Foxy Brown 1974

In this gritty thriller, Foxy Brown's world is shattered when her undercover cop lover is brutally murdered by the mob, who had been using his identity to collect debts. Seething with rage and determination, Pam Grier's iconic heroine transforms into a vengeful vigilante, posing as a prostitute to infiltrate the crime syndicate and take down the ruthless gangsters one by one.

In this gritty thriller, Foxy Brown's world is shattered when her undercover cop lover is brutally murdered by the mob, who had been using his identity to collect debts. Seething with rage and determination, Pam Grier's iconic heroine transforms into a vengeful vigilante, posing as a prostitute to infiltrate the crime syndicate and take down the ruthless gangsters one by one.

Does Foxy Brown have end credit scenes?

No!

Foxy Brown does not have end credit scenes.

Ratings


Metacritic

46

Metascore

6.5

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.5 /10

IMDb Rating

TMDB

%

User Score

Plot Summary


As the night wears on, Link Brown (Antonio Fargas) finds himself at a taco stand, ordering a late-night snack while being watched by two menacing figures, Eddie (Tony Giorgio) and Bunyon (Fred Lerner). The tension is palpable as Link’s gaze lingers on the pair, his instincts screaming that they’re trouble. Just then, two police officers arrive to place their own orders, momentarily diverting the attention of the lurking thugs. As soon as the cops depart, Link seizes the opportunity to phone his sister Foxy Brown (Pam Grier) from a nearby payphone, warning her about the impending threat. Back at her home, Foxy springs into action, donning a new outfit and discreetly stashing a gun in her brassiere. Meanwhile, Link attempts to strike up a conversation with the police officers, but they’re soon gone, leaving him alone with Eddie and Bunyon. Just as the thugs close in on Link, Foxy intervenes by ramming them with her car, and Link seizes the chance to jump aboard, sliding into the vehicle through the sunroof.

As they return home together, Foxy demands an explanation for Link’s precarious predicament. He confesses to owing a loan shark $20,000, which he lost in a reckless game of numbers betting. Link tries to deflect blame by pointing out his sister’s missing boyfriend Dalton Ford (Terry Carter) is a police informer, but Foxy isn’t having it. She agrees to let him stay at her house, hoping to keep him out of further trouble.

In a separate storyline, Katherine Wall (Kathryn Loder) chastises Eddie and Bunyon for their failure to apprehend Link, as they report back to Steve Elias (Peter Brown). Meanwhile, Foxy pays a visit to Dalton at the hospital, where she’s shocked to see his disfigured face, which has been altered to assume a new identity as “Michael Anderson.” Michael’s doctor clears him to leave the hospital for the day, providing him with a new birth certificate and driver’s license before he departs.

That afternoon, Foxy and Michael take a leisurely stroll when they spot her friend Oscar (Bob Minor) on the street. As they watch, Oscar and his associate corner a drug dealer, rough him up, and shove him into the back of a car. Foxy introduces Michael to Oscar, who explains that he’s part of a grassroots neighborhood committee dedicated to ridding their community of drugs by enforcing their own brand of vigilante justice. Given the prevalence of corrupt cops on the take, the committee sees no other way to protect its citizens from the scourge of drug dealing.

As Link’s anxiety escalates, he receives a distressing call from Deb (Sally Ann Stroud), revealing that Elias’s enforcers paid her an unwelcome visit at their apartment, leaving her shaken. The weight of his $20,000 debt to settle with Elias hangs heavy on his mind, but he’s forced to cut the conversation short when his sister returns with Michael in tow. Foxy’s introduction of the pair sparks Link’s unease, and he swiftly exits the house, abandoning his evening plans for a hospital-bound night.

The next morning, Link paces back through memories as he pores over an aged newspaper article chronicling Dalton’s disappearance three months prior. A nagging suspicion takes root: someone profited handsomely from revealing Dalton’s true nature as an informant. Foxy departs, leaving Link to ruminate on the article, his eyes tracing lines across Dalton’s face with a intensity that belies his calm demeanor. Suddenly, a revelation strikes, prompting him to make a phone call.

