Back

Does All About Steve have end credit scenes?

Yes!

All About Steve has end credit scenes.

All About Steve

All About Steve

2009

As Mary Horowitz's heart soars after a serendipitous blind date with Steve, a free-spirited news cameraman, she embarks on a whimsical adventure to win his love. With the encouragement of a wise-cracking reporter, she follows Steve across the country, encountering an eclectic cast of characters who help her discover the true meaning of love and belonging.

Runtime: 99 min

Box Office: $40M

Language:

Directors:

Genres:

Ratings:

Metacritic

17

Metascore

4.3

User Score

Metacritic
review

6%

TOMATOMETER

review

30%

User Score

Metacritic

4.8 /10

IMDb Rating

Metacritic

49.0

%

User Score

Check out what happened in All About Steve!

In a world where social interactions can be as treacherous as a crossword puzzle, Mary Horowitz (played by) navigates her life with the help of her trusty sidekick, a hamster who's the only one unafraid to voice her thoughts. When her parents intervene in her love life, setting her up on a blind date with Steve Miller (played by), a charming cameraman for CCN news, Mary's expectations are as low as her chances of winning his heart.

Steve, however, proves to be a pleasant surprise, and Mary is swept off her feet. Or so she thinks. As their encounter ends in disappointment, Steve makes a hasty exit, citing a fake phone call about a news story that requires his presence elsewhere. Little does Mary know, she's been unwittingly played.

As the reality of her situation sets in, Mary's world begins to unravel. Her boss takes umbrage with her latest crossword creation, titled "All About Steve," and she finds herself fired from her job as a writer for the Sacramento Herald. Undeterred, Mary decides to track down Steve across the country, driven by an all-consuming obsession that threatens to consume her every waking moment.

Her quest for love takes a toll on those around her, including CCN news reporter Hartman Hughes (played by), who sees an opportunity to capitalize on Mary's vast knowledge and use it to propel his own career. As Mary's antics become the stuff of local legend, she finds herself at odds with bus drivers, truckers, and even protesters.

Her path eventually crosses that of Elizabeth and Howard, a pair of well-meaning activists who take her under their wing. Together, they form an unlikely trio, united by their quirks and eccentricities. Meanwhile, Steve and his team are hot on the trail of a breaking news story: an old mine that's collapsed, trapping numerous deaf children inside.

In a twist of fate, Mary finds herself caught up in the midst of the chaos, inadvertently tumbling into the mine shaft as she rushes to reach Steve. As the dust settles, Mary is forced to confront the harsh realities of her own situation and the true nature of her relationship with Steve. Will she emerge from this ordeal with a newfound sense of purpose, or will her world continue to crumble around her?

As the dust settles, it becomes clear that not all of the children have been accounted for, leaving Mary entwined with the lone survivor. Steve begins to appreciate Mary's inherent radiance, discovering a unique beauty that resonates deep within him. Just as she concocts an escape plan, they're unexpectedly joined by Hartman, whose presence is met with guilt-laden glances from Elizabeth and Howard, who hold him responsible for Mary's predicament. With her rescue plan successfully executed, Mary allows Hartman to take the credit, a gesture that hints at her newfound self-awareness. As she finally comes to terms with her own happiness, she realizes Steve's presence is no longer necessary for her fulfillment. In a poignant voiceover, she offers words of wisdom: "If you love someone, set them free; if you must relentlessly pursue them, it's likely they never truly belonged to you in the first place." The film's narrative concludes with this introspective reflection, leaving audiences with a profound message.

The credits having rolled, a TV reporter driven by competitive fervor jumps into the sinkhole, despairing that Hartman's heroic act has stolen the spotlight from her own reporting.