Three tales of love, trust, and connection unfold in Love Is Love Is Love. A married couple uses technology to bridge the distance between them, only to discover the chasm was deeper than they thought. An older couple embarks on a sailing adventure to rekindle their romance, but life has other plans. Meanwhile, a grieving young woman reunites with her mother's closest friends, uncovering surprising truths and redefining the power of female bonds.
Does Love Is Love Is Love have end credit scenes?
No!
Love Is Love Is Love does not have end credit scenes.
Rosanna Arquette
Anne (segment "Late Lunch")
Polly Draper
Milly, Marlene (segments "Sailing Lesson" - "Late Lunch")
Kathy Baker
Diana (segment "Sailing Lesson")
Marshall Bell
John (segment "Sailing Lesson")
Caleb Cabrera
Dock Boy (segment "Sailing Lesson")
Justin Ashforth
Man on boat (segment "Sailing Lesson")
Nancy Carlin
Patty (segment "Late Lunch")
Regina Coppola
Montana Patron (segment "Two for Dinner")
Stephanie Gamble
Montana Patron (segment "Two for Dinner")
Todd DeVincenzi
Single Man (segment "Two for Dinner")
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TOMATOMETER
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User Score
82
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User Score
What night of the week does Joanne and Jack's virtual dinner date take place?
As Saturday night unfolds, Joanne and Jack find themselves on a virtual dinner date, their emotional connection bridging the distance that separates them due to his work in Montana. With their grown daughters and a marriage that has weathered the years, they’ve cultivated a life rich in love and laughter. Yet, when Jack neglects to call the night before—claiming he was too tired after a long evening spent watching DVDs—Joanne can’t shake the feeling of a growing divide between them. His suggestion that she join him in Montana raises her suspicions; she questions whether he will truly make time for her amid his hectic schedule.
Just as their conversation begins to find a comfortable rhythm, Jack’s connection suddenly drops. When it resumes, he is not alone—an unexpected female presence from his production team joins the call, saying a brief hello before swiftly leaving. This moment stirs unease within Joanne. As their discussion progresses, Jack reveals a more possessive side when another man expresses interest in Joanne, igniting her doubts about his priorities. When they eventually end their call, Jack’s fatigue feels palpable.
Determined to confront her uncertainties, Joanne takes the plunge the following day and travels to Montana, despite her reservations. However, upon late arrival at his lodging, she is met with an unsettling sight—another woman slipping out of the back door, making her feel as though she has stumbled into a dramatic scene right out of a soap opera.
Meanwhile, Caroline finds herself surrounded by a group of accomplished women, each exuding a mix of pride and guilt. Their collective success starkly highlights Caroline’s feelings of inadequacy, especially as she grapples with the haunting memories of her interactions with her late mother, Clare, who tragically passed away in a car accident while on her way to visit Caroline.
As the gathering progresses from casual chit-chat to profound discussions, Caroline is drawn into the tapestry of shared experiences among the women. They open up about abortion, infidelity, and secret pregnancies—each thread reinforcing the complexities and trials these strong women face. The emotional charge of the evening intensifies when an unexpected package arrives mid-meal, adding to the atmosphere charged with resonance.
The night transforms into a vibrant celebration of sisterhood, culminating in a spirited display of tap dancing, with each woman selecting a scarf that symbolizes Clare’s lasting influence. The emotional crescendo arrives when one participant graces the stage to sing an original song, poignantly declaring, > “Regrets are like rocks that sink to the bottom.” This heartfelt tribute not only honors Clare’s legacy but also encapsulates the shared journey of these remarkable women as they seek personal evolution and mutual understanding.
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