Babel 2006

As a rifle shot echoes across the Moroccan desert, a global domino effect unfolds, entwining the desperate struggles of four families: an American couple's fight for survival, two Moroccan boys' accidental crime, a nanny's perilous journey with two American children, and a Japanese teen's rebellion against authority.

As a rifle shot echoes across the Moroccan desert, a global domino effect unfolds, entwining the desperate struggles of four families: an American couple's fight for survival, two Moroccan boys' accidental crime, a nanny's perilous journey with two American children, and a Japanese teen's rebellion against authority.

Does Babel have end credit scenes?

No!

Babel does not have end credit scenes.

Ratings


Metacritic

69

Metascore

7.5

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

7.5 /10

IMDb Rating

TMDB

72

%

User Score

Movie Quiz


Babel Quiz Challenge: Test your knowledge on the intricate narrative and characters of the film 'Babel' from 2006.

What drives the Moroccan businessman to equip the goat herder with rifles?

Plot Summary

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A Moroccan Arab sells a shotgun to a goat herder, who plans to use it against the jackals threatening his herd. He hands the rifle to his sons, who practice shooting at various targets during their herding. In a reckless move, the youngest takes aim at a passing tour bus and fires a shot, causing the bus to halt abruptly.

Meanwhile, a Mexican nanny named Amelia is in charge of two young American children. While they play, she receives a phone call informing her that the man she works for will need her to care for the kids longer than expected. Despite explaining that she has to attend her son’s wedding that night, he insists she stay. With no one else available to help, Amelia reluctantly packs the children and heads to Mexico, driving with her nephew.

In Morocco, an American couple, Richard and Susan, sit in a cafe, where Susan expresses her agitation and sadness, accusing Richard of trying to escape their troubles. As they ride through the desert on a tour bus, tragedy strikes when Susan is shot through the window, the bullet lodging into her shoulder.

Across the globe, a deaf and mute Japanese teenager, Chieko, struggles with her emotions after her volleyball team blames her for their loss. While her father attempts to connect with her over lunch, she is drawn to the attention of some boys, only to be left frustrated by their inability to communicate. In a desperate bid for connection, she exposes herself in a provocative moment with them.

Back in Morocco, the goat herding boys rush home earlier than usual, where they learn that a terrorist has killed an American woman. Amelia and the kids easily cross into Mexico, where wedding festivities are already underway, and the children revel in the celebrations.

Richard and Susan are in a frantic state, deciding where to take her for medical aid. The closest hospital is four hours away, while a clinic is 90 minutes distant. With desperation mounting, they aim for a local village where a doctor resides. Although other passengers on the bus want to leave, Richard insists on staying for Susan’s sake. Upon the arrival of the village doctor, he quickly assesses her condition: her shoulder bone is broken, and stitching is necessary to prevent fatal blood loss, all done without anesthesia.

Back in Japan, Chieko has her own dilemmas; she experiences a highly inappropriate incident during a dental appointment, highlighting her struggle for emotional expression and connection. She later encounters police inquiring about her father, whose name has arisen in the aftermath of the Moroccan shooting incident.

As tensions rise, the Moroccan boys conceal the firearm, while police investigations unfold. An officer uncovers gun shells at the site where the bus was shot at, leading to a violent confrontation where the father and his sons fight to defend themselves against the pursuing authorities.

The wedding party in Mexico continues, but Amelia’s day spirals. Dismissing the groom’s concerns about her nephew’s sobriety, they evade border checks, leading to perilous consequences. Richard and a tour guide discuss parenting while Susan rests, highlighting their shared traumas as Richard learns about the delays imposed by the American embassy in dispatching medical help.

Chieko’s world swirls with loneliness as she attempts to forge connections with those around her. The web of incidents across multiple narratives intertwine, from the tragic consequences of a stray bullet to familial bonds stretching across countries. As the chaos unfolds, choices made lead to lasting repercussions, both expected and unforeseen.

Susan and Richard, amid uncertainty about the future, pledge not to abandon each other in their darkest moments. Chieko confronts her own issues with her father’s authority amidst questions related to a hunting rifle linked to tragedy. The film culminates in a heart-wrenching exchange, where deeply buried emotions surface, revealing the tangled connections each character has to the others.

Ultimately, it is a morning after darkness has descended—Amelia and the children await rescue in the desert, while the looming specter of tragedy reminds everyone of the fragility of life and kinship, echoing through their choices and the lives they touch. In the end, connections are resolved and unresolved alike, demonstrating the far-reaching echoes of each event rippling across borders and hearts.

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