A Fantastic Fear of Everything 2014

Runtime

100 min

Language

English

English

In this sidesplitting comedy, a reclusive author's fixation on Victorian serial killers has him convinced he'll be their next victim. As his agent and a mysterious Hollywood executive offer a lifeline to his struggling career, Jack's neuroses spiral out of control, exposing his darkest fears - from his love life to his laundry habits - in a hilarious quest for sanity and redemption.

In this sidesplitting comedy, a reclusive author's fixation on Victorian serial killers has him convinced he'll be their next victim. As his agent and a mysterious Hollywood executive offer a lifeline to his struggling career, Jack's neuroses spiral out of control, exposing his darkest fears - from his love life to his laundry habits - in a hilarious quest for sanity and redemption.

Does A Fantastic Fear of Everything have end credit scenes?

No!

A Fantastic Fear of Everything does not have end credit scenes.

Actors

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Ratings

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Metacritic

31

Metascore

5.3

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

5.8 /10

IMDb Rating

Movie Quiz

Challenge your knowledge of A Fantastic Fear of Everything with an engaging quiz. Test your memory of the movie’s characters, plot twists, and unforgettable moments.


A Fantastic Fear of Everything Quiz: Test your knowledge about the darkly comedic tale of Jack B. Nife and his encounters with fear and serial killers.

What profession does Jack B. Nife hold?

Plot Summary

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Get the full story of A Fantastic Fear of Everything with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.


Jack B. Nife, a children’s author grappling with the collapse of his marriage, finds himself spiraling into an obsessive fixation on serial killers, particularly those from the Victorian era. His latest endeavor, Decades of Death, reveals his mounting paranoia and conviction that he is being surveilled and hunted. The chilling aura of the Hanoi Handshake Killer, infamous for severing his victims’ fingers, looms ominously over Jack’s daily existence.

Just when Jack is overwhelmed by these twisted thoughts, his agent, Clare Higgins, bursts into his life with news that Harvey Humphries, the influential head of scripts at the BBC, is eager to discuss Jack’s work. With only hours left before their pivotal meeting, Jack becomes convinced that Humphries embodies pure evil and musters the courage to attend, despite his escalating fears.

In an attempt to present himself well, Jack adopts an unconventional laundry technique—stuffing his clothes into the oven. This strange method leads to an alarming twist when he discovers a carving knife has become super-glued to his hand. With his attire in shambles and the meeting with Humphries on the horizon, Jack’s only choice is to face his anxieties by visiting the laundrette.

Old acquaintance, Professor Paul Freeman, perceives Jack’s turmoil and provides encouragement, pushing him to confront his phobias directly. Although initially hesitant, Jack decides to take this crucial step. However, when he arrives at the laundrette, he becomes flustered by the washing machines’ mechanisms and forgets to add any detergent, much to the irritation of the patrons around him.

As his anxiety peaks, the entrance of a striking young woman heightens his disturbance. In his frantic efforts to escape the laundrette, Jack hastily pulls his damp clothes from the dryer, oblivious to the knife still attached to his hand. This blunder creates chaos among the other customers, culminating in Jack being trapped inside the laundrette—a fate he considers worse than death given his profound anxiety.

Suddenly, the police van drives away, leaving Jack’s destiny uncertain as he tumbles onto the pavement when the doors swing wide. Meanwhile, Perkins, a community support officer with a hidden agenda, follows Sangeet while Jack heads back to the laundrette to retrieve his freshly washed shirt for the impending meeting. Just then, he notices the rear door, once locked tight, is now ajar. Driven by curiosity, he steps through the opening and stumbles upon a concealed hatch in the floorboards.

As he peers into the inky darkness below, a swift blow knocks him to the ground. When consciousness returns, Jack finds himself bound with Sangeet in the gloomy basement of the laundrette. Panic engulfs them as they realize the gravity of their situation, only for Perkins to appear at the top of the stairs, his eyes glowing ominously.

It’s then that the true horror unravels: Perkins is the Hanoi Handshake Killer, responsible for the brutalization of his victims, which he scapegoats onto the Vietnamese mafia. His motivations stem from a long-held resentment against the Vietnamese immigrants who once forced his grandmother out of the very laundrette in which they are now ensnared.

As Perkins retreats upstairs to sharpen his weapon, Jack confides in Sangeet about the haunting memories of his childhood related to that very laundrette. Her calming presence bolsters Jack’s determination, prompting him to invite her to dinner if they survive.

The climactic juxtaposition of a boombox playing Europe’s “The Final Countdown” and the terrifying situation creates intense tension as Jack and Perkins clash verbally. Still, it is Perkins who attempts to dominate the exchange by sharing a disturbing tale from his youth, unraveling the twisted truth behind his malevolence.

Revelations pile upon one another, including the shocking revelation that Perkins’ grandmother had once taken in a young Jack, which unknowingly bound their fates together in a deadly intertwining. As the stakes rise, Jack’s desperate argument about Tony, a serial killer who lacks creativity—a nod to Psycho—fails to penetrate Perkins’ defenses. But when Sangeet manages to free herself just as Perkins aims to strike Jack, chaos ensues.

In a daring move to escape the cycle of violence, Sangeet encourages Jack to spin a tale, hoping to distract their captor and stir some humanity within him. As Jack begins his improvised narrative, Perkins finds himself enthralled, touching upon its themes and ultimately breaking down, revealing that he stumbled upon a victim’s body but did not commit the original murder.

Just when it seems the nightmare might be concluding, the laundromat’s owner storms into the cellar. Time jumps forward several months, revealing Jack transformed into a devoted storyteller, captivating children with stories of Harold and Brian—his cherished book. Watching him from afar are Sangeet and Professor Friedkin, pleased with his new path. As the evening wraps up, Jack and Sangeet share a farewell with their friends before slipping into a taxi, bringing the curtain down on their harrowing escapade.

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