Meanwhile, at Tedesco’s (Jack Bernardi) office, Leroy, a chemist (Robert Nadder), assures Elias that his latest batch of heroin is 80% pure, earning the drug supplier’s approval. A deal is struck for the product to be flown in from Mexico on a small plane. Later, Miss Wall confides in Elias and his henchmen about a rumor circulating that Dalton might still be alive, prompting Bunyon’s bold claim that he eliminated Dalton months ago – a statement Elias remains skeptical about. Wall orders the men to ensure Dalton’s demise.

As Foxy returns home, she discovers the newspaper article Link had been studying, her eyes locking onto his carefully drawn lines tracing Dalton’s facial features. A sense of foreboding washes over her, as if she suspects her brother might have uncovered Michael’s disguise. Moments later, a bullet finds its mark outside her doorstep, striking Michael. Foxy’s anger simmers, and she sets out to confront Link at his apartment, guns blazing. Her first shot misses its target, but the second grazes Link’s ear, forcing him to reveal that Katherine Wall, the enigmatic leader of an upscale escort service, also controls the local drug syndicate – a revelation that sends Foxy reeling.

As “Misty Cotton,” Foxy walks into the Katherine Wall Modeling Agency, armed with a keen understanding of the lucrative underbelly that lurks beneath its glamorous facade. With a calculated nonchalance, she reveals her willingness to trade in her body for a price that suits her purposes. The next day, Foxy arrives at Miss Wall’s residence, where an assortment of women are being meticulously prepared for their roles in the agency’s lucrative game. Assigned to accompany Claudia (Juanita Brown), a seasoned escort, to a high-stakes party, Foxy finds herself caught up in a complex web of intrigue and deception.

Their mission is clear: charm Judge Fenton (Harry Holcombe) into acquitting two of Elias’s drug dealers, lest they suffer a fate worse than death at the hands of the ruthless Katherine Wall. The stakes are raised when Claudia confides to Foxy that failure will condemn them to a living nightmare in Haiti, where men subject prostitutes to unspeakable atrocities. Meanwhile, outside the agency, Claudia’s estranged husband, Willard (Edward Cross), appears with their young son, Jason, announcing his plans to relocate to Seattle, Washington. Claudia begs him not to take her son away, and Willard suggests she join him, revealing that she feels trapped by her exploitative employers.

Eddie, Elias, and Miss Wall overhear the conversation, and in a fit of rage, Eddie and Elias pummel Willard, forcing him and Jason to flee. As they ride to the party, Foxy observes Claudia ingesting pills with an air of nonchalance, hinting at a deeper unease beneath her stoic facade. At the hotel suite, Claudia and Foxy find Judge Fenton surrounded by colleagues and topless escorts, who proceed to humiliate him in a bedroom, leaving him stumbling out into the hallway for all to ridicule. In the aftermath, Claudia reflects on the peril they now face after botching their assignment, but Foxy reassures her that she will take her somewhere safe, offering a glimmer of hope amidst the darkness.

As the sun rises on a new day, Elias (character) confides in Wall that Fenton has successfully brought down their drug operation, reassuring her that his men are hot on the trail of Foxy and Claudia. Meanwhile, Claudia embarks on a solo mission, sneaking out of Foxy’s residence in search of solace at a local lesbian bar. There, she encounters Bobbie (Jeanine Epper), a woman who, like Claudia herself, harbors secrets behind her closed doors. Foxy arrives to claim her friend, but their hasty departure is met with resistance from the fiery Bobbie, who refuses to back down. The ensuing brawl spills out into the streets as Foxy and Claudia spot Eddie, Bunyon, and Elias in hot pursuit. While Claudia makes a daring escape over a fence, Foxy finds herself surrounded by her tormentors. Later, Wall watches in horror as they subject Foxy to brutal torture.

