jack B. Nife, a children's author struggling to find inspiration amidst the wreckage of his marriage, becomes increasingly consumed by an unhealthy fixation on serial killers, particularly Victorian era assassins. His latest obsession, Decades of Death, is a series of manuscripts that reflect his growing paranoia and conviction that he's being watched and targeted. The eerie presence of the Hanoi Handshake Killer, who brutalizes his victims by severing their fingers, casts a dark shadow over his everyday life.
Just as Jack is grappling with these macabre thoughts, his agent Clair bursts into his life with news that Harvey Humphries, the influential head of scripts at the BBC, is eager to discuss Jack's work. With only hours to spare before their meeting, Jack becomes convinced that Humphries is the very embodiment of evil and decides to attend the meeting despite his trepidations.
In a bid to present himself in the most favorable light, Jack resorts to an unconventional method for cleaning his clothes: tossing them into the oven. However, this impromptu laundry session results in an unexpected discovery – a carving knife has been super-glued to his hand. With his clothes now in tatters and his meeting with Humphries looming, Jack is forced to confront his deep-seated fears by visiting the laundrette.
Professor Friedkin, an old acquaintance, senses Jack's distress and offers words of encouragement, urging him to face his phobias head-on. Despite initial reservations, Jack relents and embarks on a journey to conquer his trepidation. Upon arriving at the laundrette, he finds himself bewildered by the machines' workings and fails to add detergent to his load, much to the chagrin of fellow patrons.
As Jack's anxiety reaches a boiling point, a stunning young woman enters the scene, further exacerbating his distress. In an attempt to escape the confines of the laundrette, he hastily removes his damp clothes from the dryer, forgetting that the knife remains affixed to his hand. This oversight sparks panic among the other customers, ultimately leading to Jack being locked in the laundrette – a fate worse than death for someone as intensely anxious as himself.
As the police van speeds away, Jack's fate is left hanging precariously in mid-air, his body bouncing off the pavement as the doors fling open. Meanwhile, Perkins, a community support officer with an unsettling secret, trails Sangeet while Jack makes his way back to the laundrette to retrieve his crisp, clean shirt for an impending meeting. His attention momentarily diverted by a sudden realization - the rear door that had been securely locked is now ajar. With curiosity piqued, he ventures through the opening and discovers a hidden hatch in the floorboards.
As he peers down into the dark recesses of the hatch, a blindingly swift blow sends him crashing to the ground. When Jack regains consciousness, he finds himself bound alongside Sangeet in the dingy basement of the laundrette. Panic sets in as they both realize their dire predicament, only for Perkins to materialize at the top of the stairs, his eyes gleaming with an otherworldly intensity.
The community officer's true nature is revealed: he is the notorious Hanoi Handshake Killer, responsible for severing his victims' fingers and blaming the atrocities on the Vietnamese mafia. His twisted motives stem from a deep-seated grudge against the very same Vietnamese immigrants who drove his grandmother out of the laundrette that now serves as his gruesome playground.
As Perkins disappears upstairs to sharpen his blade, Jack confides in Sangeet about the traumatic events of his childhood, which are inexplicably linked to the very laundrette they find themselves trapped within. Her comforting words and reassurances serve only to steel Jack's resolve, as he invites her to dinner if they manage to survive their ordeal.
Perkins' return is heralded by a boombox blasting Europe's iconic anthem "The Final Countdown". The jarring contrast between the song's triumphant melody and the dire circumstances sparks an argument between Jack and Perkins. However, it is Perkins who ultimately takes control of the narrative, sharing a haunting tale of his childhood that slowly reveals the twisted truth behind his malevolent actions.
As the story unfolds, the shocking revelation emerges: Perkins' grandmother had once taken in a young Jack, abandoning him in this very laundrette. Unbeknownst to Jack, he had been under Perkins' watchful eye for years, sowing the seeds of their deadly encounter.
As the tension between Jack, Sangeet, and Perkins reaches a boiling point, their desperate attempts to unravel the truth behind the gruesome murders take a dramatic turn. Jack's clever argument that Tony, the serial killer, lacks originality - referencing the iconic scene from Psycho where Norman Bates' mother's corpse is posed in a rocking chair - fails to crack the armor of Perkins' denial. Undeterred, Sangeet seizes her chance, freeing herself from captivity just as Perkins is about to strike down Jack with his cruel intentions.
With Perkins momentarily stunned by Sangeet's sudden counterattack, she seizes the opportunity to make her escape, only to be dragged back into the cellar as Perkins recovers. In a last-ditch effort to break the cycle of violence, Sangeet urges Jack to spin a tale, hoping to distract their tormentor and perhaps even awaken his conscience. As Jack launches into an impromptu storytelling session, Perkins becomes entranced by the narrative, relating to its themes and eventually breaking down in tears, confessing that he didn't commit the initial murder - merely stumbling upon the victim's lifeless body.
Just as it seems like their ordeal is finally at an end, the owner of the laundromat bursts into the cellar, prompting Jack and Sangeet to let out a collective cry for help. Fast-forward several months, and we find Jack looking every bit the part of a doting storyteller, regaling a group of wide-eyed children with tales of Harold and Brian - his favorite book. Sangeet and Professor Friedkin look on approvingly as Jack's tormentor-turned-acquaintance, Humphries, is introduced to the group. As the evening draws to a close, Jack and Sangeet bid their friends adieu, slipping into a taxi as the credits roll, a fitting coda to their harrowing adventure.