Casino Royale 1967

Box Office

$2.3K

Runtime

131 min

Language(s)

English

English

In this sidesplitting comedy, retired spy Sir James Bond makes a surprising return to action, taking on the villainous SMERSH in a hilarious game of espionage and wit.

In this sidesplitting comedy, retired spy Sir James Bond makes a surprising return to action, taking on the villainous SMERSH in a hilarious game of espionage and wit.

Does Casino Royale have end credit scenes?

No!

Casino Royale does not have end credit scenes.

Ratings


Metacritic

48

Metascore

3.4

User Score

IMDb

5.0 /10

IMDb Rating

TMDB

53

%

User Score

Plot Summary


In the twilight of his illustrious career, the renowned Sir James Bond (David Niven) hung up his espionage boots, exhausted from the moral toll of betraying his beloved Mata Hari. He retreated to an English countryside estate, where he devoted himself to the sublime melodies of Debussy and cultivated a fascination with black roses, surrounded by the majestic lions that roamed his grounds. His loyal butler (Erik Chitty) attended to his every whim, as Sir James basked in the quiet solitude of his golden years.

However, the relentless drumbeat of espionage losses began to worry the highest echelons of international intelligence: the British (‘M’ or McTarry; John Huston), French (LeGrand; Charles Boyer), American (Ransome; William Holden), and Russian (Smernov; Kurt Kasznar) Secret Services. Convinced that only Sir James Bond’s unique blend of old-school sophistication and unparalleled expertise could reverse their fortunes, they dispatched emissaries to his estate, imploring him to return to the fray.

But Sir James was resolute in his refusal, dismissing the modern era’s gadget-ridden spies as mere “jokeshop” operatives. He decried the debasement of his legendary name and the manner in which it had been reduced to a mere commodity, peddled by a “sexual acrobat.” Not even a personal appeal from Her Majesty the Queen could sway him.

In a final, desperate bid to lure Sir James back into the game, M orchestrated a catastrophic attack on his estate, resulting in the destruction of the property and, tragically, the loss of his former superior (John LeMesurier). The devastation proved too great for even the stoic Sir James to ignore.

As he navigated the treacherous landscape of international espionage once more, Sir James was forced to confront a new, insidious threat: Smersh Authority’s sinister plot to destroy his reputation and moral fiber. His mission began in Scotland, where he paid homage to M’s memory by presenting his toupee (the sole surviving relic) to M’s widow, Lady Fiona.

Unbeknownst to Sir James, Lady Fiona had been replaced by a cunning Smersh agent, Mimi (Deborah Kerr), who orchestrated an elaborate charade. The estate was filled with beautiful young women, all agents of Smersh in disguise, pretending to be M’s 11 daughters, including Heather (Tracey Crisp) and Meg (Alexandra Bastedo). As Sir James prepared for his bath, he was confronted by the mischievous Buttercup (“Daddy’s little thermometer”, Angela Scoular), who had somehow managed to slip into his tub. The estate was awash with danger and deception, as Sir James found himself entangled in a web of intrigue that threatened to destroy not only his reputation but also his very way of life.

As the evening unfolds at the lavish banquet, Sir James (actor name) proves to be the life of the party, effortlessly outdrinking his peers. However, when Mimi approaches him in his chambers, claiming her “widow’s due,” he rejects her advances and instead earns a scathing rebuke, being dubbed a “ninnogaywillycouf” by the scorned noblewoman. Seeking to prove herself, Mimi summons the pipers - Robin, Jock, and Sandy (Bob Godfrey and Percy Herbert) - to engage in a ‘worzle,’ a competition that involves attempting to lift and hurl massive stone cannonballs. Despite the pipers’ valiant efforts, Sir James emerges victorious, his impressive display of strength leaving Mimi thoroughly impressed. Her admiration is short-lived, however, as her peers quickly grow wary of her association with him and subsequently lock her away in her room.