As time passes, Foxy awakens in a dingy, rundown house, only to find one of her captors, Slauson (Boyd Red Morgan), feigning sleep beside her. She eavesdrops on Brandt’s (H.B. Haggerty) off-key singing outside before making a break for it, but Slauson’s quick reflexes ensnare her once more. Foxy finds herself trussed up and helpless as Brandt administers another dose of heroin to keep her subdued.

When Brandt departs the room, Foxy seizes the opportunity to free herself using her mouth to retrieve a straight razor from the bedside table. Arming herself with makeshift weapons crafted from wire hangers, she prepares for a desperate bid at escape. As Slauson approaches, Foxy unleashes a barrage of blows with the hangers, sending him crashing to the floor. Brandt rushes in to investigate, and Foxy seizes the moment to douse him with gasoline from an open kitchen window, setting both man and house ablaze.

Upon learning of the inferno and suspecting Foxy’s involvement, Miss Wall orders Elias to track her down and put an end to her reign of terror. Soon after, Eddie and Elias burst into Link’s apartment, demanding to know Foxy’s whereabouts. Link claims ignorance, but Elias’s impatience boils over, resulting in a deadly shoot-out that also claims the life of Link’s girlfriend Deb at the hands of their merciless blades.

As Foxy arrives at the humble headquarters of Oscar’s neighborhood committee, she’s met with the devastating news of Link’s untimely demise. The somber atmosphere is palpable as Oscar (character) escorts her to a dimly lit room where the committee members are gathered to deliberate on her plea for assistance. Despite their initial reluctance to entangle themselves in Foxy’s quest for vengeance against Wall, she pleads with them to join forces, her emotional appeal centered around avenging her recently deceased brother. The committee’s representatives demand to know if Foxy has a concrete plan in place, and in response, she asks if anyone is familiar with the pilot who serves Elias, a key figure in her vendetta.

Meanwhile, at a seedy bar situated near the airport, Foxy strikes up a conversation with Hays (Sig Haig), the pilot who works for Elias. Under the guise of a novice air traveler eager to take to the skies, she effortlessly charms him into taking her on his next flight. As they soar through the clouds, Hays lands his small plane at a secluded hideout where Elias, Eddie, and Leroy await their arrival. Not long after, Oscar and his cohorts discreetly approach two unsuspecting police officers stationed near the hideout. As Hays greets Elias and his cohorts with the illicit cargo, Foxy begins to restart the engine of her aircraft, setting it in motion towards Bunyon’s location. With a calculated precision, she deliberately runs him down, ultimately claiming his life.

In the aftermath, Foxy brings her plane crashing down into a nearby shed, prompting Elias’s henchmen to open fire on her. However, before they can inflict any significant harm, Oscar and his men arrive on the scene, armed with firearms of their own. A tense standoff ensues as they manage to trap Elias, leaving him at the mercy of the neighborhood committee members. As the situation unfolds, Foxy watches with an air of detachment as one of the committee’s representatives begins to inflict a brutal form of torture upon Elias.

That same night, Foxy makes her way to Miss Wall’s residence, armed with a bag containing a jar holding a gruesome and unsettling surprise – the severed genitals of Elias. Unbeknownst to her, Eddie and another henchman intercept her, only to be met with swift retribution as Foxy reveals a small handgun hidden within her afro. With calculated precision, she dispatches both henchmen, subsequently turning her attention towards Miss Wall herself. As the latter lunges at Foxy with a knife, Foxy seizes the opportunity to inflict a non-lethal wound upon her shoulder before issuing a chilling declaration: she intends for Miss Wall and Elias to suffer together.

Undeterred by Katherine Wall’s enraged outbursts and empty threats of revenge, Foxy calmly exits the premises, joins Oscar in their vehicle, and together they vanish into the night.

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