
A celebrated violinist finds himself drawn to his daughter's piano teacher, leading to a passionate and forbidden romance. The affair creates turmoil and guilt, as long-held secrets surface and a devastating tragedy unfolds. Both lovers are forced to confront the painful consequences of their choices and the delicate nature of love and happiness.
Does Intermezzo: A Love Story have end credit scenes?
No!
Intermezzo: A Love Story does not have end credit scenes. You can leave when the credits roll.
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74
Metascore
tbd
User Score
100%
TOMATOMETER
67%
User Score
6.6 /10
IMDb Rating
67
%
User Score
Challenge your knowledge of Intermezzo: A Love Story with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the renowned violinist in the story?
Holger Brandt
Thomas Stenborg
Anita Hoffman
Eric Brandt
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Discover all the awards and nominations received by Intermezzo: A Love Story, from Oscars to film festival honors. Learn how Intermezzo: A Love Story and its cast and crew have been recognized by critics and the industry alike.
The 12th Academy Awards 1940
Music (Scoring)
Read the complete plot summary of Intermezzo: A Love Story, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Renowned violinist Holger Brandt (portrayed by Leslie Howard) concludes his final concert of the tour amidst thunderous applause. He makes a heartfelt announcement to the enthusiastic New York audience, revealing that this performance marks the retirement of his beloved accompanist, friend, and mentor, Thomas Stenborg (played by John Halliday), who will no longer tour. After a brief period of rest, Holger plans to embark on a new tour, seeking a fresh talent to accompany him.
Upon returning to Stockholm, both Holger and Thomas are warmly greeted by their spouses. Holger’s dedicated wife, Margit, has been raising their two children, Eric (Douglas Scott) and Ann-Marie (Ann E. Todd), largely by herself during Holger’s time away. As a teenager, Eric feels the complexities of his father’s absence, while little Ann-Marie, now six, has blossomed into a talented pianist under the guidance of the gifted Miss Anita Hoffman (Ingrid Bergman), who is a bright star in her own right and is preparing for the prestigious Jenny Lind scholarship in Paris.
Initially indifferent to Anita’s talent, Holger’s perspective changes dramatically when he witnesses her extraordinary piano performance at Ann-Marie’s birthday celebration. Struck by their remarkable musical chemistry, Holger proposes that Anita join him on tour; however, she respectfully declines, committed to her studies for the scholarship.
As time passes, Holger and Anita find themselves falling for each other. Anita grapples with feelings of guilt and attempts to break off their relationship by contemplating a move from Stockholm. In a moment of honesty, Holger shares his feelings for Anita with Margit, leading to a separation that grants him the freedom to tour with Anita as his accompanist.
Their collaboration garners widespread acclaim, and they eventually escape to a scenic seaside town in France for a much-needed vacation. It is during this time that Anita receives a life-changing letter from her mentor, Thomas, confirming her win of the Jenny Lind scholarship. Yet, in a profound act of love, she burns the letter, unwilling to let her dreams jeopardize her relationship with Holger. Despite their deep mutual affection, Anita senses Holger’s lingering attachment to his family and his bond with a little girl named Marianne (Maria Flynn) who reminds him of Ann-Marie.
Thomas visits the couple, aiming to mediate as a mutual friend. He conveys that Margit wishes to divorce and encourages Holger to sign the papers, yet Holger hesitates at severing ties with his past. Meanwhile, Thomas speaks privately with Anita, expressing concern for the career she is neglecting and questioning whether Holger can truly forget about his family. This conversation brings Anita to a painful realization: she and Holger cannot construct a future built on the misfortunes of others. Feeling like just an “intermezzo” in his life, she decides to leave the next day, presumably heading to Paris to accept her scholarship, leaving behind a letter urging Holger to return home.
Devastated yet proud, Holger initially resists going back to Stockholm after Anita’s departure. However, the promise he made to Thomas about returning for their daughter Ann-Marie encourages him to make the journey. Knowing that Ann-Marie wishes for a camera, he purchases one as a gift and heads to her school. The moment he arrives, Ann-Marie joyfully rushes into the street to greet him, tragically colliding with a taxi. Holger swiftly carries her home, where he finds Margit and the doctor attending to their daughter.
As he spends the night in the drawing room, waiting anxiously for news, Holger reconciles with Eric, admitting his past mistakes and seeking forgiveness. The next morning, the doctor reassures a worn-out Holger that Ann-Marie will recover with time. Overwhelmed with relief but feeling he no longer belongs, Holger prepares to leave. Just as he turns the door handle, Margit calls out, welcoming him back. Holger pauses and turns, stepping back into the warmth of their home, ready to embrace his family once more.
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