Meanwhile, at a high-stakes grouse shoot, Sir James finds himself the unwitting target of a clever ruse orchestrated by Mimi, who has managed to escape her confines via a treacherous drainpipe. One of his cape buttons has been surreptitiously replaced with a homing beacon, and the girls launch rocket-fired dummy grouse designed to explode upon impact. Undaunted, Sir James utilizes his trusty braces to send the button flying back into the rocket launcher, triggering a spectacular detonation. As Mimi tends to her injuries, she secures a parting kiss from Sir James (“Madam, are you quite sure you’re dying?”), before making the ultimate sacrifice and devoting herself to a life of devotion in a convent. With a hint of mischief still lingering in her eyes, she reveals to Sir James that their orders had come from none other than “Authority: International Mothers’ Help, East Berlin” (1).

As Sir James navigates the winding roads back to England from Scotland, he finds himself hotly pursued by a cunning contraption - a remote-controlled milk float rigged with deadly booby traps. With Penny Riley’s expert guidance, the device proves no match for Sir James’ quick wit and agility, ultimately claiming the life of yet another Smersh agent in its futile attempts to eliminate him. Upon his return to London, Sir James assumes the reins as head of the British Secret Service, a agency that has suffered a devastating blow with the loss of nearly all its agents in the most creative and tantalizing ways imaginable - think ladies’ sauna baths, blazing bordellos, and geisha houses.

With his trusted secretary Miss Moneypenny (and her daughter) and loyal assistant Hadley (and his son) at his side, Sir James is forced to confront the reality that only a select few agents have managed to evade the deadly grasp of their foes. Among those few is Jimmy Bond, Sir James’ nephew, who has a remarkable knack for avoiding certain death - so much so that he’s developed an irreverent attitude towards mortality itself. As it turns out, Jimmy has recently found himself in the midst of yet another close call, narrowly escaping a firing squad with his signature explosive cigarette.

Determined to rebuild and revitalize the agency, Sir James issues a call to all available auxiliary staff and sets about crafting the ultimate Anti-Female Spy Device - an individual who embodies the essence of irresistible charm, yet remains utterly immune to the charms of the opposite sex. Miss Moneypenny is tasked with finding this enigmatic figure, and after a thorough search, she discovers Terence Cooper, a mysterious operative known for his impressive Kama Sutra Black Belt credentials.

Cooper’s remarkable skills are put to the test as he embarks on an unconventional training regimen designed to render him impervious to the advances of the many exotic Bond girls (over 200 of them!) that populate the agency. His progress is slow but steady, with each triumph serving only to heighten his allure and mystique. Finally, Cooper meets his match in The Detainer, a stunning new secret weapon who also claims the iconic codename “James Bond, 007.” Sir James’ bold decision to have all agents - both male and female - assume this legendary identity is intended to create chaos and confusion among their enemies, and it’s a move that will have far-reaching consequences for the world of espionage.

Sir James Montgomery’s eyes turn to the world of high-stakes espionage recruitment, and he sets his sights on two new agents to join the esteemed ranks of 007. His first acquisition is Vesper Lynd, a stunning socialite with a penchant for luxury, who finds herself entangled in a £5 million tax arrears predicament. With Sir James’s persuasive charm, Vesper agrees to take on a mission that requires her to woo and win over Evelyn Tremble, an expert card shark with an affinity for baccarat at the prestigious Buckingham Club. Tremble, unwittingly caught up in the world of international intrigue, is tasked by Sir James to infiltrate the lair of Le Chiffre, Smersh’s cunning treasurer, who’s currently risking the organization’s funds on a high-stakes game at Casino Royale. Vesper sets her sights on Tremble with calculated precision, seducing him at her luxurious Mayfair flat, where she’s recently made the bold decision to part ways with Nelson’s Column - a symbolic gesture of her independence.

