In this gritty thriller, a quiet farmer turns deadly avenger after his mother's brutal slaying. As he delves into her troubled past, he finds himself navigating Belfast's treacherous underworld, where crime and corruption lurk around every corner.
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Bad Day for the Cut does not have end credit scenes.
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6.5 /10
IMDb Rating
65
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User Score
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The story unfolds in present-day Ireland, highlighting the tragic events surrounding a dying man in a hospital. He receives an unexpected visit from a sinister woman he recognizes, who, despite his protests that there’s no need for her intervention since he is nearing death, firmly states, “I will be the judge of that.” What follows is a brutal scene where she and her henchmen mercilessly torture him before he succumbs.
In a rural setting, we meet Donal, portrayed by Nigel O’Neill, a middle-aged farmer living with his frail mother. Their relationship is complex; while they share a bond, there’s an undeniable emotional distance between them. The sudden news of the death of an old acquaintance, Tommy Rafferty, deeply disturbs Donal’s mother, prompting Donal to suspect something ominous. In his effort to reconnect, he proposes a road trip in an RV, which she declines. Frustrated, Donal drowns his sorrows in alcohol, only to wake from a harrowing dream where he’s aiming a shotgun at his mother, who is just trying to clean the house. This unsettling dream intertwines with reality when he finds her brutally murdered, with no justice forthcoming from the authorities.
Determined to seek answers, Donal embarks on his own investigation. In a dramatic confrontation, he is ambushed by masked men in his barn, leading to a fierce struggle where he kills one with a sledgehammer and takes another hostage. This young man, known as Ben Bartosz, played by Józef Pawlowski, reveals his innocence and begs for his life. Upon releasing him, they form an unlikely alliance fueled by their common goal of uncovering the truth behind the violence that ensued.
The investigation leads them to Frankie Pierce, a wealthy figure entwined with danger, alongside her associate Trevor Ballantine. As Donal uncovers the layers of deceit surrounding his mother’s murder, he learns from Ben that she is involved in holding Ben’s sister, Kaja, captive. With tension escalating, the duo confronts Gavigan, a treacherous figure linked to Frankie, and in a moment of desperation, they attempt to extract information through intimidation. However, Gavigan’s escape adds another layer of chaos, revealing the dark depth of their predicament.
Amid the chaos, Frankie is portrayed as a complex character with a vendetta that runs deep, tied to her father’s past with Donal’s mother. The plot thickens as Donal discovers the cold truth: Frankie’s rage stems from a tumultuous history steeped in betrayal. This truth drives him to desperate action, aiming to confront Frankie at any cost.
As the conflict spirals out of control, Donal finds himself spiraling into a vortex of vengeance and despair. A climactic showdown leads to shocking revelations about familial ties, revenge, and the cycle of violence that keeps them entwined. In a poignant moment, Frankie admits her motive for violence against Donal’s mother, revealing a deep-seated grudge rooted in tragedy. The confrontation escalates and results in a heart-wrenching choice as Donal ultimately kills Frankie in self-defense after a fierce struggle, further pulling him into a dark abyss of moral conflict.
In a gut-wrenching conclusion, after being left with nothing but hollow triumphs and losses, Donal’s world collapses as Trevor murders Ben. Facing relentless torment and loss, he remains stranded at the beach, wrestling with his guilt and contemplating his next move while fighting against the very impulses that have consumed him.
Torn between vengeance and regret, Donal’s journey encapsulates the haunting effects of the past, the weight of decisions made in the throes of pain, and the desperate quest for answers that can lead to more devastation than resolution.
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