Let's Scare Jessica to Death 1971

As Jessica readjusts to life after a nervous breakdown, she's confronted with an unsettling presence in her rural retreat. A mysterious young woman may be a vampire, but as Jessica's grip on reality falters, it's unclear what's real and what's a product of her fragile psyche. Is the terror surrounding her a manifestation of her madness or a sinister force closing in?

As Jessica readjusts to life after a nervous breakdown, she's confronted with an unsettling presence in her rural retreat. A mysterious young woman may be a vampire, but as Jessica's grip on reality falters, it's unclear what's real and what's a product of her fragile psyche. Is the terror surrounding her a manifestation of her madness or a sinister force closing in?

Does Let's Scare Jessica to Death have end credit scenes?

No!

Let's Scare Jessica to Death does not have end credit scenes.

Ratings


Metacritic

58

Metascore

5.2

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

TMDB

63

%

User Score

Movie Quiz


Let's Scare Jessica to Death Quiz: Test your knowledge on the eerie events and characters from 'Let's Scare Jessica to Death'.

What type of tree do Jessica and her friends use as a backdrop for their isolation?

Plot Summary

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As Jessica embarks on a new chapter of her life in a tranquil farmhouse alongside her husband, Duncan and their adventurous friend Woody, an unexpected guest appears: the mysterious drifter, Emily. At first, Jessica hesitates to welcome Emily into their lives, but her kindness gradually wins over the newcomer, who finds herself enchanted by Woody’s carefree spirit. However, as Jessica strives to adjust, her reality begins to twist into something unsettling. She starts hearing eerie whispers and perceiving a spectral blonde woman lurking in the shadows, causing her deep concern yet she refrains from sharing her experiences, dreading that Duncan or Woody might dismiss her as unstable.

Meanwhile, Duncan wrestles with his own feelings, increasingly attracted to Emily’s vibrant personality, which leaves Jessica feeling threatened and isolated. Their friendship dynamic strains under the weight of unspoken tension, as the trio finds themselves progressively detached from the unfriendly local community, where many residents bear visible scars and seem suspicious of their presence.

Days pass and as Jessica and Duncan rummage through the treasures of their new home, they uncover a captivating antique: a silver-framed family portrait of the Bishops - including father, mother, and their daughter Abigail. The antique dealer, Sam Dorker, shares the chilling backstory of Abigail, who tragically drowned on her wedding eve in 1880, igniting whispers that she lingers on the island as a vampire. While Jessica is drawn to the haunting tale, Duncan’s concern for his wife’s mental state grows.

As Jessica deepens her obsession with Abigail’s story, odd phenomena unfold around her. She starts seeing the enigmatic blonde woman beckoning her, leading to a gruesome discovery: the bloodied body of Sam Dorker, contrasting disturbingly with the beauty of the island. By the time Duncan arrives, Sam’s body has mysteriously disappeared, leaving an indelible mark on their memories.

In the chilling aftermath, Jessica and Duncan confront the silent blonde woman, who disappears when Emily approaches, intensifying the tense atmosphere enveloping the island. The friendship of the trio is increasingly overshadowed by deep-rooted secrets and lies. One evening, Duncan issues Jessica an ultimatum to return to New York for psychiatric help, but she asserts control, sending him to sleep on the couch, where he becomes beguiled by Emily’s allure.

The following day, while searching through the attic, Jessica stumbles upon an old portrait that reveals a startling secret: Abigail bears an uncanny resemblance to Emily. Conflicted by this revelation, Jessica agrees to swim with Emily in the cove, unknowingly heading toward impending terror.

As they step into the water, Emily disappears and reemerges wearing a haunting Victorian wedding gown, her gaze fierce and unnatural. Frantically, Jessica retreats indoors, locked in her own fear as the hours drag on. Eventually, she gathers her nerve to leave, only to find Duncan’s car ominously parked nearby. The townspeople’s suspicious behavior, marked by scars on their necks and wrists, only heightens her anxiety.

In the height of horror, Jessica spots Sam Dorker amongst the villagers, and she flees back to the house, collapsing in the orchard until Duncan finds her, a doppelgänger of the man she once loved. In their bedroom, Jessica notices a fresh cut on Duncan’s neck, which appears to be inflicted by Emily. Then, Emily suddenly appears, knife in hand and accompanied by ominous followers.

Jessica realizes the severity of the situation as she frantically escapes, inadvertently revealing Duncan’s bass case, which holds the corpse of the mute blonde woman inside. Her panicked flight leads her to Woody’s still body, brutally slain. With dawn breaking, Jessica strives to reach the ferry but is met with rejection by the ferryman, who bears a scar. Defiant, she commandeers a rowboat and navigates the lake, where she confronts the shocking sight of Duncan’s lifeless body, which is grotesquely skewered.

In that moment, uncertainty overwhelms Jessica as she drifts further from the shore, battling the harrowing thought: has she slipped into madness, or is reality itself unraveling? This haunting question looms heavily, watched by Emily and the townsfolk with cold, calculating gazes as Jessica fades into the unknown.

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