As Vesper’s charms take hold, Tremble finds himself transformed into James Bond, 007, and he makes his way to the cellars of Q, the ingenious inventor responsible for equipping agents with cutting-edge gadgets. There, he meets Q’s eccentric assistant, Fordyce, who seems perpetually perplexed by the sheer volume of inept inventions surrounding them. As Tremble prepares for his mission, he’s also accompanied by a diminutive, gnome-costumed security expert, whose watchful gaze is meant to reassure him that all is well. The scene is set for an adventure filled with espionage, deception, and high-stakes poker, as James Bond, 007, readies himself to take on the cunning Le Chiffre and his treacherous game at Casino Royale.

Sir James, a seasoned operative, takes a calculated risk by enlisting the services of Mata Bond (Joanna Pettet), his own daughter with the infamous Mata Hari. Currently masquerading as an ethereal Eastern goddess, Mata’s skills are put to the test when she is dispatched from London to West Berlin in a London taxicab (driven by Bernard Cribbins) to infiltrate International Mothers’ Help, a seemingly innocuous organization that serves as a covert front for the Mata Hari School of Dancing - a spy training facility with a mesmerizing neo-Cubist aesthetic. The operation is overseen by the formidable Frau Hoffner (Anna Quale) and the diminutive Polo (Ronnie Corbett), who reveals her true identity as Mata Hari’s daughter.

As Mata explores the school, she discovers a hidden passageway in her mother’s old quarters, which leads to a projection suite. There, she stumbles upon “little Otto,” one of her mother’s former lovers, and uncovers a web of secrets surrounding Le Chiffre’s art collection, which is being auctioned off by his agent (Vladek Sheybal) to raise funds for nefarious purposes. The auction, attended by officers from the British (Jack Gwilliam), Chinese (Burt Kwouk), American (Hal Galili), and Russian armies, reaches a fever pitch as bidders compete for Le Chiffre’s compromising photographs.

Meanwhile, Mata is warned by her taxi driver (later revealed to be Carlton-Towers of the Foreign Office) to prevent Le Chiffre from raising the funds. As the bidding escalates, Mata makes her move, seizing the projector slides and flushing them away before escaping Polo’s clutches by disabling his external heart battery. Frau Hoffner meets a fatal end at the hands of Otto, while Mata uses a foam fire-extinguisher to disperse the military personnel and make good her escape with Carlton-Towers’ assistance. The duo’s taxi ride back to London is accompanied by the sounds of Tom Jones’ “What’s New, Pussycat.”

In a dramatic twist, Le Chiffre’s agent telephones his superior, Dr. Noah, to report his failure, only to be blown up in the telephone box - an explosion that also destroys part of the Berlin Wall.

As Tremble now ventures into the high-stakes world of Casino Royale, he finds himself in the midst of a whirlwind of espionage and intrigue. His encounter with Matthis, a French inspector of police with an unmistakable Scottish brogue (Duncan Macrae), sets the tone for a night that will be filled with deception and danger. After a chance meeting with Miss Goodthighs (Jacqueline Bisset) at the Hotel Tropical, Tremble is nearly knocked unconscious by doped champagne, but Vesper’s timely intervention saves him from certain doom.

With his senses restored, Tremble accompanies Vesper to the Casino Royale, where they deposit a substantial sum of £100,000 (cashier Graham Stark). Their meeting with the enigmatic Slimmington-Jones (Colin Gordon) sets the stage for a high-stakes game of baccarat that will test Tremble’s mettle. As Le Chiffre resorts to underhanded tactics to gain an advantage, Vesper cleverly steals his infra-red spectacles, leveling the playing field and paving the way for Tremble to emerge victorious with a prize worth 50 million francs (approximately £3.6m or $10m at the time).

As they exit the Casino, Vesper is suddenly kidnapped, leaving Tremble to follow in hot pursuit of her captors. In a desperate bid to rescue his beloved, Tremble commandeers a racing car driven by none other than Sterling Moss (as himself), but their efforts are thwarted when Le Chiffre’s henchmen capture him and take him to the villain’s dungeon.

