In this gripping drama, cynical war correspondent Pierre Peders clashes with pop icon Katya in a battle of wits, where the lines between reality and facade blur. As they engage in a charged conversation, their disparate worlds collide, revealing hidden depths and unexpected connections, culminating in a stunning revelation that upends all expectations.
Does Interview have end credit scenes?
No!
Interview does not have end credit scenes.
64
Metascore
6.7
User Score
6.8 /10
IMDb Rating
63
%
User Score
Who plays the character Pierre Peders in the film?
Pierre Peders, a dedicated political journalist portrayed by Steve Buscemi, finds himself in a precarious situation when he is assigned to interview the charming yet infuriating soap opera star, Katya, played by Sienna Miller. Katya arrives significantly late, showing no remorse, and quickly manages to charm the maitre d’ into giving them the best table in the restaurant, which had just been vacated by a couple who leaves without protest.
As the evening unfolds, Katya’s self-absorbed demeanor becomes increasingly apparent—she boldly answers her incessantly ringing phone with an absurd dog ringtone that drives Pierre to the brink of frustration. This irritation ultimately leads him to abandon the interview altogether. It becomes evident that he only knows about Katya from hearsay, particularly regarding her numerous high-profile relationships. After Pierre leaves the restaurant in a huff, he notices Katya engaging with paparazzi outside, dramatically highlighting her fame.
In a bizarre twist of fate, Pierre’s taxi driver, fully enamored with Katya, loses control of the vehicle, causing a minor accident that leaves Pierre with a bump on the head. Surprisingly, Katya offers to take him home to help him recover. Once there, the two share an evening filled with alcohol and candid conversation, revealing their contrasting worldviews. Katya, with her insights into what men desire in women—emphasizing factors like high heels and fishnets—offers Pierre a glimpse into her less-than-innocent persona.
As they converse, Pierre attempts to probe deeper into her life, eventually sharing a heart-wrenching tale about his brother, Robert, a journalist whose life was shattered by war and loss. This revelation leads him to read Katya’s online diary, uncovering her struggles with feelings of loneliness and depression, which sparks a dialogue about authenticity in their lives. Despite attempting to encourage her to confront her emotions, he faces resistance from Katya, who refuses to acknowledge her troubles.
A pivotal moment arises when Pierre proposes a deal: if Katya reveals her deep secret, he will share his. In a raw and emotional confession, she discloses her cancer diagnosis, displaying vulnerability that contrasts with her earlier bravado. Pierre calmly assures her that he won’t disclose this sensitive information. However, when it’s his turn, he admits to embellishing his brother’s tragic narrative and confesses a dark secret about his own past, revealing his guilt over neglecting his wife’s needs during her struggles with addiction.
In a tense twist, Pierre mistakenly believes he has captured his confession on Katya’s camcorder, only to realize too late that he accidentally took a tape of her rehearsing for her soap opera. When he excitedly calls his editor with what he thinks is breaking news about Katya’s health, she confronts him, exposing that the cancer storyline was fabricated for the show and that she has the recording of Pierre’s confession.
Left alone in her opulent loft, Katya watches the tape, giving her the upper hand in this emotional tug-of-war, while Pierre finds himself spiraling into a nightmare that he can no longer control. The complicated dynamics of fame, desperation, and moral accountability leave both characters at a crossroads they never expected to encounter.
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