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Does Halloween: Resurrection have end credit scenes?
No!
Halloween: Resurrection does not have end credit scenes.
![Halloween: Resurrection](https://atm.fra1.digitaloceanspaces.com/movies/halloween-resurrection.jpg)
Halloween: Resurrection
2002
As a group of thrill-seeking teens wins a contest to spend a night in Michael Myers' notorious childhood home, they're ecstatic about the live internet broadcast - until terror takes over. What begins as a harmless prank escalates into a desperate fight for survival, where the line between reality and horror blurs.
Runtime: 94 min
Box Office: $38M
Language:
By:
Directors:
Cast:
Ratings:
![Metacritic](/images/common/movies/metacritic-logo.png)
19
Metascore
5.2
User Score
![Metacritic](/images/common/movies/rt-logo.png)
10%
TOMATOMETER
25%
User Score
![Metacritic](/images/common/movies/imdb-logo.png)
3.9 /10
IMDb Rating
![Metacritic](/images/common/movies/tmdb-logo.png)
46.0
%
User Score
Check out what happened in Halloween: Resurrection!
Here is a rephrased version of the section:
Laurie Strode (Jamie Lee Curtis), still grappling with the trauma of her past, finds herself confined to a psychiatric hospital three years after the events that transpired in the previous film. The truth about her actions - specifically the beheading of a paramedic instead of her brother Michael Myers (Brad Loree) - has come to light, and it's clear that her mental state is precarious. As she navigates the confines of her institutionalized life, Laurie becomes increasingly aware that she must prepare herself for the inevitable confrontation with Michael, who had been hiding in plain sight for three years after the events at Hillcrest Academy.
On October 31st, 2001, Laurie's fate seems sealed as Michael appears at the hospital, his malevolent presence striking fear into the hearts of those around her. In a desperate bid to outsmart him, Laurie lures Michael into a trap, but her hesitation ultimately proves fatal as he stabs her in the back and sends her plummeting off the roof to her death. With her mission accomplished, Michael finally achieves his twisted goal after decades of relentless pursuit.
Fast forward one year, and a group of college students - Bill Woodlake (Thomas Ian Nicholas), Donna Chang (Daisy McCrackin), Jen Danzig (Katee Sackhoff), Jim Morgan (Luke Kirby), Rudy Grimes (Sean Patrick Thomas), and Sara Moyer (Bianca Kajlich) - have won a competition to appear on an Internet reality show directed by Freddie Harris (Busta Rhymes) and his friend, Nora Winston (Tyra Banks). The premise of the show is simple: spend a night in Michael's childhood home, uncovering the secrets that drove him to kill. As they embark on this macabre adventure, each student is equipped with head-cameras and strategically placed cameras throughout the house, tasked with searching every nook and cranny for clues about Michael's troubled past. Meanwhile, Sara's friend Deckard (Ryan Merriman) watches the broadcast from a Halloween party, oblivious to the horrors that await the group as they delve deeper into the mysteries of Michael's childhood home.
As the group delves deeper into the mysterious house, Donna (played by) and Jim's budding intimacy is abruptly interrupted when a wall creaks open, revealing a gruesome sight - a seemingly endless array of corpses. Initially, the pair is petrified, but as they take a closer look, Jim realizes that these are mere mannequins, part of an elaborate setup. However, before he can make his escape, Donna's curiosity gets the better of her, and she stumbles upon a hidden tunnel behind the fallen wall.
Intrigued, Donna sets off to explore the labyrinthine passageway, only to find herself being stalked by none other than Michael Myers. The chase is on as Myers relentlessly pursues Donna through the tunnels, culminating in her gruesome impalement on a spike. Meanwhile, at the party, Deckard and the revelers bear witness to Donna's brutal demise, their initial skepticism giving way to stark terror.
As the night wears on, Freddie dons Michael's iconic mask, unaware that he is being secretly followed by the real Myers. Freddie, under the mistaken impression that his stalker is Charlie, a cameraman brutally dispatched earlier in the evening, instructs him to help Nora in the garage. Unbeknownst to Freddie, this is merely a ruse, and Michael's true intentions remain shrouded in mystery.
Upon discovering Freddie's Myers costume, Rudy, Sara, and Jim are initially perplexed but soon grasp the scheme's intricacies. As they prepare to flee with the others, Jen stumbles upon Bill's gruesome remains, only to be decapitated by Michael mere moments later, right before the trio's astonished eyes. Rudy and Sara make a hasty retreat, leaving Jim to face his maker.
Jim valiantly fends off Myers' attacks but ultimately succumbs to a crushing blow, joining the growing tally of the dead. Freddie, meanwhile, finds himself pinned to the door by Michael with kitchen knives. As Michael closes in on Sara upstairs, she seeks refuge in a bedroom, desperately pleading for Deckard's aid.
The partygoers begin to realize that the gruesome events unfolding before their eyes are, in fact, all too real. With Deckard messaging Sara from the shadows, she manages to escape and finds herself face-to-face with Freddie, who has been gravely injured in his battle with Michael.
As they make a break for freedom, Michael reappears, hell-bent on finishing off the remaining survivors. Freddie returns to the fray, using his wits and physical prowess to fend off Myers, tangling him in electrical wiring before making a heroic dash to safety with Sara in tow.
As the somber procession of death unwinds, the lifeless forms of Michael and his unfortunate companions make their way to the morgue, a bleak destination that holds no promise of rebirth or redemption. The medical examiner, a professional conduit to the secrets of the dead, sets about unraveling the mysteries of their demise, but just as the autopsy begins in earnest, a jarring twist throws everything off balance: Michael's eyes, those cold and calculating windows to his soul, flicker open, casting an unsettling glow across the dimly lit room. The camera lingers for just a moment on this macabre tableau before plunging us into darkness, leaving only the faintest glimmer of anticipation and unease in its wake.