Here, Tremble is subjected to a psychological torture that pushes him to the brink of sanity. His mental anguish culminates in a surreal sequence where he is transformed into a full Highland costume-wearing Scotsman, beset by four marching bands (featuring Peter O’Toole) and ultimately rescued by Vesper’s timely intervention with a machine gun disguised as bagpipes.

In a stunning betrayal, however, Vesper reveals her true intentions and dispatches Tremble. As the dust settles, Le Chiffre meets his demise at the hands of Smersh agents sent by Dr. Noah, bringing an end to this complex web of espionage and deception.

As Sir James departs London, Mata Hari finds herself swept up in a whirlwind of adventure, captured by a Household Cavalry officer on horseback and whisked away to the enigmatic Casino Royale. This mysterious destination is revealed to be the secret headquarters of Dr. Noah, leader of the nefarious Smersh organization, whose plans are shrouded in mystery (announcer Valentine Dyall provides an eerie tone). Moneypenny and Sir James follow Mata Hari’s trail, only to find themselves ambushed in the casino director’s room - a cleverly disguised lift leading to Dr. Noah’s lair. With cunning and wit, they eventually gain access to the grand audience hall, where chairs are fashioned from gleaming gold ingots. There, they finally confront Dr. Noah, who reveals himself to be none other than Sir James’ long-lost nephew, Jimmy Bond.

Jimmy’s silence in the presence of his uncle is telling, as if he is torn between loyalty and treachery. Dr. Noah, aka Jimmy, outlines his diabolical plan: using a bacillus to render all women beautiful and all men subservient to him. With a flourish, he summons his staff and has Sir James and Moneypenny imprisoned. In a separate holding cell, The Detainer finds herself face-to-face with Dr. Noah’s sinister plans. He reveals his intention to surpass his uncle by replacing world leaders with robotic doubles - some of which have already been successfully implemented. Furthermore, he showcases his latest invention: a seemingly innocuous pill that “looks like an aspirin, tastes like an aspirin, but is not an aspirin” - in reality, it’s an atomic bomb that will detonate after 400 chain reactions.

Feigning interest and curiosity, The Detainer is released from her restraints, seizes the opportunity to steal the pill, and skillfully conceals it within Dr. Noah’s champagne. As he raises his glass in a toast, his hiccup-visualized countdown begins, leaving the fate of world leaders hanging precariously in the balance.

As Sir James, Mata, Moneypenny, and Coop, still reeling from their psychedelic imprisonment, manage to escape their ornate cell with the aid of exploding lysergic acid, they make their way back to the grand auditorium, where they reunite with The Detainer. With Frankenstein’s monster providing an unlikely guide, they navigate the labyrinthine corridors and eventually arrive at the Casino Royale, a haven of luxury and deception. Meanwhile, Vesper, now revealed as a master manipulator, has been secretly working to lure Sir James into her web, using her charms to orchestrate a trap that will ensnare him at the Casino.

As tensions rise, Sir James finds himself face-to-face with Vesper, whose motives are shrouded in mystery. But he is not one to be easily swayed, and with a swift display of cunning and strength, he overpowers her, only to discover that their entire ordeal has been part of a larger scheme. Undeterred, Sir James rallies the remaining Bonds - including himself, Coop, Mata, and Moneypenny - for an all-out assault on the Smersh agents at the Casino.

With the French and Americans joining the fray, the battle rages on, pitting horse-riding cowboys against tomahawk-wielding Red Indians, air-dropped with tepees serving as parachutes. Amidst the chaos, George Raft makes a cameo appearance, taking his own life during the melee. The Keystone Cops also make an unforgettable appearance, adding to the mayhem.

As the stakes reach a fever pitch, Dr. Noah reappears, counting down the final moments before a devastating chain reaction of explosions that will consume the Casino, claiming the lives of all five remaining Bonds - Sir James, Coop, Vesper, Mata, and Moneypenny - as well as Dr. Noah himself. The closing credits roll to a haunting tune, hinting at the eternal fate that awaits six James Bonds, including Tremble, in a heavenly realm where the heat is unbearable for one particular agent, Jimmy Bond.

Here’s a rephrased version of the section:

The cinematic experience that ensues when five different directors collaborate on a single film can only be described as a jarring, disorienting ride. This peculiar production is no exception. The story commences with James Bond (Evelyn Tremble (Peter Sellers)) encountering Lieutenant Mathis (Duncan Macrae) of the Special Police in a quaint Parisian café. After Bond verifies Mathis’ credentials, he follows him out into the night. The credits roll, signaling the beginning of this labyrinthine tale.

As the narrative unfolds, four sleek vehicles - a Citroen, a Cadillac, a Bentley, and what appears to be a Soviet-made automobile - converge from different directions. Four drivers wait patiently by their respective cars as their passengers alight onto the gleaming surface of a Rolls-Royce, piloted by a fifth chauffeur.

Through a series of conversations between M (McTarry (John Huston)), Ransome (William Holden), Le Grand (Charles Boyer), and Smernov (Kurt Kasznar), we gain insight into the lair of the original James Bond. This paragon of virtue is pure in both body and mind, with his sanctified abode protected by a majestic menagerie of lions.

As James exercises within his estate, the esteemed gentlemen arrive, their arrivals punctuated by witty repartee. We learn that this is no ordinary James Bond - he suffers from a stutter and complains that the new, high-tech gadgets have sullied the reputation of the espionage profession. He takes them on a tour of his property, showcasing his prized black rose, as the quartet of spies lament their own losses in the field.

James interrupts their deliberations to indulge in a soothing performance of Debussy’s melodies. Through this interlude, we discover that Bond retired from active duty due to the tragic necessity of luring his beloved, Mata Hari, to her demise. He returns from his musical escapade, only to be presented with a missive from the Queen herself, which he rejects.

The scene shifts to a Smersh command center, where the enigmatic leader (Authority) reveals that James Bond has emerged from retirement, his moral fiber, vows, and chaste reputation intact. In response, the organization initiates Plan B, aimed at sullying Bond’s image and rendering him vulnerable to their machinations.

The camera follows James as he navigates his trusty Morgan through the rolling British countryside, bound for Scotland and the stronghold of M (McTarry). Various spies monitor his progress, while we learn that his ultimate destination is none other than M’s castle. As Plan B unfolds, Agent Mimi assumes the role of M’s widow, Lady Fiona, boasting a convincingly Scottish brogue to further confound our hero.

Here’s my rephrased version of the section:

Sir James presents the solemn remains of M to Lady Fiona (Deborah Kerr), who listens intently as he recounts their origin, having learned of his demise from the Grey Piper. The somber atmosphere is palpable in the room filled with women, their faces etched with grief. In a poignant display of tradition, they prepare for a midnight haggis feast, where they will indulge in the ancient Scottish Fling and imbibe Ouskabar, a potent elixir that induces a state of intoxication so profound, it can only be overcome by an hour’s respite before the piper’s awakening, signaling the dawn of another grouse shoot.

As James retires to his chambers, Meg and Heather attend to his needs, their gentle ministrations unfolding amidst a tapestry of nude female figures, a testament to M’s 11 daughters, each one a beauty between the ages of 16 and 19. The hallways reveal a succession of bedrooms, each a window into the lives of these captivating young women, their peering faces like siren calls.

Later, in his bathrobe, James enters the bathroom, where he is startled to find 17-year-old Buttercup testing the water temperature with an innocent charm (“Daddy’s little thermometer”). She invites him to join her, and as he undresses, he must quickly adjust the temperature to avoid any embarrassing misunderstandings.

Cut to James’ room, where Meg and Heather engage in a subtle game of button-swapping, their hushed conversation conducted in French. They reveal that this particular button is reserved for use only as a last resort, Mimi’s uncanny ability never having failed before.

At the haggis feast, the gathering becomes increasingly raucous as everyone drinks scotch and loses themselves in revelry. James finds himself entwined with two lovely girls at the table, listening intently to Mimi regale him with tales of McTarry folklore. As the night wears on, everyone succumbs to the effects of the liquor except for James, who takes his cup and the decanter up to his room.

There, he savors a nightcap as Mimi arrives, proclaiming “her Widow’s Due” and insisting that James “doodle her”. Refusing, she insists that he “pay the piper”, and with a flourish, blows a whimsical trumpet solo on a hunting horn. The sound summons the Scottish pipers, who will engage in the ancient tradition of wassling - playing catch with heavy stone cannonballs.

As the initial attempts at lifting and hurling the balls prove futile for the first five participants, the sixth individual manages to execute a successful throw that James (character) expertly catches and promptly throws back to the piper. However, the weight of this unexpected turn of events proves too great, causing the piper to stumble backward into an armor display that ultimately falls on top of him, rendering him unconscious. Meanwhile, James seizes the last wassle ball, delivering a decisive karate chop that splits it in two. Mimi’s emotional response is palpable as she praises James in French, unwittingly blowing her cover and prompting the other girls to lock her away in her room.

The following morning, James sets out for the grouse shoot, unaware of the impending danger that awaits him. Mimi, meanwhile, remains trapped in her locked room, only realizing too late that James is in peril. The truck that brought the beaters is revealed to be a disguised launcher of exploding grouse, prompting Mimi to take drastic measures by sliding down a drainpipe outside her window and making her way to warn James about the button on his coat - a homing device that could seal their fate. With his quick thinking, James takes down the grouse before they can get too close, instructs Mimi to remove his braces, and together they utilize them as a makeshift slingshot to fire the button back towards the beaters. The beaters retaliate by employing a garter belt to fling the homing device back at James, who manages to snatch it mid-air and hand it over to Mimi, allowing her to launch it into the grouse launcher. Despite sustaining injuries, Mimi decides to dedicate herself to a nunnery, revealing to James that it is actually run by International Mother’s Help in Berlin.

James departs the McTarry estate, only to be tailed by a mysterious woman driving an E-Type Jaguar. Back at the Smersh control room, the women activate a rigged milk truck, which James narrowly avoids as he gets ahead of the Jag and forces the milk truck to lose its visual feed to Control. With no other option but to set the truck to automatic, Control becomes powerless as James drives into his gated estate and secures the gate before the milk truck plows into the Jag, causing both vehicles to explode in a fiery inferno.

James’s unexpected arrival at MI5 finds him reunited with Moneypenny (character), whom he greets with an enthusiastic kiss. Moneypenny’s delight is short-lived as she reveals herself to be the actual daughter of the original Moneypenny. James, now embarking on his mission, has shed his stammer and meets Hadley, who shares a surprising connection - being the son of the original Hadley.

As Hadley meticulously examines the state of MI5’s covert operatives, a somber reality emerges: most have fallen prey to enemy agents’ cunning charms, their lives extinguished like candles in the wind. The organization’s top priority becomes finding a worthy replacement for the enigmatic James Bond, who has opted out of espionage to pursue more… television-friendly pursuits. Amidst this crisis, the spotlight falls on Jimmy Bond (Woody Allen), James’ nephew, whose own clandestine exploits in the Caribbean have gone dark. A flashback reveals Jimmy’s narrow escape from a firing squad, courtesy of an ingenious exploding cigarette.

Meanwhile, Moneypenny is dispatched to scour the globe for a new 007 agent who can simultaneously captivate and resist the allure of enemy operatives. Her search yields Cooper, whose impressive physical attributes (6’2.5”, 184 lbs) and martial arts prowess (Kama Sutra Black Belt) are merely the beginning of his intriguing profile.

In a bold move to confuse the enemy, James announces that all remaining agents and trainees will henceforth be known as “James Bond 007.” Cooper begins his rigorous training program, which includes a disarming exercise involving an Ursula Anders lookalike. Later, we see him effortlessly deflecting the advances of another femme fatale, this one a prisoner being held by Dr. Noah.

Vesper Lynd (Ursula Andress), the world’s richest and most cunning spy, is summoned to negotiate with James on behalf of her organization. Her deal: a trade of the Eiffel Tower for nuclear warheads, plus the acquisition of Lord Nelson’s statue. In exchange for reducing a substantial tax liability, James requests Vesper’s assistance in taking down La Chiffre.

As Evelyn Tremble (Peter Sellers) attends a high-stakes Baccarat game at the Buckingham Club, he finds himself face to face with Vesper. Their flirtatious banter is palpable as they discuss the finer points of his book on winning at Baccarat – one that Vesper has been devouring in bed. She offers to send her car to collect him at her residence, where a sumptuous evening awaits.

Evelyn arrives just as Vesper is disposing of a corpse, and together they take a leisurely stroll behind a majestic aquarium, set to the sultry tones of “The Look of Love.” As they sink into Vesper’s sunken couch, Evelyn becomes enamored with Lord Nelson’s statue from his window perch. The air is thick with suggestive tension as Vesper films Evelyn dressed in various personas – Hitler, Napoleon, and Toulouse-Lautrec.

Ultimately, Evelyn agrees to become James Bond for the assignment, opting to take down La Chiffre and claim a share of the high-stakes Baccarat winnings. With his game face on, he’s ready to embark on this perilous adventure, unaware of the tantalizing challenges that lie ahead.

As Evelyn arrives at the MI5 training facility, a veritable spectacle unfolds before her eyes. Frogmen clad in camouflage gear are busy dispatching arrows and firing bows with precision, while a drill sergeant leads his team into an elevator, their footsteps echoing through the cavernous space. Meanwhile, Evelyn is outfitted with a wrist-mounted television monitor and a sleek body armor vest, readying herself for the rigors of covert operations.

Cut to James Bond’s office, where the suave secret agent has uncovered a shocking revelation: International Mother’s Help (IMH) is merely a front for the nefarious Smersh organization. Undeterred, Bond decides to deploy his illegitimate daughter, Mata Bond, into the fray. Born of his illicit union with the legendary Mata Hari, Mata is poised to infiltrate IMH and bring about a reckoning.

With her mission parameters set, Mata makes her way to the IMH headquarters, where she expertly dispatches the organization’s files, forcing Le Chiffre to resort to high-stakes baccarat. As the stakes escalate, the scene shifts to France, where Bond is seen socializing with none other than Carwash and Miss Goodthighs.

Meanwhile, Vesper and Tremble are making their way to the Casino Royale, their paths crossing in a series of increasingly tense encounters. Le Chiffre’s uncanny ability to swap glasses only adds to the intrigue as he maneuvers his way through the high-stakes game. In a stunning turn of events, Tremble loses a hand at the tables before Bond is captured and subjected to a grueling session of mind torture.

Vesper takes swift action, dispatching Tremble with ruthless efficiency before Dr. Noah’s henchmen eliminate Le Chiffre. Mata is then kidnapped, leaving Mimi to drop a cryptic hint that sets off a chain reaction of events.

As the stakes reach a fever pitch, Bond finds himself ambushed in his casino office, forced to make a daring escape. However, his escape route leads him straight into the clutches of Dr. Noah, who just so happens to be none other than Jimmy Bond (Woody Allen).

The scene shifts once more as Bacillius takes center stage, flaunting his Aspirin-like pill and boasting of its 400 tiny time pills. Meanwhile, Lysergic Acid vaporizes Agent Cooper before Frankenstein pays a visit to the office.

In a shocking twist, Vesper pulls out her gun and points it squarely at Evelyn, setting off a chain reaction that culminates in American Aid arriving on the scene. A monkey sporting a toupee is spotted amidst the chaos, as Indian forces join the fray alongside Keystone Cops-turned-police officers. In a dramatic turn of events, an explosion rocks the landscape, leaving all parties concerned reeling from the aftermath.

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